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In Argentina, Colombia, and Peru, there has been an out-pouring of popular-performative activities that have asked citizens to pose questions about the social order and about the memories of recent atrocities. Cala Buendía looks at ways in which cultural producers adapted or developed strategies as resources for social actors to use for change.
Twenty four essays cover a broad range of topics in cultural anthropology, and represent the best writings of George Peter Murdock and reveal his theoretical orientation and his many landmark contributions to the field.