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Author D M R Esson describes the roles the much-hated figures of Oliver Cromwell and his Ironsides played in suppressing the Irish uprising, and the workings of the English Parliament that led to the creation of an independent Irish leadership.
'Curse of Cromwell' is a graphic novel based on the Siege of Clonmel in 1650. The book also expores political and social divisions in Ireland at that time.
Rev. ed. of: Notes for Joyce: an annotation of James Joyce's Ulysses, 1974.
In a century of unrelenting, bloody warfare and religious persecution in Europe, Cromwell was, in many ways, a product of his times. As commander-in-chief of the army in Ireland, however, the responsibilities for the excesses of the military must be laid firmly at his door, while the harsh nature of the post-war settlement also bears his imprint.
The first volume in a pioneering account of Oliver Cromwell--providing a major new interpretation of one of the greatest figures in history Oliver Cromwell (1599-1658)--the only English commoner to become the overall head of state--is one of the great figures of history, but his character was very complex. He was at once courageous and devout, devious and self-serving; as a parliamentarian, he was devoted to his cause; as a soldier, he was ruthless. Cromwell's speeches and writings surpass in quantity those of any other ruler of England before Victoria and, for those seeking to understand him, he has usually been taken at his word. In this remarkable new work, Ronald Hutton untangles the facts from the fiction. Cromwell, pursuing his devotion to God and cementing his Puritan support base, quickly transformed from obscure provincial to military victor. At the end of the first English Civil War, he was poised to take power. Hutton reveals a man who was both genuine in his faith and deliberate in his dishonesty--and uncovers the inner workings of the man who has puzzled biographers for centuries.
Emily Bloom chronicles the emergence of the British Broadcasting Corporation as a significant promotional platform and aesthetic influence for Irish modernism from the 1930s to the 1960s. She situates the works of W.B. Yeats, Elizabeth Bowen, Louis MacNeice, and Samuel Beckett in the context of the media environments that shaped their works.