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Miranda Marquette reconnects with her family after years of separation. The next day, on a hike around nearby Coyote Lake, they discover two bodies anchored at the bottom of a holding pond near the lake. Soon, they find out that victims are Miranda’s neighbors, Jerry Carter and Matoska. Once again Sally Roop, Miranda’s neighbor, comes under suspicion for the murders. Somehow, there is an international connection to the case, but clues are few and far in-between. Once again, Miranda enlists her friends Margo, Wanda and Lyanne - the WAIT club - to solve the case. But can they figure out who the killer is and bring him to justice?
Looking for a fresh start, Miranda relocates from Santa Clara to a new home near the picturesque Henry Coe State Park. On her morning trail run, Miranda discovers the body of her neighbor, Burt Roop. The unfortunate label of “Princess of Death” seems to have followed her into the countryside, and she soon finds herself embroiled in the search for the real killer. The list of suspects includes her live-in boyfriend Jason, the victim’s wife, and a mysterious real-life princess. Together with her friends Margo, Wanda and Lyanne, can Miranda find the murderer before another life is lost?
Miranda Marquette reconnects with her family after years of separation. The next day, on a hike around nearby Coyote Lake, they discover two bodies anchored at the bottom of a holding pond near the lake. Soon, they find out that victims are Miranda's neighbors, Jerry Carter and Matoska. Once again Sally Roop, Miranda's neighbor, comes under suspicion for the murders. Somehow, there is an international connection to the case, but clues are few and far in-between. Once again, Miranda enlists her friends Margo, Wanda and Lyanne - the WAIT club - to solve the case. But can they figure out who the killer is and bring him to justice? This is the large print edition of Curse of Coyote Lake, with a larger font / typeface for easier reading.
A road trip turns deadly when Miranda Marquette and her future sister-in-law, Kara, find themselves embroiled in a mystery. On their way from Coyote Lake to New Orleans, they stop to help strangers with a broken-down vehicle in the Arizona desert, only to get arrested for murder. The situation quickly spirals into an ordeal involving multiple dead bodies and a desperate fight to clear their names. No stranger to trouble, Miranda must navigate a legal battle that dredges up the ghosts of her past. As the trial looms, she must confront demons she thought she had left long behind, while trying to figure out the real killer's identity. As the past collides with the present, will Miranda finally be able to put her past behind her?
Shelby Jane Cooper is seventeen, pretty and quiet. It's just Shelby and her mom, Shaylene, a court stenographer who wears pyjama jeans, stitches tapestry, eats ice-cream for dinner and likes to keep Shelby safe. So safe she barely goes out. So safe she doesn't go to school. Because anything could happen, to a girl like Shelby. Anything. When Shelby gets knocked down by a car, it's not just her leg that's broken: Shelby's world is shattered. Her mom turns up to collect her and drives off into the night, like it's the beginning of a road trip, like two criminals on the run, like Thelma and Louise or Bonnie and Clyde. And somehow, everywhere she looks, there's a coyote watching her, talking to her, telling her not to believe. Who is Shelby Jane Cooper? If the person who keeps you safe also tells you lies, who can you trust?
Miranda Marquette reconnects with her family after years of separation. In what starts only as a visit from her brother, Michael and his fiancé, Kara, ends as an announcement that they have decided to relocate to California. On a hike with them the next day, bordering nearby Coyote Lake, the three of them discover two bodies anchored at the bottom of a holding pond near the lake. Soon they discover the bodies belong to Miranda's neighbor, Jerry Carter, and Matoska, the mother of Chenoa the Indian Princess. Once again, Sally Roop, Miranda's neighbor comes under suspicion for the murders. But there are also international undertones to the case, making it even more confusing. Once again, Miranda enlists her friends Margo, Wanda and Lyanne, the WAIT Club, to solve the case, and her future brother-in-law, Mark, to defend her neighbor Sally.
From the master of subversive humor Christopher Moore comes a quirky, irreverent novel of love, myth, metaphysics, outlaw biking, angst, and outrageous redemption. As a boy, he was Samson Hunts Alone—until a deadly misunderstanding with the law forced him to flee the Crow reservation at age fifteen. Today he is Samuel Hunter, a successful Santa Barbara insurance salesman with a Mercedes, a condo, and a hollow, invented life. Then one day, destiny offers him the dangerous gift of love—in the exquisite form of Calliope Kincaid—and a curse in the unheralded appearance of an ancient god by the name of Coyote. Coyote, the trickster, has arrived to reawaken the mystical storyteller within Sam...and to seriously screw up his existence in the process.
Published through the Recovering Languages and Literacies of the Americas initiative, supported by the Andrew W. Mellon Foundation World-Making Stories is a collection of Maidu creation stories that will help readers appreciate California's rich cultural tapestry. At the beginning of the twentieth century, renowned storyteller Hanc'ibyjim (Tom Young) performed Maidu and Atsugewi stories for anthropologist Ronald B. Dixon, who published these stories in 1912. The resulting Maidu Texts presented the stories in numbered block texts that, while serving as a source of linguistic decoding, also reflect the state of anthropological linguistics of the era by not conveying a sense of rhetorical or poetic composition. Sixty years later, noted linguist William Shipley engaged the texts as oral literature and composed a free verse literary translation, which he paired with the artwork of Daniel Stolpe and published in a limited-edition four-volume set that circulated primarily to libraries and private collectors. Here M. Eleanor Nevins and the Weje-ebis (Keep Speaking) Jamani Maidu Language Revitalization Project team illuminate these important tales in a new way by restoring Maidu elements omitted by William Shipley and by bending the translation to more closely correspond in poetic form to the Maidu original. The beautifully told stories by Hanc'ibyjim are accompanied by Stolpe's intricate illustrations and by personal and pedagogical essays from scholars and Maidu leaders working to revitalize the language. The resulting World-Making Stories is a necessity for language revitalization programs and an excellent model of indigenous community-university collaboration.