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Arriving home, Commander Gray Pierce discovers his house ransacked, his pregnant lover missing, and his best friend's wife, Kat, unconscious on the kitchen floor. His one hope to find the woman he loves and his unborn child is Kat, the only witness to what happened. But the injured woman is in a semi-comatose state and cannot speak.
From the two-time Pulitzer Prize–winning author, God’s Crucible brings to life “a furiously complex age” (New York Times Book Review). Resonating as profoundly today as when it was first published to widespread critical acclaim a decade ago, God’s Crucible is a bold portrait of Islamic Spain and the birth of modern Europe from one of our greatest historians. David Levering Lewis’s narrative, filled with accounts of some of the most epic battles in world history, reveals how cosmopolitan, Muslim al-Andalus flourished—a beacon of cooperation and tolerance—while proto-Europe floundered in opposition to Islam, making virtues out of hereditary aristocracy, religious intolerance, perpetual war, and slavery. This masterful history begins with the fall of the Persian and Roman empires, followed by the rise of the prophet Muhammad and five centuries of engagement between the Muslim imperium and an emerging Europe. Essential and urgent, God’s Crucible underscores the importance of these early, world-altering events whose influence remains as current as today’s headlines.
When Han and Leia Solo arrive at Lando Calrissian's Outer Rim mining operation to help him fend off a hostile takeover, they join forces with Luke Skywalker to confront a dangerous adversary with evil intentions and a vendetta against Han.
Crucible is a collection of poems by award-winning poet Daniel Bosch. The poems break easily into two sections. In the first, a set of ironic, emulative "Homages & Elegies," Bosch playfully apostrophizes poets living and dead, as if it took two not only to tango, but to write a poem. He wrestles with Dickinson, grooves with the glacial wit of Frost (belatedly), waltzes with Walcott's ghost (prematurely), mimics Mandelstam, picks apples with Sappho, and shares a transcontinental flight with Brodsky. Each poem is carefully measured; some are composed by meticulous inversion of their precursor's poetic strategy. Literary but by no means prudish, these poems look back-and forward-to a time when poems took stands readers could understand, disagree with, and laugh at. The result is a sort of hypertext essay on what it means to pour oneself into the mold of "poet" in the late twentieth and early twenty-first centuries. The second half of Crucible is "Passion Fruit," a fourteen-poem "sonnet" that courts a single muse through incarnations as various as "Orange," "Peach," "Banana," "Cherries," "Blueberries," and "Mango." Part love poem, part meditation on physical longing and memory, "Passion Fruit" celebrates the eye's brief glimpses of beauty in poems frank, funny, and joyful. "I admire Daniel Bosch's Crucible very much for its inventiveness and vitality and the enviable skill of its execution. Every poem feels alive, and though they're often 'homages' to other writers, and 'after' other writers, the book is crackling throughout with an individual personality." -David Ferry
The Field is John B. Keane's fierce and tender study of the love a man can have for land and the ruthless lengths he will go to in order to obtain the object of his desire. It is dominated by Bull McCabe, one of the most famous characters in Irish writing today. An Oscar-nominated adaptation of The Field proved highly successful and popular worldwide, and starred Richard Harris, John Hurt, Brenda Fricker and Tom Berenger.
The smallest towns have the darkest secrets.Raelynn Davenport.An elusive beauty queen with a sordid past.The Blackwoods.A prominent family with a graveyard full of tortured skeletons.The plan couldn't have been simpler. All I had to do was swap my big city life and tarnished reputation for a fresh start in a small town.Catching the immediate attention of said town's heart-throbs was nowhere on my agenda. Unapologetic about their true intentions, I find myself in the center of a game that has no concept of moral aptitude.All I wanted was peace.All they crave is madness.And in this game, losing isn't an option. Not when we're playing for my life. Prelude to Deviant Games
Nancy Kress made her reputation in the early 90s with her multiple award-winning novella, "Beggars in Spain," which became the basis for her extremely successful Beggars Trilogy (comprising Beggars in Spain, Beggars and Choosers, and Beggars Ride). Since then she has written over a dozen novels, including the well-received Probability Trilogy, culminating in Probability Space, which garnered her the John W. Campbell Memorial Award for Best SF Novel. Now comes a brand new science fiction epic. It began with Crossfire: a far-future novel of planetary colonization and alien first contact. Jake Holman, a man trying to escape a dark past, brought together a diverse group of thousands to settle on a new world. But instead the humans found themselves caught in the crossfire of a galaxy-spanning war between two disparate species: agressive, militaristic humanoids known as Furs and passive, plantlike creatures known as Vines. Having cast their lots with the peaceful Vines, humanity faces all-out war against the technologically superior Furs. Our only hope? A virus designed by the Vines to remove all aggressiveness from the Furs. Can it spread fast enough to save not only Holman's colony, but the rest of humanity? And at what price to the Furs? Driven by strong ideas and deep moral questions, and peopled with real-as-life characters, Crucible shows Kress at the top of her form, amply demonstrating why she has been one of science fiction finest authors of the past twenty years.
Little is known about Arabia in the sixth century, yet from this distant time and place emerged a faith and an empire that stretched from the Iberian peninsula to India. Today, Muslims account for nearly a quarter of the global population. A renowned classicist, G. W. Bowersock seeks to illuminate this obscure and dynamic period in the history of Islam—exploring why arid Arabia proved to be such fertile ground for Muhammad’s prophetic message, and why that message spread so quickly to the wider world. The Crucible of Islam offers a compelling explanation of how one of the world’s great religions took shape. “A remarkable work of scholarship.” —Wall Street Journal “A little book of explosive originality and penetrating judgment... The joy of reading this account of the background and emergence of early Islam is the knowledge that Bowersock has built it from solid stones... A masterpiece of the historian’s craft.” —Peter Brown, New York Review of Books
In a world where angels, demons, and gods fight over the possession of mortal souls, two conflicted pawns are ensnared in a cruel game. The enigmatic seer Estella finds herself thrown together with Count Mikhail, a dogmatic Templar dedicated to subjugating her kind. But when a corrupted cardinal and puppet king begin a systematic genocide of her people, the two become unlikely allies. Taking humanity back to their primordial beliefs and fears, Estella confronts Mikhail’s faith by revealing the true horror of the lucrative trade in human souls. All organized religions are shops orchestrated to consume mankind. Every deity, religion, and spiritual guide has been corrupted, and each claims to have the monopoly on truth and salvation. In a perilous game where the truth is distorted and meddling ancient deities converge to partake of the unseen battle, Estella unwittingly finds herself hunted by Lucifer. Traversing the edge of hell’s precipice, Estella and Mikhail are reduced to mere instruments. Their only means to overcome is through courting the Threefold Death, the ancient ritual of apotheosis—of man becoming God. The Shadow Crucible is a gripping epic set in medieval England where the struggle for redemption is crushed by the powers of evil. Tamara Lakomy is a new and compelling voice in the world of dark fantasy.