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While biblical prophets ridiculed the notion of humans fashioning an idol that they would then worship, ancient Near Eastern theologians developed a sophisticated religious system in which divine beings could be physically manifest within the material of a cultic image without being limited by that embodiment. The four essays in this compact volume examine the intriguing subject of cultic images and divine iconography in Mesopotamia, Egypt, Anatolia and Syria-Palestine. This interesting and eclectic group of essays explores the textual and artifactual evidence for the creation and veneration of divine images in the ancient Near East. The recent resurgence of scholarly interest in the study of divine representation in ancient Israel and the Near East makes this comprehensive reexamination especially timely.
The Image and the Book is a richly documented and provocative collection of studies and essays dealing with the historical background of biblical ban on religious images. It describes the role and theology of the divine image in the civilizations surrounding Israel, and shows that there has been long-standing worship of images in Israel. Though the Bible intimates that Israelite religion was aniconic from the very beginning, the archaeological evidence and the dispassionate analysis of the available texts shows otherwise. The iconographical remains yield a fascinating view of the development and varieties in the cult of religious images. The iconoclasm of influential currents in the late Israelite and early Judaic religion went in tandem with the promotion of the Book of the Law as a substitute of the image. In the case of the Bible, the rise of book religion must be seen in conjunction with the battle against images.
Pejoratively referred to as "idols" in the Hebrew Bible and in western tradition, the cult image occupied a central place in the cultures of the ancient Near East. In Mesopotamia, a ritual (mis pi) was used to "give birth" to the god represented by the cult image. In this volume, three separate essays examine the topic within different ancient Near Eastern cultures, and a fourth provides a modern analogy as counterpoint.
From the tragic young Adonis to Zašhapuna, first among goddesses, this handbook provides the most complete information available on deities from the cultures and religions of the ancient Near East, including Anatolia, Syria, Israel, Sumer, Babylonia, Assyria, and Elam. The result of nearly fifteen years of research, this handbook is more expansive and covers a wider range of sources and civilizations than any previous reference works on the topic. Arranged alphabetically, the entries range from multiple pages of information to a single line—sometimes all that we know about a given deity. Where possible, each record discusses the deity’s symbolism and imagery, connecting it to the myths, rituals, and festivals described in ancient sources. Many of the entries are accompanied by illustrations that aid in understanding the iconography, and they all include references to texts in which the god or goddess is mentioned. Appropriate for both trained scholars and nonacademic readers, this book collects centuries of Near Eastern mythology into one volume. It will be an especially valuable resource for anyone interested in Assyriology, ancient religion, and the ancient Near East.
Human belief systems and practices can be traced to ca. 10,000 BCE in the Ancient Near East, where the earliest evidence of ritual structures and objects can be found. Religious architecture, the relics of human skeletons, animal symbolism, statues, and icons all contributed to a complex network into which the spiritual essence of the divine was materially present. In this book, Nicola Laneri traces the transformation of the belief systems that shaped life in ancient Near Eastern communities, from prehistoric times until the advent of religious monotheism in the Levant during the first millennium BCE. Considering a range of evidence, from stone ceremonial enclosures, such as as Göbleki Tepe, to the construction of the first temples and icons of Mesopotamian polytheistic beliefs, to the Temple of Jerusalem, the iconic center of Israelite monotheism, Laneri offers new insights into the symbolic value embodied in the religious materiality produced in the ancient Near East.
In this book, Tyson Putthoff explores the relationship between gods and humans, and between divine nature and human nature, in the Ancient Near East. In this world, gods lived among humans. The two groups shared the world with one another, each playing a special role in maintaining order in the cosmos. Humans also shared aspects of a godlike nature. Even in their natural condition, humans enjoyed a taste of the divine state. Indeed, gods not only lived among humans, but also they lived inside them, taking up residence in the physical body. As such, human nature was actually a composite of humanity and divinity. Putthoff offers new insights into the ancients' understanding of humanity's relationship with the gods, providing a comparative study of this phenomenon from the third millennium BCE to the first century CE.
Although attempts to understand the growth of aniconism focus on the Pentateuchal legal material, scholars increasingly make reference to the prophetic literature to illuminate the debate. Jill Middlemas provides the first comprehensive analysis of the prophets with attention to rhetorical strategies that reflect anti-iconic thought and promote iconoclasm. After illuminating the idol polemics, which is the rhetoric most often associated with aniconism, she draws out how prophecy also exposes a reticence towards cultic symbols and mental images of Yahweh. At the same time the theme of incomparability as well as the use of metaphor and multiple imaging, paradoxically, reveal additional ways to express aniconic belief or the destabilization of a single divine image. Middlemas' analysis of prophetic aniconism sheds new light on interpretations of the most iconic expression in the Old Testament, the imago dei passages in Genesis, where God is said to create humanity in the divine image.
This work presents in detail a description of archaeological data from the Iron II temple complex at Tel Dan in northern Israel. Davis analyzes the archaeological remains from the ninth and eighth centuries, paying close attention to how the temple functioned as sacred space. Correlating the archaeological data with biblical depictions of worship, especially the “textual strata” of 1 Kings 18 and the book of Amos, Davis argues that the temple was the site of “official” and family religion and that worship at the temple became increasingly centralized. Tel Dan's role in helping reconstruct ancient Israelite religion, especially distinctive religious traditions of the northern kingdom, is also considered.
Two topics of current critical interest, agency and materiality, are here explored in the context of their intersection with the divine. Specific case studies, emphasizing the ancient Near East but including treatments also of the European Middle Ages and ancient Greece, elucidate the nature and implications of this intersection: What is the relationship between the divine and the particular matter or physical form in which it is materially represented or mentally visualized? How do sacral or divine "things" act, and what is the source and nature of their agency? How might we productively define and think about anthropomorphism in relation to the divine? What is the relationship between the mental and the material image, and between the categories of object and image, image and likeness, and likeness and representation? Drawing on a broad range of written and pictorial sources, this volume is a novel contribution to the contemporary discourse on the functioning and communicative potential of the material and materialized divine as it is developing in the fields of anthropology, art history, and the history and cognitive science of religion.