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Clark's Harbor was the perfect coastal haven, jealously guarded against outsiders. But now strangers have come to settle there. And a small boy is suddenly free of a frenzy that had gripped him since birth... His sister is haunted by fearful visions... And one by one, in violent, mysterious ways the strangers are dying. Never the townspeople. Only the strangers. Has a dark bargain been struck between the people of Clark's Harbor and some supernatural force? Or is it the sea itself calling out for a human sacrifice? A howling, deadly... Cry For The Strangers.
Clark's Harbor was the perfect coastal haven, jealously guarded against outsiders. But now strangers have come to settle there. And a small boy is suddenly free of a frenzy that had gripped him since birth... His sister is haunted by fearful visions... And one by one, in violent, mysterious ways the strangers are dying. Never the townspeople. Only the strangers. Has a dark bargain been struck between the people of Clark's Harbor and some supernatural force? Or is it the sea itself calling out for a human sacrifice? A howling, deadly... Cry For The Strangers.
Innocence dies so easily. Evil lives again . . . and again . . . and again. One hundred years ago in Port Arbello a pretty little girl began to scream. And struggle. And die. No one heard. No one saw. Just one man whose guilty heart burst in pain as he dashed himself to death in the sea. Now something peculiar is happening in Port Arbello. The children are disappearing, one by one. An evil history is repeating itself. And one strange, terrified child has ended her silence with a scream that began a hundred years ago.
A man’s obsession with a beautiful woman leads to danger in this psychological thriller by the author of The Talented Mr. Ripley and The Price of Salt. In a small Pennsylvania town, Robert Forrester is recuperating from a nasty divorce and a bout of psychological trouble. One evening, while driving home, he sees a pretty, young woman framed by her bright kitchen window. Soon, he can’t keep himself away. But when Robert is inevitably discovered, obsession is turned on its head, and he finds himself unable to shake the young woman, nor entirely sure whether he should. From Patricia Highsmith, once called “the balladeer of stalking” by The New Yorker, The Cry of the Owl is a modern classic ready to be reborn. Praise for The Cry of the Owl “Kafka with a vengeance.” —The Spectator (London) “Highsmith generates suspense out of a different sort of fear: not the fear of death, which drives most crime-centered entertainment, but the pettier, more intimate dread of humiliation, of being caught on the street with nothing on. . . . There’s something else here, hard to identify, pulling us along relentlessly, as thrillers do—an undertow, a surge of third-rail current.” —The New Yorker “The Cry of the Owl is a deceptively easy stroll toward personal chaos and destruction. It is thoroughly chilling because nothing seems farfetched. Odd, yes, but believable. . . . The Cry of the Owl is creepy and unsettling, a taut psychological thriller.” —Linnea Lannon, Detroit Free Press “One of her lesser-known works . . . and one of her most unsettling. Which is saying plenty. . . . The crime writer Elmore Leonard has written a host of novels with the same basic plot: Plans go wrong. The story message driving all of Highsmith’s work is similarly simple and clear: We live on thin ice. Highsmith revolts some readers, yet hypnotizes many others. She’s sui generis, a writer of almost occult power.” —Richard Rayner, Los Angeles Times
This volume seeks to identify and define the parameters of a relatively new problem area -- parental development. Drawing on the grand developmental theories of Sigmund Freud, Lawrence Kohlberg, Jean Piaget, Lev Vygotsky, Heinz Werner, and their descendants, this book has the potential to generate an area of common concern for those interested in either child/adolescent or adult development through the novel application of developmental principles and considerations to the ecological context of parenting. To that end, this volume brings together theory and research from the subfields of adult and child/adolescent development. Chapter authors place the problem area of parental development in theoretical context and examine selected psychological part-processes implicated by focusing on cognitive and psychosocial development. The authors then deal with a range of issues that are perhaps less traditional and/or more in line with the complex character of everyday life. That is, they utilize either relatively novel comparison groups or treat parents at later stages of development rather than those in young adulthood as is often the case. Finally, the authors uncover both similarities and differences among their theoretical perspectives with an eye toward delineating some possible future research directions.
With the intrigue of a psychological thriller, Camus's masterpiece gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. Behind the intrigue, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. First published in 1946; now in translation by Matthew Ward.
Robert Forester is a fundamentally decent man who attracts trouble like a magnet, and when he begins watching the domestic simplicity of Jenny's life through her window, the deceptive calm of suburban Pennsylvania is shattered.
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
The Strangers, a breathtaking companion to Vermette's bestselling debut The Break, is a fierce exploration of race, class, inherited trauma, and matrilineal bonds that--despite everything--refuse to be broken. Cedar, Phoenix, and Elsie--these are the Strangers, each haunted in her own way. Cedar grapples with the pain of being separated from her mother, Elsie, and her sister, Phoenix. From a youth detention center, Phoenix gives birth to a baby she'll never get to raise. And Elsie, struggling with addiction and determined to turn her life around, is buoyed by the idea of being reunited with her daughters and striving to be someone they can depend on, unlike her own distant mother. Between flickering moments of warmth and support, the women diverge and reconnect, fighting to survive in a fractured system that pretends to offer success but expects them to fail. Facing the distinct blade of racism from those they trusted most, they urge one another to move through the darkness, all the while wondering if they'll ever emerge safely on the other side.