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These 17 stories from the Caribbean and Central and South America encompass the works of Rubén Darío, José Martí, Amado Nervo, Rómulo Gallegos, and Ricardo Palma.
Following the same format as the highly praised 2000-2004 edition, Recommended Books in Spanish for Children and Young Adults, 2004-2008 is an outstanding reference tool that includes annotated entries for more than 1,200 books in Spanish published between 2004 and 2008 in the U.S., Spain, Mexico, Venezuela, and Argentina. Each entry includes an extensive critical annotation, title in Spanish as well as English, tentative grade level, and approximate price. The books have been selected because of their quality of art and writing, presentation of material and appeal to the intended audience, and support the informational, educational, recreational and personal needs of Spanish speakers from preschool through the twelfth grade. Whether used for the development and support of an existing library collection or for the creation of a new library serving Spanish-speaking young readers, the books in this volume are of value to Spanish-speaking children and young adults (or those who wish to learn Spanish). This volume is arranged in four sections: Reference, Nonfiction (Philosophy, Psychology, Religion, Social Science, Folklore, Language, Science, Technology, Health and Medicine, The Arts, Recreation and Sports, Literature, Poetry, Geography, History, and Biography), Publishers' Series, and Fiction (Easy Books, General Fiction and Graphic Novels). This volume also includes an appendix of merchants who sell books in Spanish, as well as author, title, and subject indexes.
Vol. 1 includes "Organization number," published Nov. 1917.
Since the 1930s, Latin American writers have used magic realism to transcend the limits of the fantastic and illuminate social problems within the culture. The author considers five modern Latin American novels. Starting with two canonical texts of magic realism, Alejo Carpentier's El reino de este mundo (1949) and Garcia Marquez's Cien a-os de soledad (1967), the author argues that Los Sangurimas (1934), by the Ecuadorian Jos de la Cuadra, is a seminal work due to de la Cuadra's new approach to reality and his use of marvelous and hyperbolic elements. The author shows the continuation of this example in Ecuador in Demetrio Aguilera-Malta's Siete lunas y siete serpientes (1970) and Alicia Y nez Coss'o's Bruna, soroche y los tios (1972), which elucidate social problems of race, class, and gender through use of magic realism. In selecting for her study well-known writers such as Carpentier, Garcia Marquez, and others, less well-known such as de la Cuadra, Aguilera-Malta and Y nez Coss'o, the author demonstrates that both canonical and noncanonical writers for many years have been working on this new way of writing to interpret in fiction the highly complex Latin American reality.