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Ninety-three-year-old Joseph Yourshaw knew his end was near and had carefully planned so that he would have a peaceful and dignified death. He completed an advance directive, appointed his daughter, Barbara Mancini, as his health care proxy, and enrolled in home hospice care. He made it clear -- he wanted to die at home, in comfort and with dignity, not at a hospital. But it was not to be. A simple act of compassion on Barbara's part led her father to a medically intensive, horribly painful death in the hospital - and left her an accused felon, facing 10 years in prison. Falsely charged with trying to assist her father in a supposed suicide attempt, she fought back, in a case that consumed a year of her life, cost more than $100,000, and drew national media attention. Readers will learn about the bizarre and outrageous treatment authorities inflicted on her, including details that never appeared in news reports at the time. Millions of Americans don't know it, but they or their loved ones could easily suffer a similar family tragedy. Readers will come to understand the risks they face and discover how to protect against them. The book also explores the combination of forces that so often cause people to die a death devoid of dignity and full of pain. Those forces include taboos about discussing impending death, religious ideology, ignorance of patients' legal rights, insufficient attention to effective pain management, poor hospice care, and the powerful life-saving imperatives of the health care system. Part memoir, part detective story about an innocent person's fight against injustice, and part social commentary, Cruel Death, Heartless Aftermath is a compelling narrative that holds valuable lessons for millions of readers.
On Saturday 15th August, 1998, a massive bomb placed by the so-called Real IRA ripped through the town of Omagh, killing twenty-nine people, including eleven children, and injuring over two hundred. It was the worst massacre in Northern Ireland's modern history- yet from it came a most extraordinary tale of human resilience, as the families of ten of the dead channelled their grief into action. Taking for their motto, 'For evil to triumph, all that is necessary is for good men to do nothing', they decided to pursue the men whom the police believed responsible for the atrocity through the civil courts, where the burden of proof is lower. This is the remarkable account of how these families- who had no knowledge of the law and no money- became internationally recognised, formiddable campaigners and surmounted countless daunting obstacles to win a famous victory. Longlisted for the Orwell Prize 2010
The idea that the period of social turbulence in the nineteenth century was a consequence of the emergence of the powerful Zulu kingdom under Shaka has been written about extensively as a central episode of southern African history. Considerable dynamic debate has focused on the idea that this period – the ‘mfecane’- left much of the interior depopulated, thereby justifying white occupation. One view is that ‘the time of troubles’ owed more to the Delagoa Bay Slave trade and the demands of the labour-hungry Cape colonists than to Shaka’s empire building. But is there sufficient evidence to support the argument? The Mfecane Aftermath investigates the very nature of historical debate and examines the uncertain foundations of much of the previous historiography.
In a universe where hope dims like a dying star, one man's loss becomes his ultimate quest for redemption. Asteroid belt miner Collier South has hit the nadir of existence. Once a beacon of idealism in the cold, unforgiving expanse of space, he's lost everything: the love of his life, an alien artifact that had promised great change, and his irreplaceable companion, Sancho, the sentient ship’s computer. In the aftermath of tragedy, Collier finds himself at a crossroads—haunted by the specters of his past and the vast, uncharted territories of space that call to him once more. The discovery that nothing is ever truly lost reignites Collier's resolve. Armed with the recovered alien artifact, a beacon of untold power, he sets out to reclaim his ship, his friend, and his purpose. With the aid of unexpected allies and an unbreakable bond with Sancho, Collier embarks on a journey that will take him to the edges of known space and beyond. In a race against time and destiny, can Collier South mend the fabric of space itself, or will his final gambit unleash forces that could shatter the fragile peace of the cosmos?
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.
Tears in the Darkness is an altogether new look at World War II that exposes the myths of war and shows the extent of suffering and loss on both sides. For the first four months of 1942, U.S., Filipino, and Japanese soldiers fought what was America's first major land battle of World War II, the battle for the tiny Philippine peninsula of Bataan. It ended with the surrender of 76,000 Filipinos and Americans, the single largest defeat in American military history. The defeat, though, was only the beginning, as Michael and Elizabeth M. Norman make dramatically clear in this powerfully original book. From then until the Japanese surrendered in August 1945, the prisoners of war suffered an ordeal of unparalleled cruelty and savagery: forty-one months of captivity, starvation rations, dehydration, hard labor, deadly disease, and torture—far from the machinations of General Douglas MacArthur. The Normans bring to the story remarkable feats of reportage and literary empathy. Their protagonist, Ben Steele, is a figure out of Hemingway: a young cowboy turned sketch artist from Montana who joined the army to see the world. Juxtaposed against Steele's story and the sobering tale of the Death March and its aftermath is the story of a number of Japanese soldiers.
How did the French Revolutionaries explain, justify, and understand the extraordinary violence of their revolution? In debating this question, historians have looked to a variety of eighteenth-century sources, from Rousseau’s writings to Old Regime protest tactics. A Natural History of Revolution suggests that it is perhaps on a different shelf of the Enlightenment library that we might find the best clues for understanding the French Revolution: namely, in studies of the natural world. In their attempts to portray and explain the events of the Revolution, political figures, playwrights, and journalists often turned to the book of nature: phenomena such as hailstorms and thunderbolts found their way into festivals, plays, and political speeches as descriptors of revolutionary activity. The particular way that revolutionaries deployed these metaphors drew on notions derived from the natural science of the day about regeneration, purgation, and balance. In examining a series of tropes (earthquakes, lightning, mountains, swamps, and volcanoes) that played an important role in the public language of the Revolution, A Natural History of Revolution reveals that understanding the use of this natural imagery is fundamental to our understanding of the Terror. Eighteenth-century natural histories had demonstrated that in the natural world, apparent disorder could lead to a restored equilibrium, or even regeneration. This logic drawn from the natural world offered the revolutionaries a crucial means of explaining and justifying revolutionary transformation. If thunder could restore balance in the atmosphere, and if volcanic eruptions could create more fertile soil, then so too could episodes of violence and disruption in the political realm be portrayed as necessary for forging a new order in revolutionary France.
In the 1640s, eight Jesuit missionaries met their deaths at the hands of native antagonists. With their collective canonization in 1930, these men became North America's first saints. Emma Anderson untangles the complexities of these seminal acts of violence and their ever-changing legacy across the centuries. While exploring how Jesuit missionaries perceived their terrifying final hours, she also seeks to comprehend the motivations of those who confronted them from the other side of the axe, musket, or caldron of boiling water, and to illuminate the experiences of those native Catholics who, though they died alongside their missionary mentors, have yet to receive comparable recognition as martyrs. In tracing the creation and evolution of the cult of the martyrs across the centuries, Anderson reveals the ways in which both believers and detractors have honored andpreserved the memory of the martyrs in this "afterlife," and how their powerful story has been continually reinterpreted in the collective imagination. As rival shrines rose on either side of the U.S.-Canadian border, these figures would both unite and deeply divide natives and non-natives, francophones and anglophones, Protestants and Catholics, Canadians and Americans, forging a legacy as controversial as it has been enduring.
Stephen King hailed Michael Marshall's novel Straw Men as “a masterpiece . . . brilliantly written and scary as hell.” Now, Marshall returns with this latest unnerving tale—a creepy, fast-paced thriller that grips you from the first page straight through to its shocking end. Bill Moore already has a lot, but he wants more . . . much more. He's got a lucrative job selling condos in the Florida Keys, a successful wife, a good marriage, a beautiful house. He also has a five-year plan for supersuccess, but that plan has begun to drag into its sixth year without reaping its intended rewards. So now Bill's starting to mix it up—just a little—to accelerate his way into the future that he knows he deserves. Then one morning Bill arrives at work to find a card waiting for him, with no indication who it's from or why it was sent. Its message is just one word: modified. From that moment on, Bill's life begins to change. At first, nothing seems very different. But when things begin to unwind rapidly, and one after another, people around Bill start to die, it becomes increasingly clear that someone somewhere has a very different plan for Bill's future. Confused and angry, Bill begins to fight against this unseen force until he comes to a terrifying, inescapable realization: Once modified, there's no going back.