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The essays assembled in Crossing Boundaries reflect the international dimensions, commonalities, and discontinuities in the histories of diasporan communities of colour. People of African descent in the New World (the United States, Latin America, and the Caribbean) share a common set of experiences: domination and resistance, slavery and emancipation, the pursuit of freedom, and struggle against racism. No unitary explanation can capture the varied experiences of black people in diaspora. Knowledge of individual societies is illuminated by the study and comparison of other cultural histories. This volume, growing out of the Comparative History of Black People in Diaspora Symposium held at Michigan State University, elaborates the profound relationship between curriculum and pedagogy.Crossing Boundaries embraces the challenge to probe differences embedded in Black ethnicities and helps to discover and to weave into a new understanding the threads of experience, culture, and identity across diasporas. Contributors includ Thomas Holt, George Fredrickson, Jack P. Green, David Barry Gaspar, Earl Lewis, Elliott Skinner, Frederick Cooper, Allison Blakely, Kim Butler, and Rosalyn Terborg-Penn.
A thrilling behind-the-scenes biography of the Ringling brothers’ chief henchman. Art Concello wasn’t born into the circus. But he was in the right place at the right time, becoming one of the world’s best trapeze artists before transforming himself into a shrewd circus businessman. In the Shadow of the Big Top: The Life of Ringling's Unlikely Circus Savior details Concello’s fateful path from flyer, to manager, to owner. Against the backdrop of the golden age of the American circus, this book goes beyond the showmanship displayed in the ring to reveal how the circus could both thrill a crowd and make incredible money—and exposes the human toll extracted for doing so. Maureen Brunsdale not only tells Art’s incredible life story, but also that of his wife, an orphan-turned-acrobat who was determined to never be left behind in a career every bit as terrifying and electrifying as her husband’s. The first-ever biography of Concello, In the Shadow of the Big Top draws back the curtain on the inner workings of the circus and casts a light on the man who shaped not only Ringling Bros. and Barnum & Bailey, but the circus industry as a whole.
During the Cold War, thousands of musicians from the United States traveled the world, sponsored by the U.S. State Department’s Cultural Presentations program. Performances of music in many styles—classical, rock ’n’ roll, folk, blues, and jazz—competed with those by traveling Soviet and mainland Chinese artists, enhancing the prestige of American culture. These concerts offered audiences around the world evidence of America’s improving race relations, excellent musicianship, and generosity toward other peoples. Through personal contacts and the media, musical diplomacy also created subtle musical, social, and political relationships on a global scale. Although born of state-sponsored tours often conceived as propaganda ventures, these relationships were in themselves great diplomatic achievements and constituted the essence of America’s soft power. Using archival documents and newly collected oral histories, Danielle Fosler-Lussier shows that musical diplomacy had vastly different meanings for its various participants, including government officials, musicians, concert promoters, and audiences. Through the stories of musicians from Louis Armstrong and Marian Anderson to orchestras and college choirs, Fosler-Lussier deftly explores the value and consequences of "musical diplomacy."