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As many individuals throughout the world, from varying backgrounds move for different reasons, whether it be economic and educational necessity or as a refugee or exile, to many countries of the West, most notably the United States, the phenomenon of culture shock, assimilation, exilic status, and trauma is becoming ever more prevalent in Western societies, a growing interest and necessity of this type of study is becoming ever more important. This book discusses the concepts of exile, trauma, and nostalgia and explains how they all come together to create a sense of culture shock for four influential and quintessential Iranian-American women; women who exemplify, in many cases, the experiences of a number of Iranian exiles. Azar Nafisi, Nahid Rachlin, Tara Bahrampour, and Azadeh Moaveni, despite their different life experiences and ages, all encountered culture shock as it related to male-female relations, Iranian gender norms and issues of sex and sexuality and treatments and views of the female body as it relates to reproduction. With the current state of affairs, it is important to study and understand many of these important issues, especially as it relates to immigration.
NEW YORK TIMES BESTSELLER • Finalist for the PEN/USA Award in Creative Nonfiction, the Thurber Prize for American Humor, and the Audie Award in Biography/Memoir This Random House Reader’s Circle edition includes a reading group guide and a conversation between Firoozeh Dumas and Khaled Hosseini, author of The Kite Runner! “Remarkable . . . told with wry humor shorn of sentimentality . . . In the end, what sticks with the reader is an exuberant immigrant embrace of America.”—San Francisco Chronicle In 1972, when she was seven, Firoozeh Dumas and her family moved from Iran to Southern California, arriving with no firsthand knowledge of this country beyond her father’s glowing memories of his graduate school years here. More family soon followed, and the clan has been here ever since. Funny in Farsi chronicles the American journey of Dumas’s wonderfully engaging family: her engineer father, a sweetly quixotic dreamer who first sought riches on Bowling for Dollars and in Las Vegas, and later lost his job during the Iranian revolution; her elegant mother, who never fully mastered English (nor cared to); her uncle, who combated the effects of American fast food with an army of miraculous American weight-loss gadgets; and Firoozeh herself, who as a girl changed her name to Julie, and who encountered a second wave of culture shock when she met and married a Frenchman, becoming part of a one-couple melting pot. In a series of deftly drawn scenes, we watch the family grapple with American English (hot dogs and hush puppies?—a complete mystery), American traditions (Thanksgiving turkey?—an even greater mystery, since it tastes like nothing), and American culture (Firoozeh’s parents laugh uproariously at Bob Hope on television, although they don’t get the jokes even when she translates them into Farsi). Above all, this is an unforgettable story of identity, discovery, and the power of family love. It is a book that will leave us all laughing—without an accent. Praise for Funny in Farsi “Heartfelt and hilarious—in any language.”—Glamour “A joyful success.”—Newsday “What’s charming beyond the humor of this memoir is that it remains affectionate even in the weakest, most tenuous moments for the culture. It’s the brilliance of true sophistication at work.”—Los Angeles Times Book Review “Often hilarious, always interesting . . . Like the movie My Big Fat Greek Wedding, this book describes with humor the intersection and overlapping of two cultures.”—The Providence Journal “A humorous and introspective chronicle of a life filled with love—of family, country, and heritage.”—Jimmy Carter “Delightfully refreshing.”—Milwaukee Journal Sentinel “[Funny in Farsi] brings us closer to discovering what it means to be an American.”—San Jose Mercury News
This book discusses Iranian culture before and after the Islamic Revolution of 1979. It covers the religion and literature of the Iranian people, their attitudes toward technology, work, family, and authority, and their attitude towards Western culture. After discussing the various concepts of culture and communication, this book focuses on Steininger's research conducted among American scholars who lived and worked in Iran before the Revolution of 1979. The scholars interviewed by Steininger knew the Persian language and had gained a deep understanding and appreciation of the Iranian people and their culture. This book also covers the cultural aspects of the 1979 Islamic Revolution and the misunderstandings between Iranians and Americans that helped to bring about the hostage crisis. The final chapter focuses on how American and Iranian people might arrive at mutual understanding and respect, and be able to approach one another along the lines of Steininger's interviewees.
In This Flame Within Manijeh Moradian revises conventional histories of Iranian migration to the United States as a post-1979 phenomenon characterized by the flight of pro-Shah Iranians from the Islamic Republic and recounts the experiences of Iranian foreign students who joined a global movement against US imperialism during the 1960s and 1970s. Drawing on archival evidence and in-depth interviews with members of the Iranian Students Association, Moradian traces what she calls “revolutionary affects”—the embodied force of affect generated by experiences of repression and resistance—from encounters with empire and dictatorship in Iran to joint organizing with other student activists in the United States. Moradian theorizes “affects of solidarity” that facilitated Iranian student participation in a wide range of antiracist and anticolonial movements and analyzes gendered manifestations of revolutionary affects within the emergence of Third World feminism. Arguing for a transnational feminist interpretation of the Iranian Student Association’s legacy, Moradian demonstrates how the recognition of multiple sources of oppression in the West and in Iran can reorient Iranian diasporic politics today.