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Project 1.7 of Operation TEAPOT was concerned with the measurement of surface and subsurface effects of an underground explosion of a 1.2-kt nuclear burst (Shot 7). The measurements included free-field earth and airblast effects, as well as loading on underground structural devices. This report deals with the presentation and analysis of the free-field data only; the structural data have been transmitted to the appropriate agencies for their analysis. From the 76 channels installed on TEAPOT Shot 7, 75 usable records were obtained. The free-field quantities measured include air-blast pressure, earth acceleration, earth stress and strain, and permanent earth displacement. The results are discussed by phenomenon and, in each case, the TEAPOT data are compared with pretest predictions. Also, where data are available, comparisons are made with previous underground nuclear test results. Some aspects of seismology and soil mechanics as applied to underground explosion phenomena are presented and, finally, the most pertinent high explosives results from subsequent tests conducted at the TEAPOT location are summarized. (Author).
Insightful correspondence from a New Yorker among the Hamptons on the eve of war
This volume brings back into print a remarkable record of black life in the 1920s, chronicled by Edward C.L. Adams, a white physician from the area around the Congaree River in central South Carolina. It reproduces Adams's major works, Congaree Sketches (1927) and Nigger to Nigger (1928), two collections of tales, poems, and dialogues from blacks who worked his land, presented in the black vernacular language. They are supplemented here by a play, Potee's Gal, and some brief sketches of poor whites. What sets Adams's tales apart from other such collections is the willingness of his black informants to share with him not only their stories of rabbits and "hants" but also their feelings on such taboo subjects as lynchings, Jim Crow courts, and chain gangs. Adams retells these tales as if the blacks in them were talking only among themselves. Whites do not appear in these works, except as rare background figures and topics of conversation by Tad, Scip, and other black storytellers. As Tad says, "We talkin' to we." That Adams was permitted to hear such tales at all is part of the mystery that Robert O'Meally explains in his introduction. The key to the mystery is Adams's ability -- in his life, as in his works -- to wear both black and white masks. He remained a well-placed member of white society at the same time that he was something of a maverick within it. His black informants therefore saw him not only as someone more likeable and trustworthy than most whites but also as someone who was in a position to help them in some way if he understood more about their lives. As a writer, O'Meally suggests, Adams was not simply an objective recorder of folklore. By donning a black mask, Adams was able to project attitudes and values that most whites of his place and time would have disavowed. As a result, his tales have a complexity and richness that make them an authentic witness to the black experience as well as a lasting contribution to American letters.