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Crossings in Text and Textile explores the diverse range of transatlantic representations of clothing in nineteenth- and early twentieth-century literature. This collection of essays demonstrates that fashion history and literary history, when examined together, prompt fresh understandings of the complexities of race, class, and sexual identity. By bridging material culture and discourse, Crossings establishes the significance of fashionÑwhile neglecting none of its aesthetic appealÑto offer historicized readings on a variety of topics, from Jane AustenÕs nuanced display of social interactions through the economics of muslin to the 1871 Park and Boulton cross-dressing trial and Jessie FausetÕs selection of apparel to express racial power. The geographic span of textiles from different economic areas around the globe includes Asia, Africa, Europe, and North America. By making use of transatlantic texts to consider the political and social positioning of both workers and consumers, the collection further expands upon the emerging cross-disciplinary study of reading dress. A true Òstate of the fieldÓ work, Crossings in Text and Textiles charts new scholarly ground at the nexus between fashion, textiles, and literature, appealing to a broad interdisciplinary audience of scholars and students.
This book presents one hundred of the finest textiles and fashion arts produced by weavers, embroiderers, and designers around the globe. Twenty-nine short essays introduce some of the major techniques and genres that textile makers have invented over the past twenty-five hundred years of human history.--[book cover].
A startlingly original work establishing the impact of domestic servants on the life and writings of Emily Dickinson
Through analyzing dress in detective fiction, Fear and Clothing reveals a cultural history of identity affected by the social upheaval caused by war. In-depth analysis of interwar publications by a comprehensive range of writers reveals readers' anxieties and fears about class, gender and race and how these changed over the period. Although read and written by both men and women, detective fiction was deemed at the time to be a masculine and high-status entertainment. However the literature demonstrates an admiration and acceptance of the woman's identity, performed during the Great War and continuing throughout the interwar period, as girl pal and female gentleman. In chapters that explore age, character, class, masculinity, performative womanhood and race, Jane Custance Baker exposes how dress was a status marker to both male and female readers, made anxious by social change brought about by war. Dress in detective fiction reveals a set of signs to be read, digested, and possibly employed to model the individual reader's personal dress choices. Fear and Clothing sheds new light on dress of the period, the social and cultural environment as depicted in the popular fiction genre in the early 20th century, and is of interest to researchers and scholars within dress history, literary and historical studies, as well as anyone who enjoys the history of detective fiction.
Works of genre fiction are a source of enjoyment, read during cherished leisure time and in incidental moments of relaxation. This original book takes readers inside three popular genres of fiction, including crime, fantasy, and romance, to reveal how personal tastes, social connections, and industry knowledge shape genre worlds. Attuned to both the pleasure and the profession of producing genre fiction, the authors investigate contemporary developments in the field?the rise of Amazon, self-publishing platforms, transmedia storytelling, and growing global publishing conglomerates?and show how these interact with older practices, from fan conventions to writers? groups. Sitting at the intersection of literary studies, genre studies, fan studies, and studies of the book and publishing cultures, Genre Worlds considers how contemporary genre fiction is produced and circulated on a global scale. Its authors propose an innovative theoretical framework that unfolds genre fiction?s most compelling characteristics: its connected social, industrial, and textual practices. As they demonstrate, genre fiction books are not merely texts; they are also nodes of social and industrial activity involving the production, dissemination, and reception of the texts.
Hmong story cloths provide a visual documentation of the historical and cultural legacy of the Hmong people from the country of Laos. The Hmong first began making the story cloths during their time in refugee camps, and featured here are 48 vibrant story cloths that provide a comprehensive look at their lives and culture. The creation of a story cloth begins with the selection of fabric and images outlined onto the fabric. Long satin stitches of multi-colored threads fill in the image, while details are applied with intricate satin stitches and borders pieced together and hand-stitched. Topics include history, traditional life in Laos, Hmong New Year, folk tales, and neighboring people. The quality and diversity of content of the story cloths build upon one another to provide a holistic understanding of the Hmong culture and history. Augmented with personal stories and artifacts, this book is perfect for history buffs and textile artisans alike.
Technologized textiles and sustainable fabrics are among the most innovative designed today, and together they are driving the rest of the industry dramatically forward. Many designers are now integrating hi-tech fabrics, such as protective and impact-resistant textiles, or cellulose fabrics with groundbreaking results. Embracing new processes such as biomimicry, they bridge the gap between art, design, technology and sustainability. This book showcases new work from over 35 of today’s most forward-thinking textile designers, featuring surface designs, highly-structured textures and striking silhouettes. Each will be presented through inspirational text and striking visual spreads to include design sketches, work-in-progress photographs and digital drawings alongside images of cutting-edge furniture, interior textiles and fashion. This book shows how the development of fabrics today is immersed in technology, sustainability and innovation. It is an essential resource for anyone interested in contemporary textile design.
A comprehensive, step-by-step resource for fabric design and printing—including tips from top designers. If you’ve ever dreamed of showing your designs on fabric, textile aficionado Kim Kight, of popular blog True Up, is here to teach you how. Comprehensive and refreshingly straightforward, this impressive volume features two main parts. First, the Design and Color section explains the basics with step-by-step tutorials on creating repeating patterns both by hand and on the computer. Next, the Printing section guides you through transferring those designs on fabric—whether it's block printing, screen printing, digital printing or licensing to a fabric company—and how to determine the best method for you. Includes extensive photos and illustrations
Illustrations and text capture the rhythm and notion of a moving freight train.
Fresh from Japan, the much-anticipated collection of Nani Iro sewing patterns is finally available in English! Beloved by art fans and textile enthusiasts around the world, Nani Iro fabric has developed a cult following since the brand's inception by artist Naomi Ito in 2002. With their simple, yet artful design, the 18 garment patterns in this book showcase fluid movement and beautiful drape for signature Nani Iro style. You'll find instructions for stitching up a wardrobe of comfortable, flowy pieces that you'll look forward to wearing again and again, including The Basic Blouse, The Cocoon Dress, and The Everyday Jumpsuit. Inside, you'll find outfit inspiration for mixing and matching me-made pieces to create artistically layered outfits. Plus, take a behind-the-scenes look at the brand's studio in Osaka for glimpse at the studio team's favorite ways to style their Nani Iro pieces.