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This is a challenge to the assumptions that have shaped English literature. It offers an investigation of the principles and practice and a compelling argument for intellectual allegiances beyond the academy.
"Cultural Politics - Queer Reading is a challenge to the assumptions that have shaped the study of English literature. It offers a widely influential investigation of the principles and practice that may inform dissident reading and a compelling argument for intellectual allegiances beyond the academy."--BOOK JACKET.
"The Queer Politics of Television" is a radical book, which brings together the fields of political theory and television studies. In one of the first books to do so, Samuel A. Chambers exposes and explores the cultural politics of television by treating television shows - including "Six Feet Under", "Buffy the Vampire Slayer", "Desperate Housewives", "The L Word", and "Big Love" - as serious, important texts and reading them in detail through the lens of queer theory. Chambers makes the case for the profound significance of 'the cultural politics of television': the way in which the text of a television show itself engages with the politics of its day. He argues for queer theory's essential contribution to any understanding of the political, and initiates a larger project of queer television studies, treading the same path as queer film studies. This book makes an important and fresh contribution to queer theory and to the understanding of television as politics.
Emotions work to define who we are as well as shape what we do and this is no more powerfully at play than in the world of politics. Ahmed considers how emotions keep us invested in relationships of power, and also shows how this use of emotion could be crucial to areas such as feminist and queer politics. Debates on international terrorism, asylum and migration, as well as reconciliation and reparation, are explored through topical case studies. In this book the difficult issues are confronted head on. The Cultural Politics of Emotion is in dialogue with recent literature on emotions within gender studies, cultural studies, sociology, psychology and philosophy. Throughout the book, Ahmed develops a theory of how emotions work, and the effects they have on our day-to-day lives. New for this editionA substantial 15,000-word Afterword on 'Emotions and Their Objects' which provides an original contribution to the burgeoning field of affect studiesA revised BibliographyUpdated throughout.
Was Shakespeare gay? Is The Merchant of Venice anti-Semitic? How does mainstream reading differ from that of subcultural groups? In this lively and readable book, Alan Sinfield challenges the assumptions of English literature and investigates the principles and practices that may inform lesbian and gay reading.
The Cultural Politics of Queer Theory in Education Research represents the editors’ intention to disrupt cycles of thinking about the place of queer theory in educational research. The book aims to encourage dialogue about the objects and subjects of queer research, the forms of politics incited by the use of queer theory in education, and the methodological approaches used by scholars when queer(y)ing. The contributions to this book come from those who find queer theory problematic, as well as from those who continue to see a productive place for queer research in education, however that may be defined. The editors have collected contributions that attend to the boundaries that are placed around queer research in education by researchers themselves, and by peers, ethics committees, funding bodies and university and government bureaucracies. Considering how key researchers in gender and education identify with, or deliberately distance themselves from, queer theory, this collection grapples with the contemporary cultural politics of doing queer theoretical work in different education spaces and places. In short, it seeks to disrupt what people think they already know about the ‘place’ of queer theory in education. This book was originally published as a special issue of Discourse: Studies in the Cultural Politics of Education.
Why is shame so central to our identity and to our culture? What is its role in stigmatizing subcultures such as the Irish, the queer or the underclass? Can shame be understood as a productive force? In this lucid and passionately argued book, Sally R. Munt explores the vicissitudes of shame across a range of texts, cultural milieux, historical locations and geographical spaces – from eighteenth-century Irish politics to Philip Pullman's His Dark Materials trilogy, from contemporary US academia to the aesthetics of Tracey Emin. She finds that the dynamics of shame are consistent across cultures and historical periods, and that patterns of shame are disturbingly long-lived. But she also reveals shame as an affective emotion, engendering attachments between bodies and between subjects – queer attachments. Above all, she celebrates the extraordinary human ability to turn shame into joy: the party after the fall. Queer Attachments is an interdisciplinary synthesis of cultural politics, emotions theory and narrative that challenges us to think about the queerly creative proclivities of shame.
One of the first extended and theoretically informed investigations of queer theory's racial inscription, Queer Race understands race as inextricably sexualized, as sexuality is always racially marked. The book critically and playfully explores intellectual and political deployments of the term queer , gay pornographic videos about South Africa, contemporary literary representations of interracial gay desire, the writings of Gloria Anzald a, and Jeffrey Dahmer's criminal trial. Through these explorations, Queer Race charts a framework for understanding the race of queer theory that both tests queer theory's limits and suggests its future inter-relations with anti-racist work.
In Post-Queer Politics, Ruffolo looks at the work of Foucault, Butler, Bakhtin, Deleuze, Guattari and others in his creative refocus on the queer/heteronormative dyad that has largely consumed queer studies and contemporary politics. He offers a radical and intersectional new way of thinking about class, race, sex, gender, sexuality and ability that extends beyond queer studies to be truly transdisciplinary in its focus and political implications. It will appeal to readers across a range of subjects, including gender and sexuality studies, philosophy, cultural studies, political science, and education.
Articles cover many aspects of contemporary culture, including the queer cowboy, the emergence of lesbian chic, and the expansion of queer representations of blackness. This accessible volume offers useful analytical tools that will help readers make sense of the problems and promise of queer pop culture.