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In the summer of 1978, the B-52's conquered the New York underground. A year later, the band's self-titled debut album burst onto the Billboard charts, capturing the imagination of fans and music critics worldwide. The fact that the group had formed in the sleepy southern college town of Athens, Georgia, only increased the fascination. Soon, more Athens bands followed the B-52's into the vanguard of the new American music that would come to be known as "alternative," including R.E.M., who catapulted over the course of the 1980s to the top of the musical mainstream. As acts like the B-52's, R.E.M., and Pylon drew the eyes of New York tastemakers southward, they discovered in Athens an unexpected mecca of music, experimental art, DIY spirit, and progressive politics--a creative underground as vibrant as any to be found in the country's major cities. In Athens in the eighties, if you were young and willing to live without much money, anything seemed possible. Cool Town reveals the passion, vitality, and enduring significance of a bohemian scene that became a model for others to follow. Grace Elizabeth Hale experienced the Athens scene as a student, small-business owner, and band member. Blending personal recollection with a historian's eye, she reconstructs the networks of bands, artists, and friends that drew on the things at hand to make a new art of the possible, transforming American culture along the way. In a story full of music and brimming with hope, Hale shows how an unlikely cast of characters in an unlikely place made a surprising and beautiful new world.
An ethnography of Dancehall, the dominant form of reggae music in Jamica since the early 1960s.
A fun, lively story of Black family and cousin culture that celebrates individuality and embraces differences. One of the New York Public Library's Best Books for Kids in 2021! Nominated, Bank Street College of Education's 2022 Irma S. Black Award "This endearing picture book from Shanté (The Noisy Classroom, 2020) is a beautiful ode to Black families and the bond cousins have. . . Shanté's love letter to Black families and the typical relationship Black children have with their cousins is smartly complemented by Morris' bold, vivid illustrations of the cousins' summer antics, often from the main character's perspective. This story about wanting to feel included will be a storytime must!" —Booklist "An adorable book about being true to yourself and the joys of family, especially cousins." —Kirkus Reviews "Layered, collage-style art by Morris features rounded panels and centers warm relationships. Shanté aptly portrays the experiences of a young city denizen, peppering the family-centered tale with resonant cultural details." —Publishers Weekly Fitting in can be hard, but standing out isn’t easy either! Every summer a young girl eagerly waits for her cousins to come visit and celebrate her birthday. All her cousins are unique in their own ways and have earned cool nicknames for themselves… except for the girl. But this year things are going to be different. This year before summer ends, she’s determined to earn her own nickname! Filled with warmth, love, and laughter, When My Cousins Come to Town brings all the energy and love of a big family to prove that you don’t need to be anyone else to be special—just the way you are is exactly right!
In a valuable addition to the debate on the nature of contemporary working-class culture, Thomas Dunk shows that the function and meaning of gender, ethnicity, popular leisure activities, and common-sense knowledge are intimately linked with the way an individual's experience is structured by class. After reviewing the principal theoretical problems relating to the study of working-class culture and consciousness, Dunk provides a detailed ethnographic analysis of "the Boys" – the male working-class subjects of this study. Male working-class culture, he argues, contains both the seeds of a radical response to social inequality and a defensive reaction against alternative social practices and ideas. In a new forward, Dunk contextualizes the original text with regard to the debates about class and masculinity that have occurred since the book was first published.
Every day in Mumbai 5,000 dabbawalas (literally translated as "those who carry boxes") distribute a staggering 200,000 home-cooked lunchboxes to the city's workers and students. Giving employment and status to thousands of largely illiterate villagers from Mumbai's hinterland, this co-operative has been in operation since the late nineteenth century. It provides one of the most efficient delivery networks in the world: only one lunch in six million goes astray. Feeding the City is an ethnographic study of the fascinating inner workings of Mumbai's dabbawalas. Cultural anthropologist Sara Roncaglia explains how they cater to the various dietary requirements of a diverse and increasingly global city, where the preparation and consumption of food is pervaded with religious and cultural significance. Developing the idea of "gastrosemantics" - a language with which to discuss the broader implications of cooking and eating - Roncaglia's study helps us to rethink our relationship to food at a local and global level.
As Santa Fe has become more and more of a tourist town, its Hispanic citizens have increasingly struggled to define and preserve their own cultural identity. This book is one of the few efforts by a native Hispanic resident to examine the city's traditions and cultures. Andrew Leo Lovato's focus is to understand how outside influences have affected Hispanic cultural identity and how this identity is being altered and maintained. Lovato also analyzes the development of homegrown Hispanic cultural identity in Santa Fe. Looking at the impact of tourism, he asks questions that resonate in any city relying on tourism for its livelihood: When a culture is defined, interpreted, or co-modified by outsiders, are natives of that culture influenced by the outsiders' interpretation? Do outsiders' definitions become part of their self-identity? Lovato begins by reviewing Santa Fe's history, from the Anasazi to the present-day tourist boom. In attempting to define the city's cultural identity, he includes excerpts from interviews with some of New Mexico's intelligentsia. Other interviews help examine the Santa Fe Fiesta and the city's identity as an art market. The concluding chapter, which considers tourism's general impact, features discussions of authenticity, the impact of tourism on native cultures, the relationship of tourism to development, and the political dimension of tourism.
Pop City examines the use of Korean television dramas and K-pop music to promote urban and rural places in South Korea. Building on the phenomenon of Korean pop culture, Youjeong Oh argues that pop culture–featured place selling mediates two separate domains: political decentralization and the globalization of Korean popular culture. By analyzing the process of culture-featured place marketing, Pop City shows that urban spaces are produced and sold just like TV dramas and pop idols by promoting spectacular images rather than substantial physical and cultural qualities. Oh demonstrates how the speculative, image-based, and consumer-exploitive nature of popular culture shapes the commodification of urban space and ultimately argues that pop culture–mediated place promotion entails the domination of urban space by capital in more sophisticated and fetishized ways.
Local cultural activities played a key role in altering Germany’s political landscape between the world wars