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Throughout its history Nicaragua has been plagued by corruption, social and racial inequality, civil unrest, and foreign interference. Yet despite being the second poorest nation in South America, Nicaragua maintains a rich and vibrant culture that reflects its strong Catholic devotion, diverse indigenous roots, and overwhelming zest for life. Culture and Customs of Nicaragua introduces students and general readers to Nicaragua's unique blend of religious and traditional holidays, so numerous that the country is said to be in a constant state of celebration; its growing film industry; its many styles of dance, the popular street theatre open to all bystanders; important contributions to Spanish literature, local cuisines, architecture, social norms, and more. Readers learn what it is like to live in one of Latin America's most disillusioned countries but also discover the passionate culture that defines and sustains the Nicaraguan people.
Eighteen Nicaraguan writers and others comment on the current poitical and social conditions of Nicaragua and discuss their own work.
Throughout its history Nicaragua has been plagued by corruption, social and racial inequality, civil unrest, and foreign interference. Yet despite being the second poorest nation in South America, Nicaragua maintains a rich and vibrant culture that reflects its strong Catholic devotion, diverse indigenous roots, and overwhelming zest for life. Culture and Customs of Nicaragua introduces students and general readers to Nicaragua's unique blend of religious and traditional holidays, so numerous that the country is said to be in a constant state of celebration; its growing film industry; its many styles of dance, the popular street theatre open to all bystanders; important contributions to Spanish literature, local cuisines, architecture, social norms, and more. Readers learn what it is like to live in one of Latin America's most disillusioned countries but also discover the passionate culture that defines and sustains the Nicaraguan people.
Lushly evocative of Nicaragua, its tumultuous history, and vibrant present, Eleni N. Gage's The Ladies of Managua brings you into the lives of three strong and magnetic women, as they uncover the ramifications of the choices they made in their pasts and begin to understand the ways in which love can shape their futures. When Maria Vazquez returns to Nicaragua for her beloved grandfather's funeral, she brings with her a mysterious package from her grandmother's past—and a secret of her own. And she also carries the burden of her tense relationship with her mother Ninexin, once a storied revolutionary, now a tireless government employee. Between Maria and Ninexin lies a chasm created by the death of Maria's father, who was killed during the revolution when Maria was an infant, leaving her to be raised by her grandmother Isabela as Ninexin worked to build the new Nicaragua. As Ninexin tries to reach her daughter, and Maria wrestles with her expectations for her romance with an older man, Isabela, the mourning widow, is lost in memories of attending boarding school in 1950's New Orleans, where she loved and lost almost sixty years ago. When the three women come together to bid farewell to the man who anchored their family, they are forced to confront their complicated, passionate relationships with each other and with their country—and to reveal the secrets that each of them have worked to conceal.
While indigenous languages have become prominent in global political and educational discourses, limited attention has been given to indigenous children’s everyday communication. Voices of Play is a study of multilingual play and performance among Miskitu children growing up on Corn Island, part of a multi-ethnic autonomous region on the Atlantic Coast of Nicaragua. Corn Island is historically home to Afro-Caribbean Creole people, but increasing numbers of Miskitu people began moving there from the mainland during the Contra War, and many Spanish-speaking mestizos from western Nicaragua have also settled there. Miskitu kids on Corn Island often gain some competence speaking Miskitu, Spanish, and Kriol English. As the children of migrants and the first generation of their families to grow up with television, they develop creative forms of expression that combine languages and genres, shaping intercultural senses of belonging. Voices of Play is the first ethnography to focus on the interaction between music and language in children’s discourse. Minks skillfully weaves together Latin American, North American, and European theories of culture and communication, creating a transdisciplinary dialogue that moves across intellectual geographies. Her analysis shows how music and language involve a wide range of communicative resources that create new forms of belonging and enable dialogue across differences. Miskitu children’s voices reveal the intertwining of speech and song, the emergence of “self” and “other,” and the centrality of aesthetics to social struggle.
More and more travelers are discovering the delights of Nicaragua—a land of lakes and volcanoes. The image has persisted of a country racked by revolution and war, but the reality awaiting travelers couldn't be more different. The largest country in Central America, Nicaragua is also one of the most diverse and least explored, with a chain of puffing volcanoes along the Pacific coast, two huge freshwater lakes, important rainforest reserves on the tropical Mosquito Coast, and tiny, picture-postcard Caribbean islands where English Creole is the lingua franca. Travelers' budgets will stretch further here than in other Latin American destinations, and around every corner, there are cobblestone streets, high-altitude coffee plantations, world-class bird-watching, perfect surf, and Flor de Caña, the smoothest rum that ever came out of an oak barrel. Culture Smart! Nicaragua offers readers an insider's view of the country and its people. It explores Nicaragua's national traditions, turbulent history, tasty local dishes, fun fiestas, and unique cultural expressions. It arms readers with key phrases in Nica-speak, or Nicañol, so you can break the ice, and provides insights into what the people of Nicaragua are like at home, at play, and in business.
David Whisnant provides a comprehensive analysis of the dynamic relationship between culture, power, and policy in Nicaragua over the last 450 years. Spanning a broad spectrum of expressive forms-- including literature, music, film, material culture, and broadcast media--the book explores the evolution of Nicaraguan culture, its manipulation of political purposes, the development of and response to cultural policy by a variety of groups and constituencies, and the role of culture in other policy sectors.
Nicaragua is a country located in Central America, bordered by Honduras to the north and Costa Rica to the south. The official language is Spanish, and the country has a population of approximately six million people. The capital city is Managua, which is also the largest city in the country. Nicaragua’s economy is primarily based on agriculture, with coffee, cotton, and bananas being the main agricultural products. Tourism is also an important industry, with visitors attracted to the country’s stunning scenery, including lakes, volcanoes, and beaches. Despite being one of the poorest countries in the region, Nicaragua has made progress in recent years and is considered to be one of the safest countries in Central America.
Decades after the first multicultural reforms were introduced in Latin America, Afrodescendant people from the region are still disproportionately impoverished, underserved, policed, and incarcerated. In Nicaragua, Afrodescendants have mobilized to confront this state of siege through the politics of black autonomy. For women and men grappling with postwar violence, black autonomy has its own cultural meanings as a political aspiration and a way of crafting selfhood and solidarity. Jennifer Goett's ethnography examines the race and gender politics of activism for autonomous rights in an Afrodescedant Creole community in Nicaragua. Weaving together fifteen years of research, Black Autonomy follows this community-based movement from its inception in the late 1990s to its realization as an autonomous territory in 2009 and beyond. Goett argues that despite significant gains in multicultural recognition, Afro-Nicaraguan Creoles continue to grapple with the day-to-day violence of capitalist intensification, racialized policing, and drug war militarization in their territories. Activists have responded by adopting a politics of autonomy based on race pride, territoriality, self-determination, and self-defense. Black Autonomy shows how this political radicalism is rooted in African diasporic identification and gendered cultural practices that women and men use to assert control over their bodies, labor, and spaces in an atmosphere of violence.