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In the Western imagination, Islamic cultures are dominated by dogmatic religious norms that permit no nuance. Those fighting such stereotypes have countered with a portrait of Islam’s medieval “Golden Age,” marked by rationality, tolerance, and even proto-secularism. How can we understand Islamic history, culture, and thought beyond this dichotomy? In this magisterial cultural and intellectual history, Thomas Bauer reconsiders classical and modern Islam by tracing differing attitudes toward ambiguity. Over a span of many centuries, he explores the tension between one strand that aspires to annihilate all uncertainties and establish absolute, uncontestable truths and another, competing tendency that looks for ways to live with ambiguity and accept complexity. Bauer ranges across cultural and linguistic ambiguities, considering premodern Islamic textual and cultural forms from law to Quranic exegesis to literary genres alongside attitudes toward religious minorities and foreigners. He emphasizes the relative absence of conflict between religious and secular discourses in classical Islamic culture, which stands in striking contrast to both present-day fundamentalism and much of European history. Bauer shows how Islam’s encounter with the modern West and its demand for certainty helped bring about both Islamicist and secular liberal ideologies that in their own ways rejected ambiguity—and therefore also their own cultural traditions. Awarded the prestigious Leibniz Prize, A Culture of Ambiguity not only reframes a vast range of Islamic history but also offers an interdisciplinary model for investigating the tolerance of ambiguity across cultures and eras.
1. Introduction -- 2. Cultural Ambiguity -- 3. Does God Speak in Textual Variants? -- 4. Does God Speak Ambiguously? -- 5. The Blessing of Dissent -- 6. The Islamization of Islam -- 7. Language: A Serious Business and a Game -- 8. The Ambiguity of Sexual Desire -- 9. The Serene Look at the World -- 10. In Quest of Certainty -- Bibliography.
1. Introduction -- 2. Cultural Ambiguity -- 3. Does God Speak in Textual Variants? -- 4. Does God Speak Ambiguously? -- 5. The Blessing of Dissent -- 6. The Islamization of Islam -- 7. Language: A Serious Business and a Game -- 8. The Ambiguity of Sexual Desire -- 9. The Serene Look at the World -- 10. In Quest of Certainty -- Bibliography.
The sheer diversity of the Asian American populace makes them an ambiguous racial category. Indeed, the 2010 U.S. Census lists twenty-four Asian-ethnic groups, lumping together under one heading people with dramatically different historical backgrounds and cultures. In Racial Ambiguity in Asian American Culture, Jennifer Ann Ho shines a light on the hybrid and indeterminate aspects of race, revealing ambiguity to be paramount to a more nuanced understanding both of race and of what it means to be Asian American. Exploring a variety of subjects and cultural artifacts, Ho reveals how Asian American subjects evince a deep racial ambiguity that unmoors the concept of race from any fixed or finite understanding. For example, the book examines the racial ambiguity of Japanese American nisei Yoshiko Nakamura deLeon, who during World War II underwent an abrupt transition from being an enemy alien to an assimilating American, via the Mixed Marriage Policy of 1942. It looks at the blogs of Korean, Taiwanese, and Vietnamese Americans who were adopted as children by white American families and have conflicted feelings about their “honorary white” status. And it discusses Tiger Woods, the most famous mixed-race Asian American, whose description of himself as “Cablinasian”—reflecting his background as Black, Asian, Caucasian, and Native American—perfectly captures the ambiguity of racial classifications. Race is an abstraction that we treat as concrete, a construct that reflects only our desires, fears, and anxieties. Jennifer Ho demonstrates in Racial Ambiguity in Asian American Culture that seeing race as ambiguous puts us one step closer to a potential antidote to racism.
The essays turn about a single theme, the loss of the capacity to deal constructively with ambiguity in the modern era. Levine offers a head-on critique of the modern compulsion to flee ambiguity. He centers his analysis on the question of what responses social scientists should adopt in the face of the inexorably ambiguous character of all natural languages. In the course of his argument, Levine presents a fresh reading of works by the classic figures of modern European and American social theory—Durkheim, Freud, Simmel and Weber, and Park, Parsons, and Merton.
Sambo Diallo is unable to identify with the soulless material civilization he finds in France, where he is sent to learn the secrets of the white man's power.
In Plurality and Ambiguity, David Tracy lays the philosophical groundwork for a practical application of hermeneutics, while constructing an innovative model of theological interpretation developed out of the notions of conversation and argument. He concludes with an appraisal of the religious significance of hope in an age of radically different voices and constantly shifting meanings.
Originally published in 1991, this is the first book-length exploration of post-structuralist discourse theory in archaeology. It tackles the most basic problem of historical and archaeological analysis - the relationship between text and artefact - in an analysis of prehistoric art fusing theory and the practice of interpretation to create a fresh framework for understanding the relationship between past and present. Focusing on a collection of rock carvings from northern Sweden, the author shows how alternative conceptualizations of the material from structuralist, hermeneutic and structural-Marxist frameworks substantially alter our understanding of their meaning and significance. Engaging readers in an interpretive process, this book is for specialists in archaeology, anthropology, art history and cultural studies.
Theories of illness and therapy since Freud have included the possibility that sufferers are complicit in their conditions. The studies in this volume explore the ways in which illness and therapy may be characterized as sites at which ironies of the human condition are produced, encountered, acknowledged – or discounted in favor of more literal readings. They ask what these sites can teach us about questions of human agency and about the broader importance of irony for theory. Encompassing a variety of perspectives, the contributors included in Illness and Irony apply theories of irony to a myriad of cultural contexts, ranging from Freud’s consulting room and the Lacanian clinics of Buenos Aires to fright illness in a Yemeni village and spirit possession on the island of Mayotte. An introductory chapter by Michael Lambek establishes a contextual viewpoint on irony, arising from the writings of Thomas Mann, Alexander Nehamas and others. Vincent Crapanzano concludes the volume by linking the contributions to current debates about irony in rhetoric, linguistics and comparative literature.
Cuba's first republican era (1902–1959) is principally understood in terms of its failures and discontinuities, typically depicted as an illegitimate period in the nation's history, its first three decades and the overthrow of Machado at best a prologue to the "real" revolution of 1959. State of Ambiguity brings together scholars from North America, Cuba, and Spain to challenge this narrative, presenting republican Cuba instead as a time of meaningful engagement—socially, politically, and symbolically. Addressing a wide range of topics—civic clubs and folkloric societies, science, public health and agrarian policies, popular culture, national memory, and the intersection of race and labor—the contributors explore how a broad spectrum of Cubans embraced a political and civic culture of national self-realization. Together, the essays in State of Ambiguity recast the first republic as a time of deep continuity in processes of liberal state- and nation-building that were periodically disrupted—but also reinvigorated—by foreign intervention and profound uncertainty. Contributors. Imilcy Balboa Navarro, Alejandra Bronfman, Maikel Fariñas Borrego, Reinaldo Funes Monzote, Marial Iglesias Utset, Steven Palmer, José Antonio Piqueras Arenas, Ricardo Quiza Moreno, Amparo Sánchez Cobos, Rebecca J. Scott, Robert Whitney