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This book is a classic narrative of modern exploration; a story of adventure, enterprise and patient scientific exploration, illustrated by photographs taken on the expedition. The Simpson is a sand-ridge desert extending 200 miles (322 km) west to east, the ridges running parallel from north to south at roughly quarter-mile (0.4 km) intervals, some reaching as high as 100 feet (30 m). Madigan planned a ground crossing in the winter of 1939. A party of nine, including a biologist, a botanist, a photographer and a radio operator, with nineteen camels, made the exhausting crossing from Andado station in the Northern Territory to Birdsville in twenty-five days. It verified Madigan's previous conclusions that the area was a wasteland. This last classic Australian exploration adventure pioneered the use of mobile radio communication; national broadcasts were made through the Australian Broadcasting Commission from desert camps. The scientific results were published and also a popular accound, Crossing the Dead Heart (Melbourne, 1946). He saw the 'Dead Heart' as a land of everlasting sand-ridges and salt-encrusted clay-pans; while his conclusions seemed correct then, within twenty years the area was criss-crossed by petroleum explorers. - Australian Dictionary of Biography
A true story of one of the epic adventures of desert exploration. In 1939 Dr. Cecil Madigan led his party of nine men and nineteen camels into the trackless and waterless Simpson Desert on an exciting mission never before attempted. This is a great Australian story of enterprise, scientific investigation, determination and human courage.
The Death of the Heart is perhaps Elizabeth Bowen's best-known book. As she deftly and delicately exposes the cruelty that lurks behind the polished surfaces of conventional society, Bowen reveals herself as a masterful novelist who combines a sense of humor with a devastating gift for divining human motivations. In this piercing story of innocence betrayed set in the thirties, the orphaned Portia is stranded in the sophisticated and politely treacherous world of her wealthy half-brother's home in London.There she encounters the attractive, carefree cad Eddie. To him, Portia is at once child and woman, and her fears her gushing love. To her, Eddie is the only reason to be alive. But when Eddie follows Portia to a sea-side resort, the flash of a cigarette lighter in a darkened cinema illuminates a stunning romantic betrayal--and sets in motion one of the most moving and desperate flights of the heart in modern literature.
Anne Troelstra’s fine bibliography is an outstanding and ground-breaking work. He has provided the academic world with a long-needed bibliographical record of human endeavour in the field of the natural sciences. The travel narratives listed here encompass all aspects of the natural world in every part of the globe, but are especially concerned with its fauna, flora and fossil remains. Such eyewitness accounts have always fascinated their readers, but they were never written solely for entertainment: fragmentary though they often are, these narratives of travel and exploration are of immense importance for our scientific understanding of life on earth, providing us with a window on an ever changing, and often vanishing, natural world. Without such records of the past we could not track, document or understand the significance of changes that are so important for the study of zoogeography. With this book Troelstra gives us a superb overview of natural history travel narratives. The well over four thousand detailed entries, ranging over four centuries and all major western European languages, are drawn from a wide range of sources and include both printed books and periodical contributions. While no subject bibliography by a single author can attain absolute completeness, Troelstra’s work is comprehensive to a truly remarkable degree. The entries are arranged alphabetically by author and chronologically, by the year of first publication, under the author’s name. A brief biography, with the scope and range of their work, is given for each author; every title is set in context, the contents – including illustrations – are described and all known editions and translations are cited. In addition, there is a geographical index that cross refers between authors and the regions visited, and a full list of the bibliographical and biographical sources used in compiling the bibliography.
Adam Silvera reminds us that there’s no life without death and no love without loss in this devastating yet uplifting story about two people whose lives change over the course of one unforgettable day. #1 New York Times bestseller * 4 starred reviews * A School Library Journal Best Book of the Year * A Kirkus Best Book of the Year * A Booklist Editors' Choice * A Bustle Best YA Novel * A Paste Magazine Best YA Book * A Book Riot Best Queer Book * A Buzzfeed Best YA Book of the Year * A BookPage Best YA Book of the Year On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They’re going to die today. Mateo and Rufus are total strangers, but, for different reasons, they’re both looking to make a new friend on their End Day. The good news: There’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure—to live a lifetime in a single day. In the tradition of Before I Fall and If I Stay, They Both Die at the End is a tour de force from acclaimed author Adam Silvera, whose debut, More Happy Than Not, the New York Times called “profound.” Plus don't miss The First to Die at the End: #1 New York Times bestselling author Adam Silvera returns to the universe of international phenomenon They Both Die at the End in this prequel. New star-crossed lovers are put to the test on the first day of Death-Cast’s fateful calls.
'Virtual Voyages' is a fascinating account of the European discovery of the elusive 'great south land' told through the literature of 'imaginary voyages'. Written at the height of the era of European maritime exploration, these bizarre and captivating tales, with their wildly imaginative visions of antipodean inversion and strangeness, reveal a hidden history of attitudes to colonization. By exposing the relationship between myth and reality in the antipodes, this book casts new light on the power of fiction to influence history. In the post-colonial studies field, books about travel writing and empire have tended to focus on the high period of nineteenth-century imperialism and on the colonial settings of Africa and India. This book offers a fresh perspective by focussing on the eighteenth century, and referring to the geographical region of Australia and the Pacific, which has had far less attention. The book also breaks new ground by being the first to approach the genre of the imaginary voyage from a post-colonial perspective. In addition to the new insights into European colonialism that it offers, the book illustrates many broader themes in eighteenth-century history and thought. These include connections between the rise of science and modern imperialism, the development of narrative history and fiction and the influence of romanticism, the evolution of the early novel in Britain and France, and the role of mythology in the development of national identity.
In this, the first collection of ecocritical essays devoted to Australian contexts and their writers, Australian and USA scholars (settlers, invaders, temporary visa holders) comment on the transliteration of sea, land and interior through the works of major and minor authors and through their own experience with the bioregion. The littoral zone is the starting point in this fresh approach to reading literature and is organised around the natural environment - rainforest, desert, mountains, coast, islands, Antarctica. There's the beach where sexual and spiritual crises occur; the Wheatbelt area - the most visible clearance line on the planet; desert literature, camel trekking, and the transformation of a salt flat into an inland island. New Age literature that 'appropriates' Aboriginals and their cultures as the healing poultice for an ailing and dispirited West; a re-examination of pastoralism, and "the feet of millions of sheep . that] have done unspeakable damage to soils"; an inquiry into whether Judith Wright's work can "persuade us to rejoice" in the world; an investigation of the Limestone Plains, home of the bush capital and the bogong moth; of bananas, cane toads and the Great Barrier Reef in tropic Queensland; of national parks and guesthouses where "the mountains meet the sea"; a discursive approach to temperate islands that covers sealing, Soldier Settlement, and sea country pastoral; and finally to Antarctica, where an initial utopian approach gives way to an emphasis on its stark, 'timeless' icescape as a minimalist backdrop for human dramas. The author-terrain is no less grand in its scope: poets, playwrights, novelists, and non-fiction writers are discussed across the broad range of contexts that constitutes the littoral zone known as 'Australia'.