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Machine generated contents note:1.Introduction: culture and politics in Palestine/Israel /Tamir Sorek --2.Dancing with tears in our eyes: political hipsters, alternative culture and binational urbanism in Israel/Palestine /Daniel Monterescu --3.Face control: everynight selection and "the other" /Avihu Shoshana --4.The impossible quest of Nasreen Qadri to claim colonial privilege in Israel /Nadeem Karkabi --5.Mediterraneanism in conflict: development and settlement of Palestinian refugees and Jewish immigrants in Gaza and Yamit /Alona Nitzan-Shiftan --6.Songs of subordinate integration: music education and the Palestinian Arab citizens of Israel during the Mapai era /Arnon Yehuda Degani --7.Self-categorization, intersectionality and creative freedom in the cultural industries: Palestinian women filmmakers in Israel /Noa Lavie --8.Religious symbolism and politics: hijab and resistance in Palestine /Lana Shehadeh --9.Anniversaries of `first' settlement and the politics of Zionist commemoration /Liora R. Halperin.
This important volume rethinks the conventional parameters of Middle East studies through attention to popular cultural forms, producers, and communities of consumers. The volume has a broad historical scope, ranging from the late Ottoman period to the second Palestinian uprising, with a focus on cultural forms and processes in Israel, Palestine, and the refugee camps of the Arab Middle East. The contributors consider how Palestinian and Israeli popular culture influences and is influenced by political, economic, social, and historical processes in the region. At the same time, they follow the circulation of Palestinian and Israeli cultural commodities and imaginations across borders and checkpoints and within the global marketplace. The volume is interdisciplinary, including the work of anthropologists, historians, sociologists, political scientists, ethnomusicologists, and Americanist and literary studies scholars. Contributors examine popular music of the Palestinian resistance, ethno-racial “passing” in Israeli cinema, Arab-Jewish rock, Euro-Israeli tourism to the Arab Middle East, Internet communities in the Palestinian diaspora, café culture in early-twentieth-century Jerusalem, and more. Together, they suggest new ways of conceptualizing Palestinian and Israeli political culture. Contributors. Livia Alexander, Carol Bardenstein, Elliott Colla, Amy Horowitz, Laleh Khalili, Mary Layoun, Mark LeVine, Joseph Massad, Melani McAlister, Ilan Pappé, Rebecca L. Stein, Ted Swedenburg, Salim Tamari
While the scholarly study of culture as a politically contested sphere in Palestine/Israel has become an established field over the past two decades, this volume highlights some particular understudied aspects of it: the relations between Arab identity, Mizrahi identity, and Israeli nationalism; the nightclub scene as a field of encounter, appropriation, and exclusion; an analysis of the institutional and political conditions of Palestinian cinema; the implications of the intersectional relationship between gender, ethnicity and national identity in the field of popular culture, and the concrete relations between particular aesthetic forms and symbolic power. The authors come from diverse disciplines, including anthropology, architecture, ethnomusicology, history, sociology, and political science. The chapters in this book were originally published as a special issue of Ethnic and Racial Studies.
"[Cohen] discusses in lucid detail the manner by which policymakers in Israel and Egypt were caught in difficulties of intercultural communication. . . . a most interesting and persuasive argument." —Middle East Journal "Culture and Confict is a tour de force, and this reviewer's candidate for 1990 book-of-the-year on the Middle East. Cohen's wide reading and analytic brilliance enable him to offer stunning insights and build a persuasive argument about the importance of culture in relations between states." —Orbis " . . . Raymond Cohen's dazzling interpretation of political culture in diplomacy and the relations between states." —Daniel Pipes, The American Spectator "Like tourists caught on different sides of the Niagara Falls, Egyptians and Israelis could only gesticulate at each other across the roaring, spray-filled divide in grotesque and mutual incoherence." —from the Introduction Proceeding from markedly different religious, linguistic, and historical traditions, Egyptian and Israeli cultures have found great difficulty in communicating with each other, even when objective grounds for accommodation have existed. Extensively illustrated from the historical record, this book demonstrates that Egyptian-Israeli relations before and after Camp David have been and still are dogged by problems of intercultural communication.
This book surveys discourse and opinion in the United States toward the Arab-Israeli conflict since 1991. Contrary to popular myth, it demonstrates that U.S. support for Israel is not based on the pro-Israel lobby, but rather is deeply rooted in American political culture. That support has increased since 9/11. However, the bulk of this increase has been among Republicans, conservatives, evangelicals, and Orthodox Jews. Meanwhile, among Democrats, liberals, the Mainline Protestant Church, and non-Orthodox Jews, criticism of Israeli policies toward the Palestinians has become more vociferous. This book works to explain this paradox.
Refreshing and revealing in equal measure, this innovative volume conducts a critical/self--critical exploration of the impact of culture on the ill-fated Oslo peace process. The authors negotiators and scholars alike demolish stereotypes as they construct an unusually subtle and sophisticated understanding of how culture influences negotiating styles. Culture, they argue, did not cause the Oslo breakdown but it did play an influential, intervening role at several levels: coloring the thinking of political leaders, shaping domestic politics on both sides, and affecting each side s evaluation of the other s beliefs and intentions.After an overview by William Quandt of the history of the Oslo process and the impact of international factors such as U.S. mediation, the volume presents a detailed analysis of first Palestinian, and then Israeli negotiating styles between 1993 and 2001. Omar Dajani, a former legal advisor to the Palestinian team, explains how elements of Palestinian identity and national development have hobbled the Palestinians ability to negotiate effectively. Aharon Klieman, a distinguished Israeli analyst, traces a long-standing clash between diplomatic and security subcultures within the Israeli political elite and reveals how Israeli identity has helped create a negotiating style that opts for short-term gains while undermining the prospects for a lasting agreement. Drawing on these insights, Tamara Wittes concludes the volume by offering not only a fresh appreciation of culture s influence on interethnic negotiations but also lessons for future negotiators in the Israeli-Palestinian conflict.Read the review from Foreign Affairs."
"In this interdisciplinary book, a group of international authors strives to cultivate a better future for the people of Israel-Palestine through recognition of the part that cultural products have played in the duplication of the Israeli-Palestinian conflict. While this conflict is one of the longest-lasting struggles over land and human rights in recent history, politicians and the media have largely reduced it to a series of debates over historical facts and expressions of violence. Its persistence, however, has also led to the manufacture of cultural products that challenge understandings of the conflict as a fight between two distinct peoples unified against each other. Contributors to Visioning Israel-Palestine analyse the content of such products alongside the work that they do within Israel-Palestine and in the Jewish and Palestinian diasporas. They largely draw on the legacy of nonconformist intellectual Edward Said, who saw culture as a participant in the perpetuation of the conflict, as well as a vehicle capable of leading the way towards its just resolution. The chapters in the volume consider Israeli and Palestinian films, art installations, street exhibitions, photographs and oral histories to expand the conflict's historical imagination and nurture suitable cultural conditions to revitalise the Israeli-Palestinian peace process."--
A landmark history of one hundred years of war waged against the Palestinians from the foremost US historian of the Middle East, told through pivotal events and family history In 1899, Yusuf Diya al-Khalidi, mayor of Jerusalem, alarmed by the Zionist call to create a Jewish national home in Palestine, wrote a letter aimed at Theodore Herzl: the country had an indigenous people who would not easily accept their own displacement. He warned of the perils ahead, ending his note, “in the name of God, let Palestine be left alone.” Thus Rashid Khalidi, al-Khalidi’s great-great-nephew, begins this sweeping history, the first general account of the conflict told from an explicitly Palestinian perspective. Drawing on a wealth of untapped archival materials and the reports of generations of family members—mayors, judges, scholars, diplomats, and journalists—The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory. Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel, but backed by Britain and the United States, the great powers of the age. He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel’s 1982 invasion of Lebanon to the endless and futile peace process. Original, authoritative, and important, The Hundred Years' War on Palestine is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces arrayed against the Palestinians, it offers an illuminating new view of a conflict that continues to this day.
The history of partition in the 20th-century is one steeped in
Newly updated, this accessible history explores the origins and development of the Israeli-Palestinian conflict. Why has it proved so intractable, and what are the implications of escalating tensions for both the Middle East and the world? The ongoing struggle between Israelis and Palestinians is one of the most bitter conflicts of modern times, with profound global consequences. In this comprehensive and stimulating overview, Middle East expert Michael Scott-Baumann charts its history from the late nineteenth century to the present day. Each chapter offers a lucid explanation of the politics and includes personal testimony of Israelis and Palestinians whose lives have been marked by conflict. By presenting competing interpretations from both sides, Scott-Baumann examines key flashpoints of the twentieth century, bringing this new edition up to date with a consideration of the war ignited by Hamas's surprise attacks on Israel in 2023. He delineates both the nature of Israeli control over the Palestinian territories and Palestinian resistance – going to the heart of recent clashes. The result is an indispensable account for anyone seeking to understand the context behind today's headlines, including analysis of why international efforts to restore peace have continually failed.