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Brazil and France have explored each other's geographical and cultural landscapes for more than five hundred years. The Brazilian je ne sais quoi has captivated the French from their first encounter, and the ingenuity à francesa of French artistic and scholarly movements has intrigued Brazilians in kind. Ongoing Brazil-France interactions have resulted in some of the richest cultural exchanges between Europe and Latin America. In Cultural Exchanges between Brazil and France, leading international scholars evaluate these reciprocal transnational explorations, from the earliest French interventions in Brazil in the sixteenth century to the growing mutual influence that the nations have exerted on one another in the twenty-first century. Original interdisciplinary essays examine cross-cultural interactions and collaborations in the social sciences, intellectual history, the press, literature, cinema, plastic arts, architecture, cartography, and sport. The comparative cultural method used in these analyses deepens the collective treatment of crucial junctures in the long history of often harmonious, but also sometimes ambivalent and occasionally contentious, encounters between Brazil and France.
Although published as part of a series on Brazilian studies, central to this collection are not the concepts of nation or nationhood but those of transnational networks and cross-cultural exchanges. The concept of nation is of limited value to account for the periodical print culture as a global phenomenon marked by transnational movements such as those involving capital flows, commodities, people, ideas and editorial models. In this vein, what these chapters explore is not so much the concept of influence – which often plays a central role in Eurocentric analyses – but those of circulation and interaction. The notion of “circulation” here emphasised is more appropriate to the study of cultural exchanges, focusing on the movements of and engagements with ideas and concepts, as well as the appropriated models and the people involved in the publication and consumption of magazines. What the reader will find in these essays are analysis of numerous processes of transnational cultural negotiations.
São Paulo, the New Metropolis with a French University -- Atlantic Crossings and Disciplinary Reformulation -- Getting to Know Brazil -- The New Country behind the Methodology -- Four Approaches to Global and Social-Scientific Crisis -- Brazil and the Reconstruction of the French Social Sciences -- Racial Democracy, Métissage, and Decolonization between Brazil and France.
This book analyses the development of geography as a scientific discipline in Brazil, highlighting how the established partnerships with French geographers have helped shape scientific progress in the country. It connects economic development and politics with the study of geography in Brazil. The author, José Borzacchiello da Silva, includes interviews with renowned French geographers, documenting their insight into the French contribution to geography in Brazil. The research partnerships established have been significant to the foundation and growth of the discipline in the country.
The beginnings of what we now call 'globalization' dates from the early sixteenth century, when Europeans, in particular the Iberian monarchies, began to connect 'the four parts of the world'. From the end of the eighteenth and throughout the nineteenth centuries, technical advancements, such as the growth of the European rail network and the increasing ease of international shipping, narrowed the physical and imagined distances between different parts of the globe. Books, printed matter and theatrical performances were a crucial part of this process and the so-called 'long nineteenth century' saw a remarkable increase in readership and technological improvements that significantly changed the production of printed matter and its relationship with culture. This book analyzes this sea-change in knowledge and sharing of ideas through the prism of the transatlantic diffusion of French, Brazilian, Portuguese and English print-cultures. In particular, it charts the circulation of printed matter, publishers, booksellers and actors between Europe and South America. Featuring a new original essay from Roger Chartier, The Cultural Revolution of the 19th Century is an essential new benchmark in global and transnational history.
Considers H.R. 5203 and identical H.R. 5204, the Mutual Educational and Cultural Act of 1961, to consolidate and improve U.S. international educational and cultural exchange programs. Includes "Toward a National Effort in International Educational and Cultural Affairs," by Walter H. Laves, Mar. 28, 1961 (p. 213-294).
Remapping Brazilian Film Culture makes a significant contribution not only to debates about Brazilian national cinema, but more generally about the development of world cinema in the twenty-first century. This book charts the key features of Brazilian film culture of the first two decades of the twenty-first century, including: the latest cultural debates within Brazil on film funding and distribution practices; the impact of diversity politics on the Brazilian film industry; the reception and circulation of Brazilian films on the international film festival circuit; and the impact on cultural production of the sharp change in political direction at national level experienced post-2016. The principle of "remapping" here is based on a need to move on from potentially limiting concepts such as "the national", which can serve to unduly ghettoise a cinema, film industry and audience. The book argues that Brazilian film culture should be read as being part of a globally articulated film culture whose internal workings are necessarily distinctive and thus deserving of world cinema scholars’ attention. A blend of industry studies, audience reception and cultural studies, Remapping Brazilian Film Culture is a dynamic volume for students and researchers in film studies, particularly Brazilian, Latin American and world cinema. *Honorary Mention - Best Book in Humanities for the LASA Brazil Prize 2021*
The analyses of German and Brazilian cultures found in this book offer a much-needed rethinking of the intercultural paradigm for the humanities and literary and cultural studies. This collection examines cultural interactions between Germany and Brazil from the Early Modern period to the present day, especially how authors, artists and other intellectuals address the development of society, intervene in the construction and transformation of cultural identities, and observe the introduction of differing cultural elements in and beyond the limits of the nation. The contributors represent various academic disciplines, including German Studies, Luso-Afro-Brazilian Studies, Cultural Studies, Linguistics, Art History and the social sciences. Their essays cover a wide range of works and media, and the issues they address are relevant not only for each of the scholarly disciplines involved, but also in discussions of current cultural practices in connection to all forms of media. The collection thus serves as a model for further intercultural research, since it calls into question the very terms through which we understand the relationships between cultures, as well as their products, practices, and perspectives.