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Juan Gris (1887-1927) was central to the development of Cubism in the early 20th century. Though the writer and art collector Gertrude Stein considered him a "perfect painter," Gris's pivotal role within the movement has often been overshadowed. Cubism in Color: The Still Lifes of Juan Gris reveals the virtuosic range of the artist's short yet prolific career, illuminating his boundary-pushing contributions to Cubism. As a thorough examination of Gris's still lifes, Cubism in Color provides an important reassessment of this underappreciated artist, reestablishing his position as a modernist master. This fully illustrated volume traces the evolution of Gris's aesthetic and approach to still life through a selection of key works. It includes original essays by leading scholars in the field, offering new insights on Gris's elusive artistic process, the history of collecting his work in the United States and his native Spain, and his artistic legacy within modern and contemporary Latin American art.
This beautifully illustrated volume tells the story of Cubism through twenty-two essays that explore the most significant private holding of Cubist art in the world today, the Leonard A. Lauder Collection, now a promised gift to The Metropolitan Museum of Art. The eighty works featured in this volume—by Georges Braque, Juan Gris, Fernand Léger, and Pablo Picasso‐are among the most important and visually arresting in the movement’s history. These masterpieces, critical to the development of Cubism, include such groundbreaking paintings as Braque’s Trees at L’Estaque, considered one of the very first Cubist pictures; Picasso’s Still Life with Fan: “L’Indépendant,” one of the first to introduce typography; Gris’s noirish, uncanny The Man at the Café, one of his most celebrated collages; and Léger’s uniquely ambitious Composition (The Typographer). Written by renowned experts on this subject, the essays trace the evolution of Cubism from its origins in the still lifes, portraits, and collages of Braque and Picasso through the precisely delineated compositions by Gris that prefigure the Synthetic Cubism of the war years to Léger’s distinctive intersections of spherical, cylindrical, and cubic forms that evoke the syncopated rhythms of modern life. Also included are a fascinating interview in which Leonard Lauder discusses his approach to collecting, an investigative essay on the information gleaned from the backs of the works themselves, and an authoritative catalogue that further establishes the lives of these magnificent objects. A publication to place alongside the great histories of Modernism, this comprehensive book will stand as the resource for understanding Cubism for many years to come. -
Værker fra Picasso's kubistiske periode
"This is a book whose great achievement is to bring out the importance of the Cubists in a history far bigger than the history of art." Christopher Green, Courtauld Institute of Art"
The age-old tradition of pictorial illusionism known as trompe l’oeil (“deceive the eye”) employs visual tricks that confound the viewer’s perception of reality and fiction, truth and falsehood. This radically new take on Cubism shows how Pablo Picasso, Georges Braque, and Juan Gris both parodied and paid homage to classic trompe l’oeil themes and motifs. The authors connect Cubist works to trompe l’oeil specialists of earlier centuries by juxtaposing more than one hundred Cubist paintings, drawings, and collages with related compositions by old masters. The informed and engaging texts trace the changing status of trompe l’oeil over the centuries, reveal Braque’s training in artisanal trompe l’oeil techniques as an integral part of his Cubist practice, examine the material used in Gris’s collages, and discuss the previously unstudied trompe l’oeil iconography within Cubist still lifes.
Channel your inner Picasso! Sixteen vibrant and dramatic cubist illustrations await your enjoyment. Lose yourself in each unique illustration and unleash your creativity with the help of a corresponding color chart. Each visually entertaining illustration is printed on one side of the sheet to maximize enjoyment.
The most famous cubist is Pablo Picasso. But, his work isn’t the entirety of this fascinating art movement! Readers are introduced to Picasso as well as Juan Gris, Georges Braque, and others who shaped cubism in this fantastic volume. Guided by a friendly gallery owner, readers find out more about the difference between a gallery and a museum as they learn what exactly makes up cubism. Most importantly, they’re invited to create their own cubist-inspired masterpieces in a series of creative activities.
This examination of Braque's career features exquisite reproductions and incisive historical and aesthetic investigations of his work leading up to and during World War II. This book offers the first detailed examination of Braque's experiments with still lifes and interiors during a significant, though overlooked, time in his career. One of the leading founders of Cubism, Braque employed the genre of the still life to conduct a lifelong investigation into the nature of perception through the tactile and transitory world of everyday objects. Examining a transitional time between Braque's early Cubist works and his late grand series, this catalog considers his paintings within the cultural and political context of Europe at this time. Reproduced in vivid color, Braque's paintings are accompanied by scholarly essays that explore the rise of Braque's popularity in the US, including his first major retrospective in America, and the reception of his work of the early 1930s and 1940s by German and French critics, as well as a behind-the-scenes look at the materials and process employed by the artist as illuminated by an intensive conservation study of select important works.