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A critical history of the study of Buddhism in the West, incorporating insights of colonial and post-colonial cultural studies. Social, political and cultural conditions that have shaped the course of Buddhist studies are discussed.
"Eminently readable and extremely meaningful. The contributors tackle essential questions about the relationship of art and life. The book is also very timely, offering a way to approach Buddhism through unexpected channels."--Lynn Gumpert, Director, Grey Art Gallery, New York University
Buddhist temples in Southeast Asia are centers for the preservation of local artistic traditions. Chief among these are manuscripts, a vital source for our understanding of Buddhist ideas and practices in the region. They are also a beautiful art form, too little understood in the West. The British Library has one of the richest collections of Southeast Asian manuscripts, principally from Thailand and Burma, anywhere in the world. It includes finely painted copies of Buddhist scriptures, literary works, historical narratives, and works on traditional medicine, law, cosmology, and fortune-telling. Buddhism Illuminated includes over one hundred examples of Buddhist art from the Library’s collection, relating each manuscript to Theravada tradition and beliefs, and introducing the historical, artistic, and religious contexts of their production. It is the first book in English to showcase the beauty and variety of Buddhist manuscript art and reproduces many works that have never before been photographed.
A critical history of the study of Buddhism in the West, incorporating insights of colonial and post-colonial cultural studies. Social, political and cultural conditions that have shaped the course of Buddhist studies are discussed.
This book explores the iconography of Padmasambhava, a famous and timeless figure in Tibetan and Himalayan Buddhist cultures. Padmasambhava, a legendary Buddhist master believed to be instrumental in bringing Buddhism to Tibet, is often known as "The Second Buddha." According to popular legend, Padmasambhava miraculously appeared as a boy in a lotus blossom floating on a lake. The Second Buddha: Master of Time explores visual expressions of Padmasambhava's legends in sculptures, textiles, paintings, illuminated manuscripts, and a portable shrine that date from the 13th to the 19th century. Essays present new scholarship on Padmasambhava and show a central and multidimensional character with an enduring place in Tibetan and Himalayan Buddhist cultures. Published in association with the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College
This anthology, first published in 1995, illustrates the vast scope of Buddhist practice in Asia, past and present. Re-released now in a slimmer but still extensive edition, Buddhism in Practice presents a selection of thirty-five translated texts--each preceded by a substantial introduction by its translator. These unusual sources provides the reader with a sense of the remarkable diversity of the practices of persons who over the course of 2,500 years have been identified, by themselves or by others, as Buddhists. Demonstrating the many continuities among the practices of Buddhist cultures widely separated by both history and geography, Buddhism in Practice continues to provide an ideal introduction to Buddhism and a source of new insights for scholars.
Sutra and Bible: Faith and the Japanese American World War II Incarceration accompanies the Japanese American National Museum's 2022 "Sutra and Bible" exhibition. Together, the exhibit and catalogue explore the role that religious teachings, practices, and communities played while Japanese Americans were incarcerated during World War II. From the confines of concentration camps and locales under martial law to the battlegrounds of Europe, Japanese Americans drew on their faith to survive forced removal, indefinite incarceration, unjust deportation, family separation, military service, and resettlement at a time when their race and religion were seen as threats to national security. Co-edited by Dr. Emily Anderson and Dr. Duncan Ry?ken Williams, this catalogue weaves visual storytelling with auxiliary essays from thirty-two prominent voices across academic, arts, and social justice communities.
A Companion to Asian Art and Architecture presents a collection of 26 original essays from top scholars in the field that explore and critically examine various aspects of Asian art and architectural history. Brings together top international scholars of Asian art and architecture Represents the current state of the field while highlighting the wide range of scholarly approaches to Asian Art Features work on Korea and Southeast Asia, two regions often overlooked in a field that is often defined as India-China-Japan Explores the influences on Asian art of global and colonial interactions and of the diasporic communities in the US and UK Showcases a wide range of topics including imperial commissions, ancient tombs, gardens, monastic spaces, performances, and pilgrimages.
The fascinating account of how the story of the Buddha was transformed into the legend of a Christian saint. The story of Saint Josaphat, a prince who gave up his wealth and kingdom to follow Jesus, was one of the most popular Christian tales of the Middle Ages, translated into a dozen languages, and cited by Shakespeare in The Merchant of Venice. Yet Josaphat is only remembered today because of the similarities of his life to that of the Buddha. In Search of the Christian Buddha is set against the backdrop of the trade along the Silk Road, the Christian settlement of Palestine, the spread of Islam, and the Crusades. It traces the path of the Buddha’s tale from India and shows how it evolved, adopting details from each culture during its sojourn. These early instances of globalization allowed not only goods but also knowledge to flow between different cultures and around much of the world. Eminent scholars Donald S. Lopez Jr. and Peggy McCracken reveal how religions born thousands of miles apart shared ideas throughout the centuries. They uncover surprising convergences and divergences between these faiths on subjects including the meaning of death, the problem of desire, and their view of women. Demonstrating the incredible power of this tale, they ask not how stories circulate among religions but how religions circulate among stories.
In his novel Kim, in which a Tibetan pilgrim seeks to visit important Buddhist sites in India, Rudyard Kipling reveals the nineteenth-century fascination with the discovery of the importance of Buddhism in India's past. Janice Leoshko, a scholar of South Asian Buddhist art uses Kipling's account and those of other western writers to offer new insight into the priorities underlying nineteenth-century studies of Buddhist art in India. In the absence of written records, the first explorations of Buddhist sites were often guided by accounts of Chinese pilgrims. They had journeyed to India more than a thousand years earlier in search of sacred traces of the Buddha, the places where he lived, obtained enlightenment, taught and finally passed into nirvana. The British explorers, however, had other interests besides the religion itself. They were motivated by concerns tied to the growing British control of the subcontinent. Building on earlier interventions, Janice Leoshko examines this history of nineteenth-century exploration in order to illuminate how early concerns shaped the way Buddhist art has been studied in the West and presented in its museums.