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Offers new observations on the persistence of God in modern times, and considers how the war on terror and a post-9/11 society has impacted atheism.
The death of God began, according to Vahanian, the moment Western man started to compromise with the Biblical concept of God transcendent, and to merge the identity of the Godhead with the identity of humankind. From this compromise evolved the belief in the possibility of heaven on earth, in human perfectibility, in the expectation that man, both individually and collectively, can control his termporal fate. Today, as a consequence, Western society not only exalts all possible material comforts, but requires as well easy, guaranteed, status-assuring religious affiliations. The present search for "inner security" is in direct opposition to the toleration of doubt that tests the strength of genuine religious faith. And Vahanian shows how our spiritual decline is reflected in much of the most important imaginative writing of today.
It has long been assumed that the more modern we become, the less religious we will be. Yet a recent resurrection in faith has challenged the certainty of this belief. In these original essays and interviews, leading hermeneutical philosophers and postmodern theorists John D. Caputo and Gianni Vattimo engage with each other's past and present work on the subject and reflect on our transition from secularism to postsecularism. As two of the figures who have contributed the most to the theoretical reflections on the contemporary philosophical turn to religion, Caputo and Vattimo explore the changes, distortions, and reforms that are a part of our postmodern faith and the forces shaping the religious imagination today. Incisively and imaginatively connecting their argument to issues ranging from terrorism to fanaticism and from politics to media and culture, these thinkers continue to reinvent the field of hermeneutic philosophy with wit, grace, and passion.
Culture is a defining aspect of what it means to be human. Defining culture and pinpointing its role in our lives is not, however, so straightforward. Terry Eagleton, one of our foremost literary and cultural critics, is uniquely poised to take on the challenge. In this keenly analytical and acerbically funny book, he explores how culture and our conceptualizations of it have evolved over the last two centuries—from rarified sphere to humble practices, and from a bulwark against industrialism’s encroaches to present-day capitalism’s most profitable export. Ranging over art and literature as well as philosophy and anthropology, and major but somewhat "unfashionable" thinkers like Johann Gottfried Herder and Edmund Burke as well as T. S. Eliot, Matthew Arnold, Raymond Williams, and Oscar Wilde, Eagleton provides a cogent overview of culture set firmly in its historical and theoretical contexts, illuminating its collusion with colonialism, nationalism, the decline of religion, and the rise of and rule over the "uncultured" masses. Eagleton also examines culture today, lambasting the commodification and co-option of a force that, properly understood, is a vital means for us to cultivate and enrich our social lives, and can even provide the impetus to transform civil society.
A compelling analysis of how World War I spurred the rise of atheism and the subsequent effect on Western theology, philosophy, literature, and art. The catastrophic Great War left humanity in a world no longer trustworthy and reassuring but seemingly meaningless and indifferent. Instead of redressing humanity’s cosmic alienation, postwar Western culture abandoned its concern for cosmic meaning, lost its confidence in human reason, and enabled the scientific worldview of neo-Darwinian materialism to emerge and eventually dominate the Western mind. According to the proponents of that worldview, science is the only source of genuine truth, nature is the product of a blind evolutionary process, and reality at bottom is just physics and chemistry. Thus, God is dead and continued belief in a transcendently purposeful universe is intellectually indefensible and either disingenuous or delusional. By turning away from the eternal questions about the nature of reality, Western culture effectively ceded unwarranted credibility and prominence to neo-Darwinian materialism, including its recently strident New Atheism. “O’Connor revisits the 20th century’s journey from Nietzsche’s declaration of the ‘death of God’ to the rise of materialism as the dominant worldview of western intelligentsia. We live in a world that has largely expelled both mind and meaning from the citadels of serious intellectual pursuit, and O’Connor’s book is a fascinating and scholarly expedition into the ‘how’ and ‘why’ of that troubling development.” —Carter Phipps, author of Evolutionaries “I found this topic to be top-rate. The book is well researched and conceived, nicely narrated and analyzed, and an original body of inquiry into a challenging, fascinating intellectual tradition.” —Ronald M. Johnson, Professor Emeritus of American History, Georgetown University
What is the meaning of life? In today's secular, post-religious scientific world, this question has become a serious preoccupation. But it also has a long history: many major philosophers have thought deeply about it, as Julian Young so vividly illustrates in this thought-provoking second edition of The Death of God and the Meaning of Life. Three new chapters explore Søren Kierkegaard’s attempts to preserve a Christian answer to the question of the meaning of life, Karl Marx's attempt to translate this answer into naturalistic and atheistic terms, and Sigmund Freud’s deep pessimism about the possibility of any version of such an answer. Part 1 presents an historical overview of philosophers from Plato to Marx who have believed in a meaning of life, either in some supposed ‘other’ world or in the future of this world. Part 2 assesses what happened when the traditional structures that give life meaning began to erode. With nothing to take their place, these structures gave way to the threat of nihilism, to the appearance that life is meaningless. Young looks at the responses to this threat in chapters on Nietzsche, Heidegger, Sartre, Camus, Foucault and Derrida. Fully revised and updated throughout, this highly engaging exploration of fundamental issues will captivate anyone who’s ever asked themselves where life’s meaning (if there is one) really lies. It also makes a perfect historical introduction to philosophy, particularly to the continental tradition.
Humanism and the Death of God is a critical exploration of secular humanism and its discontents. Through close readings of three exemplary nineteenth-century philosophical naturalists or materialists, who perhaps more than anyone set the stage for our contemporary quandaries when it comes to questions of human nature and moral obligation, Ronald E. Osborn argues that "the death of God" ultimately tends toward the death of liberal understandings of the human as well. Any fully persuasive defense of humanistic values--including the core humanistic concepts of inviolable dignity, rights, and equality attaching to each individual--requires an essentially religious vision of personhood. Osborn shows such a vision is found in an especially dramatic and historically consequential way in the scandalous particularity of the Christian narrative of God becoming a human. He does not attempt to provide logical proofs for the central claims of Christian humanism along the lines some philosophers might demand. Instead, this study demonstrates how philosophical naturalism or materialism, and secular humanisms and anti-humanisms, might be persuasively read from the perspective of a classically orthodox Christian faith.
'So much of the reporting of the Middle East at the moment reflects war and human misery; it's inspiring to find, in this thoughtful and engaging book, a message of hope from what Fr Nadim calls "that region of the world that God chose to live in when he took human form"' Edward Stourton 'The ultimate question of this book is, why does it matter to me, a human being, to know the culture of God, and what impact should that have on my own life and existence? The culture of God is the antithesis of the culture of the Pharisees - yet again and again we fall into the trap of condemning or excluding others. Understanding the culture of God helps us to uncover God's image within us, a shining jewel buried deep under the dirt of our selfishness and greed, and helps us to shine as God intends us to, re-forming our relationships with God and with each other in our amazingly diverse world.' It is as we read the Bible, argues Father Nadim Nassar, that we are invited to discover what 'the culture of God' - the community of love that makes up the Trinity - looks like, and how it might transform our lives and our faith. But in order to do so we need to understand the culture of the Bible itself, as well as the particular culture that forms our own worldview. Ultimately it is Jesus who has direct access to the culture of God; and so we also need to understand Jesus within his first-century Levantine context. Father Nadim Nassar is the Church of England's only Syrian priest and an outspoken advocate for western Christians to recognise the Middle-Eastern roots of their faith. The fresh and provocative reflections in The Culture of God, his first book, are informed by his experience of growing up in Syria and living through the conflicts in the region, especially the civil wars in Lebanon and Syria. Taking us on a journey through the mystery of the incarnation, to Jesus' role as storyteller - Al-Hakawati - his relationship with a disparate cast of people as narrated by the gospels, and finally his death and resurrection, Father Nadim unfolds for us the culture of God and what it can mean for a world that so desperately needs both freedom and a way to embrace diversity. 'Fr Nadim's personal experience of the painful effects of war and conflict in the Middle East is an insightful lens into the brokenness of humanity that leads to the ongoing violation of the God-given sanctity and dignity of life. At the same time, the paradox of the Crucifixion and Christianity is presented as a key to understanding the restoration of that same humanity, and the possibility of reconciliation with God and one another if the life and teachings of Christ are truly lived.' Archbishop Angaelos, Coptic Orthodox Archbishop of London
Have you ever heard yourself cry out through the chaos, “God where are you? Why is this happening?” or perhaps even, “God, are you real?” In a tattooed pop culture world that is perpetually trying to keep up with the Kardashians, God Culture introduces a greater knowledge of God and an invitation to engage in a deeper and more intimate relationship that will transform your life. With worldwide plagues such as rampant terrorism and children shooting children, God Culture explores Jesus’ true intention of reconnecting mankind with Yahweh, while revealing why God behaves as He does, how we can learn to comprehend and relate to Him, and ultimately how we can apply His wisdom to our individual present day life experience leading to our ultimate destinies. God Culture dispels the age-old myth that “God works in mysterious ways.” The misunderstanding of God’s true motives, methods and divine nature has left millions of people yearning for answers to such timeless questions as “Why did God allow that? Has God left me? Or does He even exist?” When “Life can only be truly understood when looking backward” those who feel lost, confused and perhaps even abandoned will discover that He actually uses the every-day challenges and chaos of life to cultivate His will while simultaneously connecting with us on a personal level. This thought-provoking discussion has been composed to help you gain a new understanding of God and to develop the knowledge of and insights into God’s behavior, plan and purpose. If you have been perplexed by the daily chaos of life don’t miss God Culture. As you peer into the supernatural realm of heaven the God you discover may be quite different than you could have ever imagined.
Robert R. Williams offers a bold new account of divergences and convergences in the work of Hegel and Nietzsche. He explores four themes - the philosophy of tragedy; recognition and community; critique of Kant; and the death of God - and explicates both thinkers' critiques of traditional theology and metaphysics.