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Vol. 1 includes "Organization number," published Nov. 1917.
"The short stories explore themes that concern the interior person, the inner being. "A Day Laborer" tells of a liberal intellectual who can identify with exploited laborers because he himself has been exploited; "Change of Light" describes the spiritual peace that comes to a writer as a result of physical blindness; "The Golden Rose" shows through a series of contrasts - good and evil, heaven and earth, light and darkness - that virtue and sacrifice are rewarded; "Queen Margaret" chronicles the misery of failed opera singers who find happiness after leaving the short-lived glory of the theater; "Torso" relates the faithfulness of a servant who is rejected by a young master; "The Burial of the Sardine," with echoes of Francisco de Goya, represents the ephemeral nature of joy as experienced during Shrovetide in a city dominated by the clergy; and "Two Scholars" recounts how envy and vanity affect a personal relationship."--BOOK JACKET.
Includes section "Reviews".
Grimms’ fairy tales are among the best-known stories in the world, but the way they have been introduced into and interpreted by cultures across the globe has varied enormously. In Grimms’ Tales around the Globe, editors Vanessa Joosen and Gillian Lathey bring together scholars from Asia, Europe, and North and Latin America to investigate the international reception of the Grimms’ tales. The essays in this volume offer insights into the social and literary role of the tales in a number of countries and languages, finding aspects that are internationally constant as well as locally particular. In the first section, Cultural Resistance and Assimilation, contributors consider the global history of the reception of the Grimms’ tales in a range of cultures. In these eight chapters, scholars explore how cunning translators and daring publishers around the world reshaped and rewrote the tales, incorporating them into existing fairy-tale traditions, inspiring new writings, and often introducing new uncertainties of meaning into the already ambiguous stories. Contributors in the second part, Reframings, Paratexts, and Multimedia Translations, shed light on how the Grimms’ tales were affected by intermedial adaptation when traveling abroad. These six chapters focus on illustrations, manga, and film and television adaptations. In all, contributors take a wide view of the tales’ history in a range of locales—including Poland, China, Croatia, India, Japan, and France. Grimms’ Tales around the Globe shows that the tales, with their paradox between the universal and the local and their long and world-spanning translation history, form a unique and exciting corpus for the study of reception. Fairy-tale and folklore scholars as well as readers interested in literary history and translation will appreciate this enlightening volume.