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The Cuban revolution of 1959 initiated a significant exodus, with more than 700,000 Cubans eventually settling in the United States. This community creates a major part of what is now known as the Cuban diaspora. In Cuban-American Literature of Exile, Isabel Alvarez Borland forces the dialogue between literature and history into the open by focusing on narratives that tell the story of the 1959 exodus and its aftermath. Alvarez Borland pulls together a diverse array of Cuban-American voices writing in both English and Spanish--often from contrasting perspectives and approaches--over several generations and waves of immigration. Writers discussed include Guillermo Cabrera Infante, Reinaldo Arenas, Roberto Fernandez, Achy Obejas, and Cristina Garcia. The author's analysis of their works uncovers a movement from narratives that reflect the personal loss caused by the historical fact of exile, to autobiographical writings that reflect the need to search for a new identity in a new language, to fictions that dramatize the authors' constructed Cuban-American personae. If read collectively, she argues, these sometimes dissimilar texts appear to be in dialogue with one another as they all document a people's quest to reinvent themselves outside their nation of origin. Cuban-American Literature of Exile encourages readers to consider the evolution of Cuban literature in the United States over the last forty years. Alvarez Borland defines a new American literature of Cuban heritage and documents the changing identity of an exiled literature.
Internationally renowned scholars address the Cuban diaspora from multiple perspectives and locations.
This is a fascinating portrait of Miami's Cuban population, the most successful group of immigrants to settle in the United States since the Jews of the nineteenth century. David Rieff has provided an engrossing look at a group exiled from its homeland, showing how America has affected these immigrants, and what it means to become an American in the late twentieth century.
This bibliography contains listings and annotations of all novels, anthologies, and short story collections written by the first, 1.5, and second generations of Cuban Americans. This work also contains listings and annotations of all secondary works dealing with this fiction, as well as related memoirs, autobiographies and interviews.
This groundbreaking collection offers an understanding of why Cuban-American literature and visual art have emerged in the United States and how they are so essentially linked to both Cuban and American cultures. The contributors explore crucial issues pertinent not only to Cuban-American cultural production but also to other immigrant groups—hybrid identities, biculturation, bilingualism, immigration, adaptation, and exile. The complex ways in which Cuban Americans have been able to keep a living memory of Cuba while developing and thriving in America are both intriguing and instructive. These essays, written from a variety of perspectives, range from useful overviews of fictional and visual works of art to close readings of individual texts.
Presents a glimpse into four centuries of Cubans in America, from the sixteenth century to the present day, and profiles such noted Cubans as Oscar Hijuelos, Gloria Estefan, and Jeff Bezos.
In the years since Fidel Castro came to power, the migration of close to one million Cubans to the United States continues to remain one of the most fascinating, unusual, and controversial movements in American history. María Cristina García—a Cuban refugee raised in Miami—has experienced firsthand many of the developments she describes, and has written the most comprehensive and revealing account of the postrevolutionary Cuban migration to date. García deftly navigates the dichotomies and similarities between cultures and among generations. Her exploration of the complicated realm of Cuban American identity sets a new standard in social and cultural history.
Cuban-American writers have been studied primarily within the context of Latino literature as a whole. Seeing a need to distinguish and define this unique literary perspective, Eduardo del Rio selected twelve important well-known authors and conducted interviews. He chose writers who were born in Cuba but have lived in the United States for a significant amount of time and whose works include themes he considers elemental to Cuban-American literature: identity, duality, memory, and exile. But rather than a cohesive, homogeneous group, these conversations unveiled a kaleidoscope of individuality, style, and motive. The authorsÕ bonds to Cuba inform their creative work in vastly different ways, and attempts to categorize their similarities only highlight the range of character and experience within this assemblage of talented writers. From playwright Dolores Prida to author and literary critic Gustavo PŽrez Firmat, these voices run the gamut of both genre and personality. In addition to the essential facts of literary accomplishment, the interviews include a wealth of insight into each writerÕs history, motivations, concerns, and relationship to language. These personal details serve to humanize and illuminate the unique circumstances and realities that have shaped both the authors and their work. What del Rio has ultimately brought together is a series of intimate sketches that will not only serve as an important reference for any discussion of the literature but will also help readers to develop for themselves a sense of what Cuban-American writing is, and what it is not. CONTENTS Preface Acknowledgments Introduction Nilo Cruz Roberto Fern‡ndez Cristina Garc’a Carolina Hospital Eduardo Machado Dionisio Mart’nez Pablo Medina Achy Obejas Ricardo Pau-Llosa Gustavo PŽrez Firmat Dolores Prida Virgil Su‡rez Epilogue Notes Bibliography Index
Our Lady of the Exile is a study of Cuban-American popular Catholicism, focusing on the shrine of Our Lady Charity in Miami. Drawing on a wide range of sources and using both historical and ethnographic methods, the book examines the religious life of the Cuban exiles who visit the shrine. Those pilgrims are diverse, and so are the motives that bring them. At the same time, author Thomas A. Tweed argues, Cuban devotees of the national patroness share a great deal. Most come to pray for their homeland and to recreate bonds with other Cubans, on the island and in the diaspora. The shrine is a place where they come to make sense of themselves as an exiled people. The religious symbols there link the past and present and bridge the homeland and the new land. Through rituals and artifacts at the shrine, Tweed suggests, the Cuban diaspora "imaginatively constructs its collective identity and transports itself to the Cuba of memory and desire." While the book focuses on Cuban exiles in Miami, it moves beyond case study as it explores larger issues concerning religion, identity, and place. How do migrants relate to heir homeland? How do they understand themselves after they have been displaced? What role does religion play among these diasporic groups? Building on this study of one exiled group, Tweed proposes a theory of diasporic religion that promises to illuminate the experiences of other groups that have been displaced from their native land. As the first book-length analysis of Cuban-American Catholicism, Tweed's book will be an invaluable resource to scholars and students of not only Religious Studies, American Studies, and Ethnic Studies, but also those who study cultural anthropology, human geography, and Latin American history.