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The story of Ashwathama from starting to end. Well end was only the beginning.
At times, life seems more miserable than death. There is a moment at times when a sinner begs and prays for death but the Lord of Death denies the plea.
The Immortal Lament: Ashwathama's Curse Born under extraordinary circumstances, Ashwathama, son of the legendary warrior Drona, is destined for a life unlike any other. Trained alongside the Pandavas and Kauravas, he finds himself bound by loyalty to the Kaurava prince, Duryodhana. As the great war of Kurukshetra engulfs the land, Ashwathama unleashes his prowess, but a fateful night of bloodshed leads to an unforgivable act. Cursed with immortality by Krishna, Ashwathama is condemned to walk the earth, forever burdened by the weight of his actions. Witness to the rise and fall of empires, he grapples with the meaning of duty, the cost of war, and the unbearable loneliness of eternity. Will Ashwathama ever find redemption? Can a man cursed with immortality find peace? This captivating novel delves into the Mahabharata from Ashwathama's perspective, offering a fresh take on one of India's greatest epics. Perfect for readers who enjoy mythology, fantasy, and stories that explore the complexities of human nature.
Treta Yug- Raavan was very proud of himself that, no man on this earth, could defeat him, so even after knowing all this, he did not returned Sita Ji, but he got engaged in a task, that if he really died, then, he should sustain on this earth in one or another way. Dvapar Yug- Battlefield of Kurukshetr, Late evening, 18th day of war. Bheem smashed Duryodhan’s both thighs in the Mace dual. Duryodhan was lying on the ground, his both thigh’s femur bones ruptured and dislocated from pelvis. Ashwathama came and promised Duryodhana, that he will take back Hastinapur Kaliyug- Every Kaithi villager was watching same news, on TV and Mobile on Purali for last one day. The news was devastating, nothing left in the village. For Kaithi people it was like their second home is gone with all relatives, they were in extreme shock and anger. Everyone got some sense, that there is something in Purali which can be danger to us, and this danger is still there, anything can happen to us. No one still got clear picture, whether it a disease which is killing all of us or there is some enemy or a group against us? Whoever it is, how on earth someone can move a mountain to finish a village or is it really Lord Shiv, who is furious on us, if it is Lord Shiv’s wrath then, why Guru Aksi said, War?
It Is A Transformation Of An Ancient Legend Into A Modern Novel. In This Process, It Has Gained Rational Credibility And A Human Perspective. The Main Incident, The Bharata War, Symbolic Of The Birthpangs Of A New World-Order, Depicts A Heroic But Vain Effort To Arrest The Disintegration And Continue The Prevailing Order. It Is Viewed From The Stand Points Of The Partisan Participants And Judged With Reference To The Objective Understanding Of Krishna. Narration, Dialogue, Monologue And Comment All Are Employed For Its Presentation. Shot Through With Irony, Pity And Understanding Objectivity, The Novel Ends With The True Tragic Vision Of Faith In Life And Hope For Mankind.
In this award-winning novel, Tharoor has masterfully recast the two-thousand-year-old epic, The Mahabharata, with fictional but highly recognizable events and characters from twentieth-century Indian politics. Nothing is sacred in this deliciously irreverent, witty, and deeply intelligent retelling of modern Indian history and the ancient Indian epic The Mahabharata. Alternately outrageous and instructive, hilarious and moving, it is a dazzling tapestry of prose and verse that satirically, but also poignantly, chronicles the struggle for Indian freedom and independence.
Leper. Murderer. Hero. The battle of Kurukshetra has come to its catastrophic end after eighteen long days. As Ashwatthama, the lone survivor of the Kaurava camp slowly regains consciousness, he realizes, to his horror, that he has been condemned to a life of immortality and leprosy by Krishna, the mastermind behind his opponents? victory. Burning with hatred for the Pandavas for killing Duryodhana, his friend and saviour, and stricken with anger at his own fate, he vows to seek revenge. When he hears of an infallible gemstone that promises to restore his mortality and cure his leprosy ? and allows him to exact vengeance ? he is determined to go to any length to acquire it. But will his quest for mortality result in the death of the woman he loves? An exhilarating tale of passion and redemption, Palace of Assassins masterfully recasts the events in the aftermath of the great war and presents Ashwatthama, one of the most misunderstood characters of the Mahabharata, in a whole new light.
High above the sky stands Swarga, paradise, abode of the gods. Still above is Vaikuntha, heaven, abode of God. The doorkeepers of Vaikuntha are the twins, Jaya and Vijaya, both whose names mean ‘victory’. One keeps you in Swarga; the other raises you into Vaikuntha. In Vaikuntha there is bliss forever, in Swarga there is pleasure for only as long as you deserve. What is the difference between Jaya and Vijaya? Solve this puzzle and you will solve the mystery of the Mahabharata. In this enthralling retelling of India’s greatest epic, the Mahabharata, originally known as Jaya, Devdutt Pattanaik seamlessly weaves into a single narrative plots from the Sanskrit classic as well as its many folk and regional variants, including the Pandavani of Chattisgarh, Gondhal of Maharashtra, Terukkuttu of Tamil Nadu, and Yakshagana of Karnataka. Richly illustrated with over 250 line drawings by the author, the 108 chapters abound with little-known details such as the names of the hundred Kauravas, the worship of Draupadi as a goddess in Tamil Nadu, the stories of Astika, Madhavi, Jaimini, Aravan and Barbareek, the Mahabharata version of the Shakuntalam and the Ramayana, and the dating of the war based on astronomical data. With clarity and simplicity, the tales in this elegant volume reveal the eternal relevance of the Mahabharata, the complex and disturbing meditation on the human condition that has shaped Indian thought for over 3000 years.