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The process of secularization, which is one of the sources of present-day democracy, has its radical origins in eighteenth-century Europe. Criticism of religious norms and discipline, institutions and ideology led to the movement known as the Enlightenment. Its Jewish protagonists (the maskilim), a young intellectual elite, undertook the role of culturally revolutionizing eighteenth-century Jewish society. They aimed at overturning the monopolistic control of rabbinic scholars over education, publications, and social behaviour in favour of secular intellectual values. They sought to promote political rights and religious tolerance, embraced humanism, rationalism, and freedom of opinion. In turn, the end of Jewish isolation brought about a significant contribution to philosophy, science, and art, and participation in the culture of modern European society.This introduction to the emergence of Jewish Enlightenment (Haskalah) in Germany pays special attention to its most famous figure, Moses Mendelssohn, who was active at the centre of the Enlightenment in Berlin. The volume is richly illustrated with images of eighteenth-century manuscripts, books, and pamphlets, some of which are published here for the first time, and which derive from a collection assembled by the famous nineteenth-century scholar Leopold Zunz. This is an attractive book providing an excellent guide to the major cultural metamorphosis represented by Jewish Enlightenment.
This book provides an in-depth analysis of the relations between China and the German Democratic Republic (GDR) from 1949 to 1989. These relations were characterized by some “ups” but many more “downs,” e.g. when, in the early 1960s, the Soviet Union ordered its vassal state in East Berlin to begin treating its former socialist comrade and brother-in-arms as an adversary and indeed enemy. Drawing on a wealth of archival material, especially from the archive of the GDR’s ruling party, this book examines selected issues and elements of East German and Chinese domestic and foreign policy. In order to better grasp the nature and the historical context of the bilateral relationship, it offers detailed insights into the following aspects: 1. the bilateral “honeymoon period” from 1949 to the late 1950s, which was accompanied by the two parties supporting and applauding each other’s oppressive domestic and ill-fated economic policies, including Mao’s Great Leap Forward and the Cultural Revolution; 2. relations during the 1960s, when the “Sino-Soviet Split” defined the quality and level of bilateral animosities; 3. the 1970s, when Beijing replaced socialist comradeship with East Berlin with trade and aid from the US and West Germany; and 4. the resumption of Sino-East German relations in the 1980s and the subsequent period up to the Tiananmen Square protests and the collapse of the GDR in 1989. The book will appeal to historians, political scientists and scholars of international relations, as well as policymakers, diplomats, and others with an interest in this previously under-researched area.
A ground-breaking study that gets us closer to solving the mystery of why so many Germans embraced the Nazi regime so enthusiastically and identified so closely with it.
The fall of the Berlin Wall is typically understood as the culmination of political-economic trends that fatally weakened the East German state. Meanwhile, comparatively little attention has been paid to the cultural dimension of these dramatic events, particularly the role played by Western mass media and consumer culture. With a focus on the 1970s and 1980s, Don’t Need No Thought Control explores the dynamic interplay of popular unrest, intensifying economic crises, and cultural policies under Erich Honecker. It shows how the widespread influence of (and public demands for) Western cultural products forced GDR leaders into a series of grudging accommodations that undermined state power to a hitherto underappreciated extent.
Global 1968 is a unique study of the similarities and differences in the 1968 cultural revolutions in Europe and Latin America. The late 1960s was a time of revolutionary ferment throughout the world. Yet so much was in flux during these years that it is often difficult to make sense of the period. In this volume, distinguished historians, filmmakers, musicologists, literary scholars, and novelists address this challenge by exploring a specific issue—the extent to which the period that we associate with the year 1968 constituted a cultural revolution. They approach this topic by comparing the different manifestations of this transformational era in Europe and Latin America. The contributors show in vivid detail how new social mores, innovative forms of artistic expression, and cultural, religious, and political resistance were debated and tested on both sides of the Atlantic. In some cases, the desire to confront traditional beliefs and conventions had been percolating under the surface for years. Yet they also find that the impulse to overturn the status quo was fueled by the interplay of a host of factors that converged at the end of the 1960s and accelerated the transition from one generation to the next. These factors included new thinking about education and work, dramatic changes in the self-presentation of the Roman Catholic Church, government repression in both the Soviet Bloc and Latin America, and universal disillusionment with the United States. The contributors demonstrate that the short- and long-term effects of the cultural revolution of 1968 varied from country to country, but the period’s defining legacy was a lasting shift in values, beliefs, lifestyles, and artistic sensibilities. Contributors: A. James McAdams, Volker Schlöndorff, Massimo De Giuseppe, Eric Drott, Eric Zolov, William Collins Donahue, Valeria Manzano, Timothy W. Ryback, Vania Markarian, Belinda Davis, J. Patrice McSherry, Michael Seidman, Willem Melching, Jaime M. Pensado, Patrick Barr-Melej, Carmen-Helena Téllez, Alonso Cueto, and Ignacio Walker.
The relationship between politics and law in the early People'sRepublic of China was highly contentious. Periods of intentionallyexcessive campaign justice intersected with attempts to carve outprofessional standards of adjudication and to offer retroactive justicefor those deemed to have been unjustly persecuted. How were victims andperpetrators defined and dealt with during different stages of theMaoist era and beyond? How was law practiced, understood, and contestedin local contexts? This volume adopts a case study approach to shedlight on these complex questions. By way of a close reading of originalcase files from the grassroots level, the contributors detailprocedures and question long-held assumptions, not least about theCultural Revolution as a period of "lawlessness."
An exhilarating journey through the subcultures, occupied squats, and late-night scenes in the anarchic first few years of Berlin after the fall of the wall Berlin Calling is a gripping account of the 1989 "peaceful revolution" in East Germany that upended communism and the tumultuous years of artistic ferment, political improvisation, and pirate utopias that followed. It’s the story of a newly undivided Berlin when protest and punk rock, bohemia and direct democracy, techno and free theater were the order of the day. In a story stocked with fascinating characters from Berlin’s highly politicized undergrounds—including playwright Heiner Müller, cult figure Blixa Bargeld of the industrial band Einstürzende Neubauten, the internationally known French Wall artist Thierry Noir, the American multimedia artist Danielle de Picciotto (founder of Love Parade), and David Bowie during his Ziggy Stardust incarnation—Hockenos argues that the DIY energy and raw urban vibe of the early 1990s shaped the new Berlin and still pulses through the city today. Just as Mike Davis captured Los Angeles in his City of Quartz, Berlin Calling is a unique account of how Berlin became hip, and of why it continues to attract creative types from the world over.
The story of an epochal event in German history, this is also the story of the most important revolution that you might never have heard of.
Explores how contemporary German-language literary, dramatic, filmic, musical, and street artists are grappling in their works with social-justice issues that affect Germany and the wider world.
Explains why Mao launched the Cultural Revolution, and shows his Machiavellian role in masterminding it. This book documents the Hobbesian state that ensued. Power struggles raged among Lin Biao, Zhou Enlai, Deng Xiaoping, and Jiang Qing - Mao's wife and leader of the Gang of Four - while Mao often played one against the other.