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Cross your heart and hope to live. I should leave them alone and be done with vampires. I finally have my mother back, I’m dating the perfect guy, and I’ve parted ways with Adrian Teresi. But I have an opportunity to help the hunters and hopefully learn something that could save more humans. Not to mention, I need answers about the venom burning through my veins. So I go back to The Alabaster Heart to strike another deal with the vampire prince. The game of cat and mouse that follows is expected, and maybe even a little fun, but nothing prepares me for the day that our games end—and the consequences begin. From USA Today Bestselling author Nina Walker comes the second installment of the Vampires & Vices series. Be warned, once you start you won’t be able to stop.
Arizona's Arivaca Valley lies only a short distance from the Mexican border and is a rugged land in which to put down stakes. When Arizona Territory was America's last frontier, this area was homesteaded by Anglo and Mexican settlers alike, who often displaced the Indian population that had lived there for centuries. This frontier way of life, which prevailed as recently as the beginning of the twentieth century, is now recollected in vivid detail by an octogenarian who spent her girlhood in this beautiful, cruel country. Eva Antonia Wilbur inherited a unique affinity for the land. Granddaughter of a Harvard-educated physician who came to the Territory in the 1860s, she was the firstborn child of a Mexican mother and Anglo father who instilled in her an appreciation for both cultures. Little Toña learned firsthand the responsibilities of ranching—an education usually reserved for boys—and also experienced the racial hostility that occurred during those final years before the Tohono O'odham were confined to a reservation. Begun as a reminiscence to tell younger family members about their "rawhide tough and lonely" life at the turn of the century, Mrs. Wilbur-Cruce's book is rich with imagery and dialogue that brings the Arivaca area to life. Her story is built around the annual cycle of ranch life—its spring and fall round-ups, planting and harvesting—and features a cavalcade of border characters, anecdotes about folk medicine, and recollections of events that were most meaningful in a young girl's life. Her account constitutes a valuable primary source from a region about which nothing similar has been previously published, while the richness of her story creates a work of literature that will appeal to readers of all ages.
THIS EDITION HAS BEEN REPLACED BY A NEWER EDITION
The circa 9th century work is one of the five epic masterpieces of Tamil literature. Though the work of a Jain mendicant, Tiruttakkatevar, it is famed for its erotic description and the scenes of love of its hero Civakan. It represents a brilliant fusion of the Jain viewpoint and philosophy with the evocative literary modes of the Tamil tradition. While Civakan is in his mother’s womb, Civakan’s father is murdered by an evil minister Kattiyankaran, whom he had made regent. His mother, Vicayai, escapes by flying off on a peacock shaped vehicle and Civakan is born in a fearsome burning ground for the dead. There his mother leaves him to be taken by a wealthy merchant Kantukatan. Raised in opulence Civakan finds out about his real father from his guru. Civakan has many adventures and acquires seven wives. Eventually, Civakan has a climatic battle with the evil usurper Kattiyankaran, regains his kingdom, and marries his eighth wife. After having eight sons, he vows to renounce the world and after having direct audience with Tirthankara Mahavira, himself, he becomes a naked Jain monk, preaches the Jaina dharma. He becomes a Siddha and achieves release from birth and rebirth soon after, going to the pinnacle of the universe where his soul will exist in infinite bliss forever.
Eighteen-year-old Ava Perry leaves the safety of her foster care home and joins a troupe of vampire-hunting magicians, believing that she finally has her chance to discover the truth behind her mother's death.
This book is the second of three volumes of a new prose translation, with introduction and notes, of Euripides' most popular plays. The first three tragedies translated in this volume illustrate Euripides' extraordinary dramatic range. Iphigenia among the Taurians, set on the Black Sea at the edge of the known world, is much more than an exciting story of escape. It is remarkable for its sensitive delineation of character as it weighs Greek against barbarian civilization. Bacchae, a profound exploration of the human psyche, deals with the appalling consequences of resistance to Dionysus, god of wine and unfettered emotion. This tragedy, which above all others speaks to our post-Freudian era, is one of Euripides' two last surviving plays. The second, Iphigenia at Aulis, so vastly different as to highlight the playwright's Protean invention, centres on the ultimate dysfunctional family, that of Agamemnon, as natural emotion is tested in the tragic crucible of the Greek expedition against Troy. Rhesus, probably the work of another playwright, deals with a grisly event in the Trojan War. Like Iphigenia at Aulis, its `subject is war and the pity of war', but it is also an exciting, action-packed theatrical Iliad in miniature.