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A much-loved cultural institution facing a cost-cutting government, a board dominated by the big end of town, and a management fixated on an ambitious building project. Culture Heist lifts the veil on what goes on at the Art Gallery of New South Wales. Judith White worked there for 12 years and gives an insider's account, with implications for art lovers and museum-goers everywhere. Culture Heist invites a broad discussion to address the issues facing the arts in Australia, and to explore ways to protect its great public institutions. "A visit to a great art gallery leaves one with a sense of indelible wonder. Judith White dances through the great times of AGNSW and warns us of its existential threats -- dwindling public funding and testosterone inspired expansion plans." ~ Graeme Wood, philanthropist. "Judith White has written with first-hand experience and passion about the centrality of every society's need for a vibrant artistic culture." ~ Professor Hon. Dame Marie Bashir, AD CVO Governor of NSW. "An insider's account of how the self-interest of big business can strangle our key cultural bodies. A must read for all those who treasure the arts." ~ Colleen Ryan, former editor of The Australian Financial Review. "[Thebook is] highly critical of a broad shift she sees in our public institutions... Whiteargues they are at risk of becoming branches of the entertainment industry." ~ Michael Cathcart, Radio National Books and Arts.
Discover the Thrilling World of Daring Bank Robberies Delve into the shadowy domain of cunning thieves, illustrious heists, and the relentless pursuit of justice. The Ultimate Heist: Unraveling the Mysteries of Bank Robberies immerses readers in the electrifying world of high-stakes bank robberies, detailing the intricate ballet between criminal masterminds and law enforcement. From the historical roots of bank heists to the modern methods employed by today's most sophisticated criminals, each chapter offers an adrenaline-pumping journey through time and tactics. Grasp the evolution of these audacious crimes as you explore their beginnings and the ingenious strategies employed in planning and execution. Feel the suspense of the infamous Great Train Robbery, the meticulous planning behind the Brink's Job, and the notorious Lufthansa Heist. Each tale, rich with drama and detail, captures the peril and excitement of these outlaw legends. Peek into the minds of notorious criminals like Jesse James, John Dillinger, and the enigmatic Pink Panthers, whose psychological profiles reveal the motivations and madness behind their infamous deeds. Understand how their calculated maneuvers and audacious escapades have cemented their places in criminal history. Witness the duel between these heist architects and the tireless law enforcement agents determined to thwart them. Gain insights into FBI strategies, evolving security measures, and the cultural impacts of these high-profile crimes, portrayed vividly in film and literature. Beyond the thrill, grapple with the ethical and legal questions these crimes pose, from the pursuit of justice to the rights of the accused. Learn from detailed case studies in prevention, showcasing both triumphant interventions and instructive failures. Finally, ponder the future of bank robberies in the era of digital currency and emerging technologies. Will the digital age spell the end of the classic bank heist, or merely transform it? For those enticed by tales of cunning, courage, and consequence, this book offers an unparalleled investigation into one of the most riveting facets of criminal lore.
Culture is at the heart to what it means to be human. But twenty-five years ago, the British government rebranded art and culture as ‘creative industries’, valued for their economic contribution, and set out to launch the UK as the creative workshop of a globalised world. Where does that leave art and culture now? Facing exhausted workers and a lack of funding and vision, culture finds itself in the grip of accountancy firms, creativity gurus and Ted Talkers. At a time of sweeping geo-political turmoil, culture has been de-politicised, its radical energies reduced to factors of industrial production. This book is about what happens when an essential part of our democratic citizenship, fundamental to our human rights, is reduced to an industry. Culture is not an industry argues that art and culture need to renew their social contract and re-align with the radical agenda for a more equitable future. Bold and uncompromising, the book offers a powerful vision for change.
The Best Laid Plans includes an accessible group of essays that will meet the needs of students and scholars in film and media studies by offering new insights into an important and neglected area in genre criticism.
Making Culture provides an in-depth discussion of Australia’s relationship between the building of national cultural identity – or ‘nationing’ – and the country’s cultural production and consumption. With the 1994 national cultural policy Creative Nation as a starting point for many of the essays included in this collection, the book investigates transformations within Australia’s various cultural fields, exploring the implications of nationing and the gradual movement away from it. Underlying these analyses are the key questions and contradictions confronting any modern nation-state that seeks to develop and defend a national culture while embracing the transnational and the global. Including topics such as publishing, sport, music, tourism, art, Indigeneity, television, heritage and the influence of digital technology and output, Making Culture is an essential volume for students and scholars within Australian and Cultural studies.
The perfect mystery for fans of Ally Carter's Heist Society When sixteen-year-old Violet agrees to spend the summer with her father, an up-and-coming artist in Seattle, she has no idea what she's walking into. Her father's newest clients, the Yamada family, are the victims of a high-profile art robbery: van Gogh sketches have been stolen from their home, and, until they can produce the corresponding painting, everyone's lives are in danger--including Violet's and her father's. Violet's search for the missing van Gogh takes her from the Seattle Art Museum, to the yakuza-infested streets of Tokyo, to a secluded inn in Kyoto. As the mystery thickens, Violet's not sure whom she can trust. But she knows one thing: she has to solve the mystery--before it's too late.
A concise introduction to the genre about that one last big score, The Heist Film: Stealing With Style traces this crime thriller’s development as both a dramatic and comic vehicle growing out of film noir (Criss Cross, The Killers, The Asphalt Jungle), mutating into sleek capers in the 1960s (Ocean’s Eleven, Gambit, How to Steal a Million) and splashing across screens in the 2000s in remake after remake (The Thomas Crown Affair, The Italian Job, The Good Thief). Built around a series of case studies (Rififi, Bob le Flambeur, The Killing, The Lavender Hill Mob, The Getaway, the Ocean’s trilogy), this volume explores why directors of such varied backgrounds, from studio regulars (Siodmak, Crichton, Siegel, Walsh and Wise) to independents (Anderson, Fuller, Kubrick, Ritchie and Soderbergh), are so drawn to this popular genre.