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The conservation and management of cultural landscapes, interpreted as the result of the interrelationships among economic, social and environmental factors through time and space, emerges as essential components in the definition and application of a modern approach to sustainable development. Cultural landscapes are the result of management practices and knowledge accumulated in human history and contribute not only to the cultural heritage of the world, but also to biodiversity and aesthetic beauty, providing also multiple goods and services for the development of rural areas. However, landscapes are severely endangered not only by some effects of the socioeconomic development, but also by inappropriate policies in agriculture, forestry and nature conservation. This interdisciplinary book presents a range of different methods developed to analyse, restore and manage cultural landscapes, reporting a number of case studies from Europe and north America, but raising some questions about the need for a revision of some past orientations.
Oneida Utopia is a fresh and holistic treatment of a long-standing social experiment born of revival fervor and communitarian enthusiasm. The Oneida Community of upstate New York was dedicated to living as one family and to the sharing of all property, work, and love. Anthony Wonderley is a sensitive guide to the things and settings of Oneida life from its basis in John H. Noyes’s complicated theology, through experiments in free love and gender equality, to the moment when the commune transformed itself into an industrial enterprise based on the production of silverware. Rather than drawing a sharp boundary between spiritual concerns and worldly matters, Wonderley argues that commune and company together comprise a century-long narrative of economic success, innovative thinking, and abiding concern for the welfare of others. Oneida Utopia seamlessly combines the evidence of social life and intellectual endeavor with the testimony of built environment and material culture. Wonderley shares with readers his intimate knowledge of evidence from the Oneida Community: maps and photographs, quilts and furniture, domestic objects and industrial products, and the biggest artifact of all, their communal home. Wonderley also takes a novel approach to the thought of the commune’s founder, examining individually and in context Noyes’s reactions to interests and passions of the day, including revivalism, millennialism, utopianism, and spiritualism.