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Otar Sepiashvili – movie critic, scenarist, journalist, essayist, an outstanding contributor to the Georgian cultural landscape, and the author of numerous magazine articles, as well as fourteen books, three of which, such as Time and the Big Screen (1969), War on the Big Screen (1975), Charlie – A Small Man?, No, A Hero! (1991) were awarded the First Prize by the Cinematographic Union in the “Critical Analysis and Theory of Cinema”. He was one of the pioneers of professional movie criticism in Georgia and was responsible for its popularization in different forms of media, such as print periodicals and television. Following graduation from the University, he started working for the newspaper Tbilisi, and the magazine Soviet Art. In 1959 he became a member of the Soviet Journalist Union, in 1960 joined the Union of Soviet Cinematographers. For 12 years he presided over the “Critical Analysis and Theory of Cinema” department of the Union of Georgian Cinematographers. He was also a member of the popular science cinematography committee of the Union of the Soviet Cinematographers, the governing committee of the Journalist Union of Tbilisi, and the editorial board of the publishing house known as Art. For thirty years he taught the art of cinema at the Tbilisi University. He was the fi rst in the Georgian press to become an accredited correspondent to the international cinematographic forums and the fi rst to write reviews about movie festivals in Moscow, Cannes, Venice, and Delhi. In 1969 he became the chief editor for the Georgian State Television. There he organized editorial teams that were focused on tasks that were responsible for daily TV programming. He led this team for 26 years, during which he created many popular TV shows, especially the famous weekly Illusion, which he authored and anchored himself, airing over 750 episodes. His scripts were used for 10 documentaries and TV movies, among them was the three part fi lm Movie and Years, and Time for Gathering Stones, both of which were fi lmed in Israel in 1989. In 1996 he moved to New York where he currently resides and works for the Georgian and Russian press. In 2002 “Megilat Ester” and in 2005 a collection of historical-journalistic essays “Memory: Symphony – Chronicles and Intermediary or the Faith of Georgian Jews” were published in New York.
This handbook presents precise yet accessible up-to-date information about the geography, history, culture, politics, and economy of 49 Asian states, ranging from Afghanistan, Bangladesh, and China to India, Russia, and Yemen. The targeted readership consists primarily of scholars, students, teachers, journalists, and other mediators of political education as well as anyone interested in politics. It is a basic work that contributes to comparative assessments of this hugely important and diverse region. Markus Porsche-Ludwig, Political Scientist and Jurist, is a Professor in the Department of Public Administration and in the Asia-Pacific Regional Studies Ph. D. Program at the National Dong Hwa University, Taiwan (R. O. C.). Ying-Yu Chen, majored in International Business from her Ph. D. program, is an Associate Professor in the Bachelor Program of Management Science and Finance at the National Dong Hwa University, Taiwan (R. O. C.).
The special issue of International Yearbook of Futurism Studies for 2015 will investigate the role of Futurism in the œuvre of a number of Women artists and writers. These include a number of women actively supporting Futurism (e.g. Růžena Zátková, Edyth von Haynau, Olga Rozanova, Eva Kühn), others periodically involved with the movement (e.g. Valentine de Saint Point, Aleksandra Ekster, Mary Swanzy), others again inspired only by certain aspects of the movement (e.g. Natalia Goncharova, Alice Bailly, Giovanna Klien). Several artists operated on the margins of a Futurist inspired aesthetics, but they felt attracted to Futurism because of its support for women artists or because of its innovatory roles in the social and intellectual spheres. Most of the artists covered in Volume 5 (2015) are far from straightforward cases, but exactly because of this they can offer genuinely new insights into a still largely under-researched domain of twentieth-century art and literature. Guiding questions for these investigations are: How did these women come into contact with Futurist ideas? Was it first-hand knowledge (poems, paintings, manifestos etc) or second-hand knowledge (usually newspaper reports or personal conversions with artists who had been in contact with Futurism)? How did the women respond to the (positive or negative) reports? How did this show up in their œuvre? How did it influence their subsequent, often non-Futurist, career?
The first comprehensive and objective history of the literature of Georgia, revealed to be unique among those of the former Byzantine and Russian empires, both in its quality and its 1500 years' history. It is examined in the context of the extraordinarily diverse influences which affected it - from Greek and Persian to Russian and modern European literature, and the folklore of the Caucasus.
This classic medieval romance of chivalry by an outstanding figure in a brilliant period of Georgian literature has affinities with both the Persian tradition and that of the West.
For many the Russian Revolution of 1917 was a symbol of hope. In the eyes of its critics, however, Soviet authoritarianism and the horrors of the gulags have led to the revolution becoming synonymous with oppression, threatening to forever taint the very idea of socialism. The experience of Georgia, which declared its independence from Russia in 1918, tells a different story. In this riveting history, Eric Lee explores the little-known saga of the country’s experiment in democratic socialism, detailing the epic, turbulent events of this forgotten chapter in revolutionary history. Along the way, we are introduced to a remarkable cast of characters – among them the men and women who strove for a more inclusive vision of socialism that featured multi-party elections, freedom of speech and assembly, a free press and a civil society grounded in trade unions and cooperatives. Though the Georgian Democratic Republic lasted for just three years before it was brutally crushed on the orders of Stalin, it was able to offer, however briefly, a glimpse of a more humane alternative to the Soviet reality that was to come.
Winner of the Excellence Award for Collaborative Research granted by the European Society of Comparative Literature (ESCL) In Great Immortality, twenty scholars from considerably different cultural backgrounds explore the ways in which certain poets, writers, and artists in Europe have become major figures of cultural memory. Through individual case studies, many of the contributors expand and challenge the concepts of cultural sainthood and canonization as developed by Marijan Dović and Jón Karl Helgason in National Poets, Cultural Saints: Canonization and Commemorative Cults of Writers in Europe (Brill, 2017). Even though the major focus of the book is the nineteenth-century cults of national poets, the volume examines a wide variety of cases in a very broad temporal and geographical framework – from Dante and Petrarch to the most recent attempts to sanctify artists by both the Catholic and Orthodox churches, and from the rise of a medieval Icelandic author of sagas to the veneration of a poet and national leader in Georgia. Contributors are: Bojan Baskar, Marijan Dović, Sveinn Yngvi Egilsson, David Fishelov, Jernej Habjan, Simon Halink, Jón Karl Helgason, Harald Hendrix, Andraž Jež, Marko Juvan, Alenka Koron, Roman Koropeckyj, Joep Leerssen, Christian Noack, Jaume Subirana, Magí Sunyer, Andreas Stynen, Andrei Terian, Bela Tsipuria, and Luka Vidmar.
A survey of the state of human freedom around the world investigates such crucial indicators as the status of civil and political liberties and provides individual country reports.
"This biography of the young Stalin is more than the story of how a revolutionary was made: it is the first serious investigation, using the full range of Russian and Georgian archives, to explain Stalin's evolution from a romantic and idealistic youth into a hardened political operative. Suny takes seriously the first half of Stalin's life: his intellectual development, his views on issue of nationalities and nationalism, and his role in the Social Democratic debates of the late nineteenth and early twentieth centuries. This book narrates an almost tragic downfall; we see Stalin transform from a poor provincial seminarian, who wrote romantic nationalist poetry, into a fearsome and brutal ruler. Many biographers of Stalin turn to shallow psychological analysis in seeking to explain his embrace of revolution, focusing on the beatings he suffered at the hands of his father or his hero-worship of Lenins, or sensationalizing Stalin's involvement in violent activity. Suny seeks to show Stalin in the complex context of the oppressive tsarist police-state in which he lived and debates and party politics that animated the revolutionary circles in which he moved. Though working from fragmentary evidence from disparate sources, Suny is able to place Stalin in his intellectual and political context and reveal, not only a different analysis of the man's psychological and intellectual transformation, but a revisionist history of the revolutionary movements themselves before 1917"--