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Las organizaciones empresariales siempre tienen como propósito la creación de valor, tanto económico como social, en forma sostenible y creciente. La gestión o management, es acción y desafío, para que el propósito empresarial se transforme en realidad concreta, por ello la "estrategia" y su "ejecución" son las grandes temáticas que incluye toda la infinidad de temas de management que pueden enumerarse. Sería inconcebible una estrategia sin una organización que la lleve a cabo, como también una organización sin una estructura. Pero podemos tener empresas con similares estructuras y recursos humanos, materiales e inmateriales, con diferente creación de valor. Ello es así, pues mientras la estructura define la distribución de funciones, roles y la coordinación del hacer organizacional, pero son las personas las que "hacen" y estas personas que conforman un grupo, la cultura organizacional define el cómo piensan y ello condiciona el cómo hacen. La cultura organizacional opera como una receta de fondo, un software que condiciona el pensar y el hacer, la cual no se lee en el cuadro de la misión o de los valores, pues está subyacente en el pensar de los integrantes del grupo. Este ensayo es un ejercicio sobre la cultura organizacional y los efectos de la endogamia sobre la creación del valor de la empresa y sobre los riesgos en cuanto a su futuro; producto de un abordaje ecléctico y heurístico, que recurre a la sociología, psicología, genética, física y enfoque sistémico. Más allá que la orientación es empresarial, la aplicación puede serlo para cualquier tipo de organización. Es un aporte a la ciencia del management, en la convicción que el conocimiento y diagnóstico de la "cultura organizacional" para asegurar su acople con la estrategia es uno de los factores clave del éxito.
The Routledge Spanish Bilingual Dictionary of Psychology and Psychiatry contains over 100,000 entries making this the most comprehensive and up-to-date dictionary of its kind. The Dictionary provides concise, comprehensive and current coverage of every word or phrase used in the study and practice of psychiatry and psychology. This valuable reference tool covers all disciplines and sub-disciplines, both research-based and clinical. This is a vital resource to those in the healthcare professions, to academicians and to those who work in translation and/or interpretation, healthcare and the law who are in contact with the English and Spanish speaking communities.
Discusses the relationship between humans and machines, pondering the implications of humans becoming more mechanical and of computer robots being programmed to think. He describes early Greek and Chinese automatons and discusses ideas of previous centuries and of individuals on this subject.
Europe City: Lessons from the European Prize for Urban Public Space presents a multifaceted and diverseplatform of ideas about European public space and its social, cultural and economic significance. Based onseven themes--or lessons to be learned--, this discussion is approached from different disciplines, resulting ina wide-ranging reflection on public space as the intrinsic element that binds the European urban experiencetogether. These themes are Memory, Mobility, Mixture, Margins, Waterfronts, Marketplaces and Democracy, illustrated by a selection of about fifty projects of diverse scales and programs. The book also features ahistoric overview of European public space as well as impressions from international professionals. With aforeword by Kenneth Frampton and an epilogue by Zygmunt Bauman.The European Prize for Urban Public Space is an initiative of the Centre de Cultura Contemporània deBarcelona (CCCB) and is co-organized with AzW Vienna; AF, London; DAM Frankfurt; Cité de l'architectureet du patrimoine, Paris; MAO Ljubljana, and MFA Helsinki.
FIRST ENGLISH-LANGUAGE PUBLICATION OF PETER EISENMAN’S 1963 DISSERTATION
The city is often depicted as a sort of self-organizing chaos. This collection of essays, edited by Pier Vittorio Aureli, makes the case for the opposite hypothesis: The city is always the result of political intention, often in the form of specific architectural projects. Cities are shaped not only by material forces, but also by cultural and didactic visions. This thesis is substantiated by eight thoroughly researched essays scrutinizing a fascinating line-up of urban conditions across more than two thousands years of history: from the political theology of the Islamic city to the political economy of Renaissance architecture; from the rise of public architecture in 17th-century France to the laissez-faire development of the contemporary Greek city; from the exemplary teachings of Jean-Nicolas-Louis Durand to the collaborative work of Hannes Meyer; and from the plan of the Mesoamerican metropolis to that of the Fordist factory floor. In challenging the split between theory and practice, The City as a Project reveals the powerful ways in which the city arises from the constant interaction between ideas and spatial conditions.
"During the last decade, the emergence of Italy as the dominant force in design has had a profound influence in Europe and the Americas. The phenomenon is important not only because of the high quality and diversity of the forms produced, but also because it has generated a lively debate on the sociocultural implications of product design, raising questions of vital concern to designers throughout the world. For many designers, the aesthetic quality of individual objects intended for private consumption have become irrelevant in the face of such pressing problems as poverty, urban decay, and the pollution of the environment now encountered in all industrialized countries. Consequently, they are increasingly shifting he focus of their attention from the well-designed object to man's total environment, seeing the designer's function as one that can mold patterns of behavior by creating new settings for freer, more adaptable lifestyles. Some, however, despairing of effecting social change through design, regard their task as essentially a political one. They therefore abstain from the physical designing of either objects or environments and channel their energies into the staging of events and the issuing of polemical statements. Their approach thus parallels that of many artists in other mediums who view their art in primarily conceptual terms. This publication, issued in conjunction with a major exhibition at The Museum of Modern Art, is the first to deal comprehensively with these challenging developments. Over 150 objects of Italian design of the past ten years have been selected for the show and are all reproduced in color and black-and-white, as are the dozen environments by well-known Italian designers specially commissioned for the occasion, and the two awarded prizes in a concurrent competition for young designers under thirty-five sponsored by the Museum. Each environment is accompanied by a statement in which the individual or group responsible for the project clarifies his position regarding the present and future role of design. In addition to essays by Emilio Ambasz, Curator of Design at the Museum of Modern Art and director of the exhibition, the book contains contributions by a number of outstanding Italian critics and art historians. Together, these comprise the first historical survey of contemporary Italian design and a critical analysis of its intellectual and formal positions within the context of international design today." -- Publisher's description
Building Seagram is a comprehensive personal and scholarly history of a major building and its architectural, cultural, and urban legacies.
Tschumi Parc de la Villette is the first publication to document comprehensively Bernard Tschumi's first, and arguably still most celebrated project. With new and republished writing including a text by Bernard Tschumi and Anthony Vidler's "Trick-Track" originally published in 1986, alongside a newly-commissioned essay assesing the Parc from a contemporary and historical perspective, this book documents Parc de la Villette from its conception, through the 30 years of its existence, to the present. Tschumi Parc de la Villette includes drawings, concept sketches, models and photographs showing the development of the Parc over three decades, brought together in a single volume for the first time since the 1980s. One of the "Grands Projets" commissioned by the French Government in the 1980s, Parc de la Villette set a benchmark for urban parks in the latter part of the twentieth century and into the twenty-first. Tschumi constructed a series of follies across the site, creating what he called "the largest discontinuous building in the world". Published to coincide with the 30th anniversary of the Parc, Tschumi Parc de la Villette broadly celebrates the project, and articularly the way in which it has been embraced by generations of Parisians and a diverse international public.