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Through the lens of identification procedures, this book examines how the processes of state-building affected European societies during the Napoleonic period. By focusing on the Kingdom of Italy, the author shows how the top-down change usually associated with Napoleonic state-building had to compete and share spaces with the agencies of other often-neglected actors such as local bureaucrats, the clergy, and common people. What emerges is the coexistence of different understandings of personal identities, defined as “cultures of identification”. One was rooted in the traditional habits of the population and based on a continuous performance of identities, allowing for a certain degree of fluidity. The other, promoted by the Napoleonic administration, envisaged legal and fixed identities that were to be managed directly by agents of the state. Personal identification in Napoleonic Italy was thus more of a battleground than a mere field of action for the “modernizing” activities of state authorities. Analyzing a period of momentous change for European societies, Cultures of Identification can be profitably read by students and researchers interested in the history of state-building, policing, social control, and personal identification.
The racism and antisemitism of Fascist Italy have often been described as ‘mild’, ‘cultural’, ‘spiritual’, and essentially non-violent, especially in comparison with the racial ideology of Nazi Germany. This book challenges this simplistic interpretation with a thorough analysis of the texts and images of the magazine La Difesa della razza (Defence of the race), the principal public voice of Fascist biological racism, which appeared fortnightly between 1938 and 1943 under the editorship of Telesio Interlandi, Mussolini’s ‘unofficial mouthpiece’, with governmental financial support. A negative icon of the propaganda of Fascist racism, La Difesa della razza first appeared in August 1938 shortly before the passing of Italy’s Racial Laws, but had a long gestation. It was the expression of a Fascist cultural milieu – journalists, writers, artists, and architects – headed by Interlandi, whose racism and antisemitism dated back to the end of the First World War. By placing the magazine’s emergence in this longer timescale, and exploring the interrelationships of political action, ideological discourse, and imagery, this book also demonstrates how the project of ‘anthropological revolution’ – building the New Man – was a central element of Italian Fascism, from the very beginning to the deportation of Italian Jews. This new English edition has been thoroughly revised and updated.
This book is the first English-language collection of scholarly essays to investigate the ambiguous and supporting role that colonialism in the Aegean Region played in Mussolini’s imperial ambitions, bringing to light a history rarely scrutinized until recently. The Dodecanese archipelago is often absent from histories of Italian fascist colonialism, as Italian territories in East Africa, Libya, and the Balkans have figured more centrally in discussions of how nationalism and later fascism relied on the empire to promote discourses of national renewal and regeneration. Over the past twenty years, a new wave of research has emerged, animated by the opening of previously closed state archives in various countries. This volume’s international contributors provide fresh perspectives on a topic frequently mythologized as a “golden period” of social and cultural intimacy among twentieth-century Greeks, Turks, and Jews. Themes include the fascist adaptation in the islands of Ottoman imperial governance, programs of infrastructure, development, and administration in the Dodecanese, Jewish history and memory in Rhodes, and the place of the islands in larger regional tensions of the interwar period. The volume will be of interest to scholars of Italian history, modern colonialism, fascism, Mediterranean studies, the end of the Ottoman Empire, and Sephardic Jewry.
"Through the lens of identification procedures, this book examines how the processes of state-building affected European societies during the Napoleonic period. By focusing on the Kingdom of Italy, the author shows how the top-down change usually associated with Napoleonic state-building had to compete and share spaces with the agencies of other often-neglected actors such as local bureaucrats, the clergy, and common people. What emerges is the coexistence of different understandings of personal identities, defined as "cultures of identification". One was rooted in the traditional habits of the population and based on a continuous performance of identities, allowing for a certain degree of fluidity. The other, promoted by the Napoleonic administration, envisaged legal and fixed identities that were to be managed directly by agents of the state. Personal identification in Napoleonic Italy was thus more of a battleground than a mere field of action for the "modernizing" activities of state authorities. Analyzing a period of momentous change for European societies, Cultures of Identification can be profitably read by students and researchers interested in the history of state-building, policing, social control, and personal identification"--
Wars have played a fundamental part in modern German history. Although infrequent, conflicts involving German states have usually been extensive and often catastrophic, constituting turning-points for Europe as a whole. Absolute War is the first in a series of studies from Mark Hewitson that explore how such conflicts were experienced by soldiers and civilians during wartime, and how they were subsequently imagined and understood during peacetime, from Clausewitz and Kleist to Jünger and Adorno. Without such an understanding, it is difficult to make sense of the dramatic shifts characterising the politics of Germany and Europe over the past two centuries. The studies argue that the ease - or reluctance - with which Germans went to war, and the far-reaching consequences of such wars on domestic politics, were related to soldiers' and civilians' attitudes to violence and death, as well as to long-term transformations in contemporaries' conceptualisation of conflict. Absolute War reassesses the meaning of military conflict for the millions of German subjects who were directly implicated in the Revolutionary and Napoleonic Wars. Based on a re-reading of contemporary diaries, letters, memoirs, official correspondence, press reports, pamphlets, treatises, plays, and cartoons, this volume refocuses attention on combat and conscription as the central components of new forms of mass warfare. It concentrates, in particular, on the impact of violence, killing, and death on many soldiers' and some civilians' experiences and subsequent memories of conflict. War has often been conceived of as 'an act of violence pushed to its utmost bounds', as Clausewitz put it, but the relationship between military conflicts and violent acts remains a problematic one.
Napoleon had a profound impact on the development of both France and Europe, and his career had repercussions across the wider world. His career had all the elements of a classical tragedy: having begun with spectacular military and civil achievements, it ended in exile on the tiny Atlantic island of St Helena. Almost two centuries after Napoleon’s death, historians continue to argue about his aims, his achievements and his legacy. In this thoroughly revised and updated new edition, Clive Emsley brings these historiographical debates up-to-date, and broadens his study to include discussion of the cultural and social impact of the Napoleonic era. This new edition: offers a succinct summary of Napoleon’s career examines his impact on France and Europe, as well as including a new chapter on the impact of the Napoleonic adventure on the wider world considers the relationship between Napoleon and the French Revolution outlines the difficulties in assessing his career explores the current debates surrounding Napoleon contains an expanded selection of primary source documents, ranging from state papers to police reports. A Chronology, Glossary and Who’s Who of key characters are also provided, making this an indispensable textbook for students of nineteenth-century French and European history.
Napoleon promoted and honored great men throughout his reign. In addition to comparing himself to various great men, he famously established a Legion of Honor on 19 May 1802 to honor both civilians and soldiers, including non-ethnically French men. Napoleon not only created an Irish Legion in 1803 and later awarded William Lawless and John Tennent the Legion of Honour; he also gave them an Eagle with the inscription “L’Indépendence d’Irlande.” He awarded twenty-six of his generals the marshal’s baton from 1804 to 1815, and in 1806, he further memorialized his soldiers by deciding to erect a Temple to the Glory of the Great Army, modeled on Ancient designs. From 1806 to 1815, Napoleon had more men interred in the Panthéon in Paris than any other French leader before or after him. In works of art depicting himself, Napoleon had his artists allude to Caesar, Charlemagne, and even Moses. Although the Romans had their legions, Pantheon, and temples in Ancient times and the French monarchy had their marshals since at least 1190, Napoleon blended both Roman and French traditions to compare himself to great men who lived in ancient and medieval times and to recognize the achievements of those who lived alongside him in the nineteenth century. Analyzing Napoleon’s ever-changing personal cult of “great men,” and his recognition of contemporary “great men” who contributed to European or even human civilization and not just French civilization, is original. While work does exist on the French cults of Greco-Roman antiquity and of “great men” prior to 1800, Napoleon appears only fleetingly in other discussions of the cult of great men. None of the bourgeoning historiography adequately takes Napoleon’s place in the story of this cult into perspective. This book serves as a further exploration of the cult of great men, including its place in Napoleonic and European history and the alleged efforts of its members to enlighten the earth.
This book investigates the relationship between the ideas of nation and race among the nationalist intelligentsia of the Italian Risorgimento and argues that ideas of race played a considerable role in defining Italian national identity. The author argues that the racialization of the Italians dates back to the early Napoleonic age and that naturalistic racialism—or race-thinking based on the taxonomies of the natural history of man—emerged well before the traditionally presumed date of the late 1860s and the advent of positivist anthropology. The book draws upon a wide number of sources including the work of Vincenzo Cuoco, Giuseppe Micali, Adriano Balbi, Alessanro Manzoni, Giandomenico Romagnosi, Cesare Balbo, Vincenzo Gioberti, and Carlo Cattaneo. Themes explored include links to antiquity on the Italian peninsula, archaeology, and race-thinking.
This book—which is based on vast archival research and on a variety of primary sources—has filled a gap in Italy’s historiography on Fascism, and in European and world history about concentration camps in our contemporary world. It provides, for the first time, a survey of the different types of internment practiced by Fascist Italy during the war and a historical map of its concentration camps. Published in Italian (I campi del duce, Turin: Einaudi, 2004), in Croatian (Mussolinijevi Logori, Zagreb: Golden Marketing – Tehnička knjiga, 2007), in Slovenian (Fašistična taborišča, Ljublana: Publicistično društvo ZAK, 2011), and now in English, Mussolini’s Camps is both an excellent product of academic research and a narrative easily accessible to readers who are not professional historians. It undermines the myth that concentration camps were established in Italy only after the creation of the Republic of Salò and the Nazi occupation of Italy’s northern regions in 1943, and questions the persistent and traditional image of Italians as brava gente (good people), showing how Fascism made extensive use of the camps (even in the occupied territories) as an instrument of coercion and political control.
This book is a translation of La Nazione del Risorgimento, one of the most important and influential works on modern Italian history published in recent years. It analyses the aspects of the ideas of nationhood and patriotism that impassioned and energized the Italian Risorgimento movement during the first half of the nineteenth century. Employing an innovative interdisciplinary approach that examines the cultural production and consumption of the period, the author has challenged the orthodoxies of post-1945 Italian historiography. He explores the developing themes that gave strength to the idea of the Italian ‘nation’, and in the process persuasively explains why so many young men and women were willing to lay down their lives for the ‘patria’ and its independence.