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Tess Hernandez knew her promotion to manager of Calendar’s Town Museum was in the bag… right up until the moment the board appointed one of their member’s spoiled nephew, Lance, the position instead. Despite her shock, Tess is determined to show she’s still the best person for the job, after all Lance did steal her ideas! So when Lance is found dead on the opening night of the new exhibition Tess curated, all signs point to Tess as the culprit. After all, she badly wanted him gone. But was she the only one? Worried that she’ll be arrested any moment, single mom Tess is determined to bring the real killer to justice and uncover the secrets she fears Lance has taken with him to the grave.
When she stumbles upon the dead body of her cousin's boyfriend, bookshop owner Addie Greyborne reluctantly realizes she may be the only person to solve this grisly crime as she goes up against a dangerously well-read culprit.
The Gory Stories Behind The Murder Ballads Cheerfully vulgar, revelling in gore, and always with an eye on the main chance, murder ballads are tabloid newspapers set to music, carrying word of the latest ‘orrible murders to an insatiable public. Victims are bludgeoned, stabbed or shot in every verse and killers often hanged, but the songs themselves never die. Instead, they mutate – morphing to suit local place names as they criss cross the Atlantic and continue to fascinate each generation’s biggest musical stars. Paul Slade traces this fascinating genre’s history through eight of its greatest songs. Stagger Lee’s “biographers” alone include Duke Ellington, James Brown, Bob Dylan, Dr John, The Clash and Nick Cave. No two tell his story in quite the same way. Covering eight classic murder ballads, including “Knoxville Girl”, “Tom Dooley” and “Frankie & Johnny”, Slade investigates the real-life murder which inspired each song and traces its musical development down the decades. Billy Bragg, The Bad Seeds’ Mick Harvey, Laura Cantrell, Rennie Sparks of The Handsome Family and a host of other leading musicians add their own insights.
Vanessa Wright never planned to return home to Calendar. But her relationship ends, her job disappears, and she suddenly inherits a former inn from her great aunt, so she concludes it’s finally time for her to return to the sleepy mountain town. Although it was where she grew up, she has no plans to stay there for long. All she must do to get her life back on track is fix up the inn and find a buyer. The Blackberry Inn has lost some of its charm and good looks over the years, going from gorgeous, Victorian-era splendor to being relegated to a dilapidated fixer-upper. It’s going to be one helluva a job to restore it to its former glory. Fortunately, Vanessa isn’t afraid of a little hard work. She boldly confronts her first night alone in the big, old house with determination and courage, until she finds a dead body on the veranda. The indications are that a man might have broken in. Who could the failed burglar be? What could he possibly want from the old inn? When successive attempts are made to scare Vanessa out of the house, she has to find out what the victim’s mystery accomplice is seeking and quickly, or she could become his next victim. With the help of her contractor and old friend, Nate Minoso, Vanessa tries to solve the dead man’s murder. She also has to find out what he intended to steal. More importantly, she must make a big decision in her life: is it finally time to put down roots? Or should she turn her back on her hometown, and Nate, forever?
Two years ago, Meredith Blake was running scared, her life in tatters and her money rapidly hemorrhaging. When she discovers the quaint mountain town of Calendar, she finds everything she needs: freedom, anonymity, and a second chance to build a new life. Here, she can start over by opening a fashion boutique far away from the nightmare her life once was, and begin to heal. That is, until Brad Van den Berg, the man who spooked her into fleeing in the first place, appears on her doorstep with a knife imbedded in his chest. How did Brad track her down? Especially when she was so careful not to leave any traces for him to follow? And who stabbed him? More importantly, why does the killer seem intent on framing Meredith for Brad’s murder? Sure, she has plenty of motivation but she’s no killer, and she can only wonder how anyone discovered their connection. Local Police Detective, Sam Logan seems convinced of her innocence, but Meredith knows she has to prove it beyond a shadow of a doubt, lest the life she so carefully created swiftly comes tumbling down. Calendar is a pretty tourist town, where strangers are plentiful, but Meredith has to decide on whom she can rely as a friend and who is actually her foe.
When Candice earns a spot in the finals of a televised baking competition, she’s determined to win, not least because the winner’s prize could help fund the bakery she yearns to open. But as the baking gets under way, tragedy strikes. First, one body is found, then two. With suspicions rife, and tensions high, Candice can’t help but view everyone on the set with distrust. Employing the help of her friends, and celebrity judge, Leo Finley, Candice is determined to find out just who wants to kill off her competition, and why, before she’s next.
Ally McKellar loves owning and running her own restaurant, Belle Rose. After working in a busy New York restaurant, managing her own kitchen is like a breath of fresh air. Even better, it’s rapidly becoming the local favorite place to go in the quaint, mountain town of Calendar. But if people knew about Ally’s recent past, her customers might not be so keen to sample her delicious dishes. When the local newspaper’s food critic makes a reservation to try out her new menu, Ally knows she’s got to nail every course to ensure good publicity. There’s only one problem: the critic dies during the second course and everything points towards food poisoning. Suddenly, Ally’s success as an entrepreneur is in jeopardy while her past is hastily dredged up, threatening to destroy the new life she has recently managed to create. With the help of Jack Harper, her handsome sous chef with a questionable past of his own, Ally must discover the real killer or risk losing not only Belle Rose, but her desire for a happy new life as well.
Ava March has a big secret. The ultra-reclusive author behind the sensational Miranda Marchmont romantic novels has decided she doesn’t want to write anymore bodice rippers, not when she could be writing daring thrillers instead. When Ava’s loudmouth agent, Esther Drummond, comes to town, she is bound and determined to persuade her star author to write a few more glamorous novels rather than the books Ava prefers to write. Naturally, Ava knows she must refuse. The only problem that arises is when Ava’s eyes land on Esther’s hotshot publisher, Mark Boudreaux, whom she brought along as backup. He’s exactly like the kind of hero Ava wishes she could meet in real life. Just as Ava plucks up the courage to turn Esther down, she discovers her agent’s dead body. To make matters even worse, Esther has been killed in exactly the same way that Ava described in her rejected manuscript. With Ava as the prime suspect with an apparent motive for murder, and cherry-picked manuscript pages appearing around town, Ava’s quiet, former existence is at risk of being ripped away. There’s only one thing this wannabe thriller writer can do: Ava must channel her inner action heroine and solve the murder before her life becomes no more than a terrifying footnote.
Inevitable death and our agony to attain Utopia have made existence a form of pathology. We are left with the secret need for redemption which few of us will understand or witness. This need still lives in acts of love, courage and art. In the images included in this book it is found in the conjoined destinies of artist and subject, phantoms on either side of that curtain we call photography. Implicit in these photographs is the brutal extreme of their purpose and an intimation however distant to their makers that something was manifested beyond the event itself.
A disturbing murder scene makes a Napa Valley chef hungry for justice in this cozy mystery by the author of Death by the Glass. Returning from a party late one night, chef Sunny McCoskey is the first to discover the body of a murdered woman left outside a local winery. Shortly before, she’d seen a truck leaving a local winery, driving without its headlights on. Was it the murderer? And did the murderer see her as well? Thrust into the center of a crime that has rattled the tranquil Napa Valley, Sunny pursues her own investigation, a journey that takes her from northern California’s wine country to the insular houseboat community of Sausalito along the San Francisco Bay. Uncovering a tangle of secret liaisons, Sunny closes in on the murderer, who responds with one more desperate act. With Murder Alfresco, author Nadia Gordon again takes us into the heart of the food and wine culture of the Napa and Sonoma Valleys, and introduces us to an array of irreverent characters. As the Los Angeles Times said, “Sunny is a welcome, energetic heroine. . . . She and her pals are fun to be around.” Praise for Sharpshooter “[Sunny] is bright, tenacious, and extremely likable, and Gordon paints a vivid portrait of the Napa Valley and its wine-and-food culture. I’m looking forward to many more novels in this intriguing new series.” —Marcia Muller, New York Times–bestselling author of the Sharon McCone mysteries “Napa Valley, the good life, sunny skies, fine cuisine, and fleshy reds. But, isn’t there something murky at the bottom of the bottle? Yes, and it is murder, no less. The mystery of wine . . . If a wine does not have some mystery to it, we call it plonk. Sharpshooter is not plonk. A crime novel with taste.” —Kermit Lynch, author of Adventures on the Wine Route “Those of us who enjoy an authentic look into another culture while reading a mystery are going to enjoy joining Nadia Gordon in the wild, weird wine industry.” —Tony Hillerman, New York Times–bestselling author of the Leaphorn and Chee novels