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Havana is Cuba's soul: a mix of Third World, First World, and Other World. After over a decade of visits as a teacher, researcher, and friend, Karen Dubinsky looks past political slogans and tourist postcards to the streets, neighbourhoods, and personalities of a complicated and contradictory city. Her affectionate, humorous vignettes illustrate how Havana's residents--old Communist ladies, their sceptical offspring, musicians, underground vendors, entrepreneurial landlords, and poverty-stricken professors--go about their daily lives. As Cuba undergoes dramatic change, there is much to appreciate, and learn from, in the unlikely world Cubans have collectively built for themselves. A portion of the proceeds from the sale of this book will go to the Queen's University Student Overseas Travel Fund--The Sonia Enjamio Fund, which funds Cuban/Canadian student exchange.
“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post
In his second book of narrative, lyric poetry, Richard Blanco explores the familiar, unsettling journey for home and connections, those anxious musings about other lives: ÒShould I live here? Could I live here?Ó Whether the exotic (ÒIÕm struck with Maltese fever ÉI dream of buying a little Maltese farmÉ) or merely different (ÒToday, home is a cottage with morning in the yawn of an open windowÉÓ), he examines the restlessness that threatens from merely staying put, the fear of too many places and too little time. The words are redolent with his Cuban heritage: Marina making mole sauce; T’a Ida bitter over the revolution, missing the sisters who fled to Miami; his father, especially, Òhis hair once as black as the black of his oxfordsÉÓ Yet this is a volume for all who have longed for enveloping arms and words, and for that sanctuary called home. ÒSo much of my life spent like this-suspended, moving toward unknown places and names or returning to those I know, corresponding with the paradox of crossing, being nowhere yet here.Ó Blanco embraces juxtaposition. There is the Cuban Blanco, the American Richard, the engineer by day, the poet by heart, the rhythms of Spanish, the percussion of English, the first-world professional, the immigrant, the gay man, the straight world. There is the ennui behind the question: why cannot I not just live where I live? Too, there is the precious, fleeting relief when he can write "ÉI am, for a moment, not afraid of being no more than what I hear and see, no more than this:..." It is what we all hope for, too.
The Cuban Table is a comprehensive, contemporary overview of Cuban food, recipes and culture as recounted by serious home cooks and professional chefs, restaurateurs and food writers. Cuban-American food writer Ana Sofia Pelaez and award-winning photographer Ellen Silverman traveled through Cuba, Miami and New York to document and learn about traditional Cuban cooking from a wide range of authentic sources. Cuban home cooks are fiercely protective of their secrets. Content with a private kind of renown, they demonstrate an elusive turn of hand that transforms simple recipes into bright and memorable meals that draw family and friends to their tables time and again. More than just a list of ingredients or series of steps, Cuban cooks' tricks and touches hide in plain sight, staying within families or being passed down in well-worn copies of old cookbooks largely unread outside of the Cuban community. Here you'll find documented recipes for everything from iconic Cuban sandwiches to rich stews with Spanish accents and African ingredients, accompanied by details about historical context and insight into cultural nuances. More than a cookbook, The Cuban Table is a celebration of Cuban cooking, culture and cuisine. With stunning photographs throughout and over 110 deliciously authentic recipes this cookbook invites you into one of the Caribbean's most interesting and vibrant cuisines.
Isadora Tattlin is the American wife of a European energy consultant posted to Havana in the 1990s. Wisely, the witty Mrs. Tattlin began a diary the day her husband informed her of their new assignment. One of the first entries is her shopping list of things to take, including six gallons of shampoo. For although the Tattlins were provided with a wonderful, big house in Havana, complete with a staff of seven, there wasn't much else money could buy in a country whose shelves are nearly bare. The record of her daily life in Cuba raising her two small children, entertaining her husband's clients (among them Fidel Castro and his ministers and minions), and contending with chronic shortages of, well . . . everything (on the street, tourists are hounded not for money but for soap), is literally stunning. Adventurous and intuitive, Tattlin squeezed every drop of juice--both tasty and repellent--from her experience. She traveled wherever she could (it's not easy--there are few road signs or appealing places to stay or eat). She befriended artists, attended concerts and plays. She gave dozens of parties, attended dozens more. Cuba Diaries--vividly explicit, empathetic, often hilarious--takes the reader deep inside this island country only ninety miles from the U.S., where the average doctor's salary is eleven dollars a month. The reader comes away appalled by the deprivation and drawn by the romance of a weirdly nostalgic Cuba frozen in the 1950s.
In the second edition of this remarkable and comprehensive anthology, many of Canada's leading sexuality studies scholars examine the fundamental role that sexuality has played—and continues to play—in the building of our nation, and in our national narratives, myths, and anxieties about Canadian identity. Thoroughly updated, this new edition features twenty-six new chapters on topics including Indigenous kinship, Blackness, masculinity, disability, queer resistance, and sex education. Covering both historical and contemporary perspectives on nation and community, law and criminal justice, organizing and activism, health and medicine, education, marriage and family, sport, and popular culture and representation, the essays also take a strong intersectional approach, integrating analyses of race, class, and gender. This interdisciplinary collection is essential for the Canadian sexuality studies classroom, and for anyone interested in the mythologies and realities of queer life in Canada. FEATURES: - Sixty percent new and expanded content with twenty-six new chapters - Thoroughly updated to reflect a strong emphasis on the diversity of queer experiences and identities in Canada - Each chapter includes a brief introduction, written for this collection by the author, that provides helpful context about their work for both students and teachers
This ever more accessible island will soon be the hottest Caribbean destination for North American travelers, according to the authors, who cover all sites and events to suit all budgets. of color photos. 43 maps.
A Book Sense Notable Title "As Gessner pursues [the ospreys] down the Eastern Seaboard and even into Cuba with a BBC documentary team at his heels, a lively tale of fish-eating raptors, broken embargoes and a nail-biting race to the finish line ensues . . . Gessner finds his Mecca not in the thrilling launch or triumphant end of his own 7,000-mile migration, but in the living done in between."—Jennifer Winger, Nature Conservancy Magazine "An engaging, lyrical guide to osprey migration, Cuba, and a common humanity."—Orion Magazine "Gessner's finest book, unpredictable in the best way, and funny, too; an adventure book and much more—a book of contact by a writer who quickly becomes an audible and visible presence."—Clyde Edgerton, author of Solo "An interesting and complex book . . . In a surprisingly short amount of time, David Gessner has evolved into one of our most accomplished and singular writers about nature. While many authors treat their experiences in nature with a hushed earnestness and a suspect neatness, Gessner writes about the messy humanness of being outside."—Mark Lynch, Bird Observer "An ideal traveling companion and guide. Soaring with Fidel lets you hover for a while in the thermals of fine language, seeing the same old world from a fresh and invigorating altitude."—Ben Steelman, Wilmington (NC) Star-News
This book analyzes the economic reforms and political adjustments that took place in Cuba during the era of Raúl Castro’s leadership and its immediate aftermath, the first year of his successor, Miguel Díaz-Canel. Faced with economic challenges and a political crisis of legitimacy now that the Castro brothers are no longer in power, the Cuban Revolution finds itself at another critical juncture, confronted with the loss of Latin American allies and a more hostile and implacable US administration.