Download Free Cultural Responses To Occupation In Japan Book in PDF and EPUB Free Download. You can read online Cultural Responses To Occupation In Japan and write the review.

Cultural Responses to Occupation in Japan examines how the performing arts, and the performing body specifically, have shaped and been shaped by the political and historical conditions experienced in Japan during the Cold War and post-Cold War periods. This study of original and secondary materials from the fields of theatre, dance, performance art, film and poetry, probes the interrelationship that exists between the body and the nation-state. Important artistic works, such as Ankoku Butoh (dance of darkness) and its subsequent re-interpretation by a leading political performance company Gekidan Kaitaisha (theatre of deconstruction), are analysed using ethnographic, historical and theoretical modes. This approach reveals the nuanced and prolonged effects of military, cultural and political occupation in Japan over a duration of dramatic change. Cultural Responses to Occupation in Japan explores issues of discrimination, marginality, trauma, memory and the mediation of history in a ground-breaking work that will be of great significance to anyone interested in the symbiosis of culture and conflict.
Cultural Responses to Occupation in Japan examines how the performing arts, and the performing body specifically, have shaped and been shaped by the political and historical conditions experienced in Japan during the Cold War and post-Cold War periods. This study of original and secondary materials from the fields of theatre, dance, performance art, film and poetry, probes the interrelationship that exists between the body and the nation-state. Important artistic works, such as Ankoku Butoh (dance of darkness) and its subsequent re-interpretation by a leading political performance company Gekidan Kaitaisha (theatre of deconstruction), are analysed using ethnographic, historical and theoretical modes. This approach reveals the nuanced and prolonged effects of military, cultural and political occupation in Japan over a duration of dramatic change. Cultural Responses to Occupation in Japan explores issues of discrimination, marginality, trauma, memory and the mediation of history in a ground-breaking work that will be of great significance to anyone interested in the symbiosis of culture and conflict.
In the wake of the violence and racial animosity of World War II, the United States carried out an ideologically ambitious occupation of Japan, with the stated purposes of demilitarizing their former enemy and facilitating Japan's reintroduction to the world as an appropriately reformed nation. Between 1945-1952, Japan and the United States engaged in complex and often contradictory processes of cultural reimagination, through which they reimagined the recent past, each other, and their roles in the world. I contend that the Occupation of Japan can only be appropriately understood through these processes, placed within the appropriate historical context. These processes occurred within tension between the trauma of the Second World War and the increasing ideological demands of the Cold War. This tension produced contradictions and inconsistencies in policymaking which are reflected by the erratic implementation of American geopolitical directives, as well as the varied and diverse responses to occupation on the part of Japanese.
Six contributors discuss the state of Japanese arts during the allied occupation after the second World War. Topics include missteps by occupation censors, caution and experimentation on the part of nine artists of the era, the preservation of cultural property, and the conflicted roles of women and
Six decades after the end of the occupation of mainland Japan, this volume approaches the theme of the occupation’s legacies. Rather than just being a matter of administrative practices and international relations, the consequences of the US occupation of Japan transcended both the seven years of its formal duration and the bilateral relations between the two countries. Rich with fresh analyses on a range of topics, including transnational and comparative views on the occupation, the influence of Japan on the United States as well as the reverse, international perspectives on this “odd couple”, and the memory of the occupation in both countries, this book provides a greater understanding of the transtemporal, transnational and transcultural legacies of one of the crucial events of the 20th century.
Japan and the United States became close political allies so quickly after the end of World War II, that it seemed as though the two countries had easily forgotten the war they had fought. Here Yoshikuni Igarashi offers a provocative look at how Japanese postwar society struggled to understand its war loss and the resulting national trauma, even as forces within the society sought to suppress these memories. Igarashi argues that Japan's nationhood survived the war's destruction in part through a popular culture that expressed memories of loss and devastation more readily than political discourse ever could. He shows how the desire to represent the past motivated Japan's cultural productions in the first twenty-five years of the postwar period. Japanese war experiences were often described through narrative devices that downplayed the war's disruptive effects on Japan's history. Rather than treat these narratives as obstacles to historical inquiry, Igarashi reads them along with counter-narratives that attempted to register the original impact of the war. He traces the tensions between remembering and forgetting by focusing on the body as the central site for Japan's production of the past. This approach leads to fascinating discussions of such diverse topics as the use of the atomic bomb, hygiene policies under the U.S. occupation, the monstrous body of Godzilla, the first Western professional wrestling matches in Japan, the transformation of Tokyo and the athletic body for the 1964 Tokyo Olympics, and the writer Yukio Mishima's dramatic suicide, while providing a fresh critical perspective on the war legacy of Japan.
The Chrysanthemum and the Sword: Patterns of Japanese Culture is a 1946 study of Japan by American anthropologist Ruth Benedict. It was written at the invitation of the U.S. Office of War Information, in order to understand and predict the behavior of the Japanese in World War II by reference to a series of contradictions in traditional culture. The book was influential in shaping American ideas about Japanese culture during the occupation of Japan, and popularized the distinction between guilt cultures and shame cultures. The Japanese, Benedict wrote, are both aggressive and unaggressive, both militaristic and aesthetic, both insolent and polite, rigid and adaptable, submissive and resentful of being pushed around, loyal and treacherous, brave and timid, conservative and hospitable to new ways...
This edited volume presents the latest multidisciplinary research that delves into developments related to contemporary Okinawa (a.k.a Ryukyu Islands), and also engages with contemporary debates on American hegemony and Empire in a larger geographical context. Okinawa, long viewed as a marginalized territory in larger historical processes, has been characterized solely by the U.S. military presence in the islands, despite having embraced a multiplicity of social and cultural transformations since the end of the Pacific War. In this timely academic revision of Okinawa, occurring at the time of numerous debates over the building of yet another military base in the island, this volume's contributors tell a story that situates Okinawa in the context of other militarized territories and thus, goes beyond the limits of Okinawa prefecture. Indeed, the book examines the ways in which studies on Okinawa have evolved, moving away from the direct problems brought by the establishment of foreign military bases. Previous studies have explicated how Okinawa has fallen prey to power politics of more dominant nations. In expanding on these themes, this volume examines the unique social and cultural dynamics of Okinawa and its people that had never been intended by the political authorities.
Japanese memories of World War II exert a powerful influence over the nation's society and culture. Michael Lucken explores how the war manifested in literature, art, film, funerary practices, and education reform, creating an idea of Japanese identity that still resonates from soap operas to the response to the Fukushima nuclear disaster.