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There is a tide in the affairs of men, Which, taken at the flood, leads on to fortune; Omitted, all the voyage of their life Is bound in shallows and in miseries. Brutus, Julius Caesar, Act 4, Scene 3 William Shakespeare In his rich and fulfilling life, Reinhard's "tidal wave" was his camera, with which he documented all he saw in a war he was forced to take part in. His pictures are not those of a war correspondent, but of a photographer interested in people and their abodes. His "fortune" is based on the enrichment he reaped and gave to everybody he ever met in the three years he sojourned in this beautiful but tragic land. The author has built a story around these pictures from three different points of view.
This history of the Crimea is essential reading for all those who have been perplexed by what lies behind Russia's recent annexation of the Black Sea peninsula.
This publication presents the results of the work on collecting the facts of international law violations related to the occupation of the territories of the Autonomous Republic of Crimea and the city of Sevastopol (Ukraine) by the Russian Federation military forces, as well as of the human rights violations on the temporarily occupied territory of Crimea in February 2014 – March 2015. The publication is intended for the representatives of human rights organizations, diplomatic missions, and state authorities.
Mamluk Cairo, a Crossroads for Embassies offers an up-to-date insight into the diplomacy and diplomatics of the Mamluk sultanate with Muslim and non-Muslim powers. This rich volume covers the whole chronological span of the sultanate as well as the various areas of the diplomatic relations established by (or with) the Mamluk sultanate. Twenty-six essays are divided in geographical sections that broadly respect the political division of the world as the Mamluk chancery perceived it. In addition, two introductory essays provide the present stage of research in the fields of, respectively, diplomatics and diplomacy. With contributions by Frédéric Bauden, Lotfi Ben Miled, Michele Bernardini, Bárbara Boloix Gallardo, Anne F. Broadbridge, Mounira Chapoutot-Remadi, Stephan Conermann, Nicholas Coureas, Malika Dekkiche, Rémi Dewière, Kristof D’hulster, Marie Favereau, Gladys Frantz-Murphy, Yehoshua Frenkel, Hend Gilli-Elewy, Ludvik Kalus, Anna Kollatz, Julien Loiseau, Maria Filomena Lopes de Barros, John L. Meloy, Pierre Moukarzel, Lucian Reinfandt, Alessandro Rizzo, Éric Vallet, Valentina Vezzoli and Patrick Wing.
This volume builds upon the new worldwide interest in the global Middle Ages. It investigates the prismatic heritage and eclectic artistic production of Eastern Europe between the fourteenth and seventeenth centuries, while challenging the temporal and geographical parameters of the study of medieval, Byzantine, post-Byzantine, and early-modern art. Contact and interchange between primarily the Latin, Greek, and Slavic cultural spheres resulted in local assimilations of select elements that reshaped the artistic landscapes of regions of the Balkan Peninsula, the Carpathian Mountains, and further north. The specificities of each region, and, in modern times, politics and nationalistic approaches, have reinforced the tendency to treat them separately, preventing scholars from questioning whether the visual output could be considered as an expression of a shared history. The comparative and interdisciplinary framework of this volume provides a holistic view of the visual culture of these regions by addressing issues of transmission and appropriation, as well as notions of cross-cultural contact, while putting on the global map of art history the eclectic artistic production of Eastern Europe.
Russia has always had a difficult time accepting Ukraine as an independent state--and even more trouble acknowledging Ukraine's sovereignty over the Crimea and the port of Sevastopol. The signing of an interstate treaty in 1997 recognizing the Russian-Ukrainian border paved the way for a compromise twenty-year Russian lease of the Sevastopol navy base for the Black Sea Fleet. Several factors have unraveled this compromise, including Russia's desire to reestablish itself internationally as a Great Power, the 2004 Orange Revolution, and the 2008 Russian invasion of Georgia. Taras Kuzio addresses these factors and more in an in-depth analysis of Russian-Ukraine relations and the future of the Crimea and the port of Sevastopol.
This dictionary, the first of its kind in Turkological studies, will prove to be an invaluable research tool for those studying the Crimea, Ukraine, as well as Eurasian Nomadism. It is the result of year-long painstaking research into the etymology of Crimean pre-Russian habitation names, providing insight into the Turkic, Greek, Caucasian place-names in a comparative context, as well as the histories of these cities, towns and villages themselves. The dictionary contains approximately 1,500 entries, preceded by an introduction with notes on the history of the Crimea and the structure of habitation names. For the reader’s convenience, many entries are classified in indices which follow the main part of the book. Additionally, three detailed primary source maps, separately indexed, are appended to the dictionary, as well as a map showing the administration network of the Crimea at the end of the Crimean Tatar Khanate.
Excerpt from Through Russia: From St. Petersburg to Astrakhan and the Crimea In placing these volumes before the public, it will perhaps not be amiss to preface them with a few words. My daughter and myself left London with the intention of studying the Art collections contained in the museums of Dresden, Berlin, Copenhagen, St. Petersburg, and perhaps Moscow; and of then finding our way down the Danube, and, via Constantinople, Smyrna, and the Piraeus, to Borne, where we designed to winter. We were, however, induced to make a slight alteration in our plans. During the month we spent in Moscow, we got so thoroughly interested in Russia and its people, that we did not like the idea of retracing our steps without seeing more of them. "All roads lead to Rome." Why not descend the Volga, and cross the Crimea? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.