Download Free Crossing To Talikota Book in PDF and EPUB Free Download. You can read online Crossing To Talikota and write the review.

The year is 1565. Devastation reigns over the once-renowned Vijayanagara Empire. Its powerful army has buckled under the assault of four minor Sultanates. Within a few hours of the Battle of Talikota, the political contours of southern India have been radically altered, the rich and prosperous capital city, Vijayanagara, plundered, decimated, and abandoned. It would lie uninhabited for centuries, known thereafter only as ‘the ruins of Hampi’. Behind this cataclysm swirls a saga of ruthless ambition, caste, and religious conflict, family intrigue and betrayal, driven by the power hungry ‘Aliya’ Ramaraya, son-in-law of the emperor Krishna Deva Raya. A brilliant strategist and diplomat, he ruled the empire with an iron hand but was unacceptable to his own people as the legitimate heir because he lacked royal blood. In Crossing to Talikota, Girish Karnad focuses on the interplay of characters who have been ignored by history even though they played integral roles in shaping one of its darkest chapters.
Indian literature is produced in a wealth of languages but there is an asymmetry in the exposure the writing gets, which owes partly to the politics of translation into English. This book represents the first comprehensive political scrutiny of the concerns and attitudes of Indian language literature after 1947 to cover such a wide range, including voices from the cultural margins of the nation like Kashmiri and Manipuri, that of women alongside those of minority and marginalised communities. In examining the politics of the writing especially in relation to concerns like nationhood, caste, tradition and modernity, postcoloniality, gender issues and religious conflict, the book goes beyond the declared ideology of each writer to get at covert significations pointing to widely shared but often unacknowledged biases. The book is deeply analytical but lucid and jargon-free and, to those unfamiliar with the writers, it introduces a new keenness into Indian literary criticism to make its objects exciting.
This book studies the significance and representation of the ‘city’ in the writings of Indian poets, graphic novelists, and dramatists. It demonstrates how cities give birth to social images, perspectives, and complexities, and explores the ways in which cities and the characters in Indian literature coexist to form a larger literary framework of interpretations. Drawing on the theoretical concepts of Western urban thinkers such as Henri Lefebvre, Georg Simmel, Walter Benjamin, Edward Soja, David Harvey, and Diane Levy, as well as South Asian thinkers such as Ashis Nandy, Arjun Appadurai, Vinay Lal, and Ravi Sundaram, the book projects against a seemingly monolithic and homogenous Western qualification of urban literatures and offers a truly unique and contentious presentation of Indian literature. Unfolding the urban-literary landscape of India, the volume lays the groundwork for an urban studies approach to Indian literature. It will be of great interest to scholars and students of literature, especially Indian writing in English, urban studies, and South Asian studies.
The tale of a mythic king’s aggression against his offspring, and his desperation to escape the curse of old age laid upon him in the prime of life. The anxieties that torment a middle-class family as their daughter awaits the arrival of the ‘suitable boy’ from abroad whom she has never met. The morphing of the city of Bangalore, whose founding myth celebrates its human ambience, into India’s ‘Silicon Valley’ where strangers are thrown together, get entangled, and are violently pulled apart. This volume contains the very first play as well as two later ones by Girish Karnad, one of India’s pre-eminent playwrights. The three-volume set of Karnad’s Collected Plays brings together English versions of his important works. Each volume contains an extensive introduction by theatre scholar Aparna Bhargava Dharwadker, Professor of English and Interdisciplinary Theatre Studies, University of Wisconsin–Madison. The introductions trace the literary and theatrical evolution of Karnad’s work over six decades and position it in the larger context of modern Indian drama. In addition, they comment on Karnad’s place as author and translator in a multilingual performance culture and the relation of his playwriting to his work in the popular media. Each of these volumes serves as a collector’s item, making Karnad’s works accessible to theatre lovers worldwide.
In This Book A Deep Analysis Has Been Made Of The Several Invasions Of India, The Wars That Were Fought After Independence, The Counter-Insurgency, Internal Security And Peace-Keeping Operations Carried Out, And Focused Attention On The More Important Lessons That Should Be Learnt From These, To Ensure It As The Freedom Of The Countr Is Never Against Jeopardised.
This is the seventh volume of the series on Indian history, From Indus to Independence: A Trek through Indian History, and provides the history of the great Vijayanagara Empire. Named in aspiration of victory—in both the spiritual and temporal realms—Vijayanagara more than lived up to its name for more than three centuries, before it was brought down by a number of factors, some of them beyond its control. Vijayanagara was established at a critical juncture in the politico-religious history of Peninsular India. Even though it was not proclaimed as such, there is no doubt that the kingdom was created as the answer to the ferocious Islamic invasions of the 'Deep South' that was becoming a regular feature in Peninsular India. It succeeded in holding back the invading armies, for three long centuries, thereby blunting the zeal and urgency of the Islamic conquest. These three centuries provided the balm to make the interaction between Hinduism and Islam more congenial than at the outset of the Islamic invasion of the Deccan Plateau. This book provides a detailed historical narrative of the great Vijayanagara Empire and carries out an assessment of its successes and failures. The book provides the reader with an in-depth understanding of the irrevocable and fundamental forces of history that have been instrumental in forming the present that we live today.
A Yakshagana folk theatre piece, combining music, dance and drama. Two young heroes, Devadatta, a man of the intellect, and Kapila, a man of the body, are both attracted to Padmini, who marries Devadatta. When the rivalry threatens their friendship each man commits suicide by cutting off his own head. Through the intervention of the goddess Kali the men are brought back to life but Padmini accidently mixes the heads up, attaching them to the wrong bodies. A subplot fleshes out the theme of the search for completeness: Hayavadana wants to lose his horse's head and become fully human.