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This well-illustrated and innovative book analyses convent culture in sixteenth-century Italy through the medium of three unpublished nuns' chronicles. It uses a comparative methodology of 'connected differences' to examine the intellectual and imaginative achievement of these nuns, and to investigate how they fashioned and preserved individual and convent identities by writing chronicles. The chronicles themselves reveal many examples of nuns' agency, especially with regard to cultural creativity, and show that convent traditions determined cultural priorities and specialisms, and dictated the contours of convent ceremonial life.
Hip-Hop Culture Chronicles: From the Streets to the Charts delves deep into the dynamic world of hip-hop, tracing its roots from the Bronx to its current status as a global phenomenon. This comprehensive guide explores the genre's evolution, influential pioneers, and its profound impact on society, business, and culture. Each chapter provides a detailed analysis of hip-hop's various elements, including DJing, MCing, breakdancing, and graffiti, while also examining the genre's subgenres and movements. Whether you're a hip-hop enthusiast, a music historian, or someone keen on understanding the intricacies of this powerful cultural force, Hip-Hop Culture Chronicles offers an insightful journey through the beats, rhymes, and life of hip-hop. Discover the untold stories, the legendary battles, and the future of a genre that continues to redefine the world of music.
Christian popular culture has tremendous influence on many American churchgoers. When we have a choice between studying the Bible and reading novels, downloading movies, or watching television, we become less familiar with Numbers than with Narnia. This book examines popular Christian narratives with rigorous scholarly methods and assumes that they are just as complex, fascinating, and worthy of investigation as the latest secular Netflix series or dystopian novel. While most scholars focus on the religious aspects of Christian texts, this study takes a new approach by analyzing their social responsibility in portraying the complex dynamics of race, class, and gender in a profoundly unequal America. Close readings of six case studies—The Chronicles of Narnia, Francine Rivers’s Redeeming Love, Jan Karon’s Mitford novels, Left Behind, the films of the Sherwood Baptist Church, and Duck Dynasty—uncover both harmful stereotypes and Christians serving as leaders in social justice.
David Janzen argues that the Book of Chronicles is a document with a political message as well as a theological one and moreover, that the book's politics explain its theology. The author of Chronicles was part of a 4th century B.C.E. group within the post-exilic Judean community that hoped to see the Davidides restored to power, and he or she composed this work to promote a restoration of this house to the position of a client monarchy within the Persian Empire. Once this is understood as the political motivation for the work's composition, the reasons behind the Chronicler's particular alterations to source material and emphasis of certain issues becomes clear. The doctrine of immediate retribution, the role of 'all Israel' at important junctures in Judah's past, the promotion of Levitical status and authority, the virtual joint reign of David and Solomon, and the decision to begin the narrative with Saul's death can all be explained as ways in which the Chronicler tries to assure the 4th century assembly that a change in local government to Davidic client rule would benefit them. It is not necessary to argue that Chronicles is either pro-Davidic or pro-Levitical; it is both, and the attention Chronicles pays to the Levites is done in the service of winning over a group within the temple personnel to the pro-Davidic cause, just as many of its other features were designed to appeal to other interest groups within the assembly.
At a time when the world is contemplating the depletion of non-renewable natural resources, the consumer society is increasingly being called into question. This is nowhere more acutely evident than in France, where since its beginnings in the nineteenth century, the consumer revolution, extending market forces into every area of social and private life, has been perceived as a challenge to core elements in French culture, such as traditional artisan crafts and small businesses serving local communities. Cultural historians and sociologists have charted the increasing commercialisation of everyday life over the twentieth century, but few have paid systematic attention to the crucial testimony provided by the authors of narrative fiction. Consumer Chronicles rectifies this omission by means of close readings of a series of novels, selected for their authentic portrayal of consumer behaviour, and analysed in relation to their social, cultural and historical contexts. Walker's study, offering an imaginative interdisciplinary panorama covering the impact of affluence on French shoppers, shopkeepers and society, provides telling new insights into the history and characteristics of the consumer mentality.
A posthumous collection of essays by the great novelist, essayist, literary critic, and philosopher Umberto Eco
Cosmopolitan Culture and Consumerism in Chick Lit focuses on the literary phenomenon popularly known as chick lit, and the way in which this genre interfaces with magazines, self-help books, romantic comedies, and domestic-advice publications. This recent trend in women’s popular fiction, which began in 1996 with the publication of British author Helen Fielding’s novel Bridget Jones’s Diary, uses first person narration to chronicle the romantic tribulations of its young, single, white, heterosexual, urban heroines. Critics of the genre have failed to fully appreciate chick lit’s complicated representations of women as both readers and consumers. In this study, Smith argues that chick lit questions the "consume and achieve promise" offered by advice manuals marketed toward women, subverting the consumer industry to which it is so closely linked and challenging cultural expectations of women as consumers, readers, and writers, and of popular fiction itself.
An anthropologist returns to his hometown in Iowa to study relations between the white and the Mesquakis people. In the process, he unravels a fascinating narrative about the characters of his childhood and who they have become, their relations with one another, and his own relationship with his profession. Paper edition (unseen), $14.95. Annotation copyright by Book News, Inc., Portland, OR
Reading Holinshed's Chronicles is the first major study of the greatest of the Elizabethan chronicles. Holinshed's Chronicles—a massive history of England, Scotland, and Ireland—has been traditionally read as the source material for many of Shakespeare's plays or as an archaic form of history-writing. Annabel Patterson insists that the Chronicles be read in their own right as an important and inventive cultural history. Although we know it by the name of Raphael Holinshed, editor and major compiler of the 1577 edition, the Chronicles was the work of a group, a collaboration between antiquarians, clergymen, members of parliament, poets, publishers, and booksellers. Through a detailed reading, Patterson argues that the Chronicles convey rich insights into the way the Elizabethan middle class understood their society. Responding to the crisis of disunity which resulted from the Reformation, the authors of the Chronicles embodied and encouraged an ideal of justice, what we would now call liberalism, that extended beyond the writing of history into the realms of politics, law, economics, citizenship, class, and gender. Also, since the second edition of 1587 was called in by the Privy Council and revised under supervision, the work constitutes an important test case for the history of early modern censorship. An essential book for all students of Tudor history and literature, Reading Holinshed's Chronicles brings into full view a long misunderstood masterpiece of sixteenth-century English culture.