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2023 Honorable Mention, Isis Duarte Book Prize, Haiti/ Dominican Republic section (LASA) 2023 Winner, Gordon K. and Sybil Lewis Book Award, Caribbean Studies Association An innovative study of the artistic representations of undocumented migration within the Hispanophone Caribbean Debates over the undocumented migration of Latin Americans invariably focus on the southern US border, but most migrants never cross that arbitrary line. Instead, many travel, via water, among the Caribbean islands. The first study to examine literary and artistic representations of undocumented migration within the Hispanophone Caribbean, Crossing Waters relates a journey that remains silenced and largely unknown. Analyzing works by novelists, short-story writers, poets, and visual artists replete with references to drowning and echoes of the Middle Passage, Marisel Moreno shines a spotlight on the plight that these migrants face. In some cases, Puerto Rico takes on a new role as a stepping-stone to the continental United States and the society migrants will join there. Meanwhile the land border between Haiti and the Dominican Republic, the only terrestrial border in the Hispanophone Caribbean, emerges as a complex space within this cartography of borders. And while the Border Patrol occupies US headlines, the Coast Guard occupies the nightmares of refugees. An untold story filled with beauty, possibility, and sorrow, Crossing Waters encourages us to rethink the geography and experience of undocumented migration and the role that the Caribbean archipelago plays as a border zone.
Off the coast of Cape Cod lies a small windswept island called Penikese. Alone on the island is a school for juvenile delinquents, the Penikese Island School, where Daniel Robb lived and worked for three years as a teacher. By turns harsh, desolate, and starkly beautiful, the island offers its temporary residents respite from lives filled with abuse, violence, and chaos. But as Robb discovers, peace, solitude, and a structured lifestyle can go only so far toward healing the anger and hurt he finds not only in his students but within himself. Lyrical and heartfelt, Crossing the Water is the memoir of his first eighteen months on Penikese, and a poignant meditation on the many ways that young men can become lost.
Raul Luis “Ruly” Cruz is a young Mexican American who lives in El Paso, just across the Rio Grande from Mexico, home of his an-cestors and some of his current relatives. As he grows from awkward adolescent to manhood, he negotiates the precarious borders of family, tradition, and identity trying to find his own place in the Chicano community and in the larger world. This is an engaging and moving story of growing up in a borderland that is not only geographical but cultural as well.
"Crossing the Water, a collection of poems written just prior to those in Ariel, . . . is of immense importance in recording [Plath's] extraordinary development. One senses on every page a voice coming into its own, the chaos of a lifetime at last getting ready to assume its final, triumphant shape." — Kirkus Reviews Sylvia Plath's extraordinary collection pushes the envelope between dark and light, between our deep passions and desires that are often in tension with our duty to family and society. Water becomes a metaphor for the surface veneer that many of us carry, but Plath explores how easily this surface can be shaken and disturbed.
Cross-border Water Trade: Legal and Interdisciplinary Perspectives is a critical assessment of one of the growing problems faced by the international community - the global water deficit.Apart from theoretical considerations it has very practical consequences, as cross-border water trade appears to constitute one of the most effective ways of balancing water deficits worldwide.
Portsmouth, NH, March 5th, 1873... A confluence of events resulted in the murders of two women and brought national attention to the Maine/NH seacoast area. By mid day of Thursday, the 6th, word reached Portsmouth police that an atrocity had taken place on one of the islands, called Smuttynose. A group of fishermen from the Isles of Shoals were stunned with disbelief and rambling in heavily accented English when they broke the news to authorities. Two of their own were savagely murdered. The killer could still be out there on the small cluster of islands or had somehow made it back to Portsmouth in a dory on a very cold night. He had to be caught and, what's more, they knew who did it. Police Chief Thomas Entwhistle calmed the men and slowly began to piece the story together.The murders of Karen and Anethe Christensen by a Prussian immigrant who rowed ten miles to their deserted island, stirred controversy when it happened and continues to do so today. Cold Water Crossing sheds new light on that event and brings to life, the tragedy of one Norwegian immigrant family.
Beginning in the late 1970s and early 1980s, significant numbers of Haitian immigrants began to arrive and settle in Miami. Overcoming some of the most foreboding obstacles ever to face immigrants in America, they have diversified socioeconomically. Together, they have made South Florida home to the largest population of native-born Haitians and diasporic Haitians outside of the Caribbean and one of the most significant Caribbean immigrant communities in the world. Religion has played a central role in making all of this happen. Crossing the Water and Keeping the Faith is a historical and ethnographic study of Haitian religion in immigrant communities, based on fieldwork in both Miami and Haiti, as well as extensive archival research. Where many studies of Haitian religion limit themselves to one faith, Rey and Stepick explore Catholicism, Protestantism, and Vodou in conversation with one another, suggesting that despite the differences between these practices, the three faiths ultimately create a sense of unity, fulfillment, and self-worth in Haitian communities. This meticulously researched and vibrantly written book contributes to the growing body of literature on religion among new immigrants. Terry Rey is Associate Professor of Religion at Temple University. He is the coeditor (with Alex Stepick and Sarah Mahler) of Churches and Charity in the Immigrant City: Religion, Immigration, and Civic Engagement in Miami. Alex Stepick is Professor of Sociology at Portland State University and Professor of Global and Sociocultural Studies at Florida International University. He is coauthor (with Alejandro Portes) of City on the Edge: The Transformation of Miami. In the North American Religions series