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This Festschrift is published in honor of Edward A. Lee, Robert S. Pepper Distinguished Professor Emeritus and Professor in the Graduate School in the Department of Electrical Engineering and Computer Sciences at the University of California, Berkeley, USA, on the occasion of his 60th birthday. The title of this Festschrift is “Principles of Modeling" because Edward A. Lee has long been devoted to research that centers on the role of models in science and engineering. He has been examining the use and limitations of models, their formal properties, their role in cognition and interplay with creativity, and their ability to represent reality and physics. The Festschrift contains 29 papers that feature the broad range of Edward A. Lee’s research topics; such as embedded systems; real-time computing; computer architecture; modeling and simulation, and systems design.
Medieval and current epic. Past and present. Light and darkness. God and Lucifer. The catholic church and secret brotherhoods. Love and terror. Murders and friendship. Immortality and loneliness. Heroes and villains. War and peace. Mythology and reality ... Mystery and adventure await you on the other side of the threshold of hell. A thrilling, different adventure, full of scenarios that come alive at every page break, where nothing is as it seems. Sons of Alcant represents the eternal search of the human being, through the solitude of two immortal beings. A story that navigates between two timelines not giving truce to the reader, with a conductive thread so changing, that it goes from the most disturbing reality, to merging with the most surrealist fantasy. Even love can become the door to hell for man.
In a Louisiana army camp in 1944 Capt. Taylor, the white C.O., has a problem. He commands a Black company whose sergeant has been murdered. He is worried the murderer may be a white officer or the local Klan. A Black captain, Richard Davenport, is assigned to investigate. Taylor tries to discourage him because he feels the assignment of a Black investigator means the case is to be swept under the rug. Capt. Davenport perseveres and, as he probes deeper, he finds the Black soldiers are as corrupted with hatred as the whites. Each one had a motive for the killing. Davenport solves the case and the truth is even more shocking than the murder itself.
"Elizabeth DeLoughrey invokes the cyclical model of the continual movement and rhythm of the ocean (‘tidalectics’) to destabilize the national, ethnic, and even regional frameworks that have been the mainstays of literary study. The result is a privileging of alter/native epistemologies whereby island cultures are positioned where they should have been all along—at the forefront of the world historical process of transoceanic migration and landfall. The research, determination, and intellectual dexterity that infuse this nuanced and meticulous reading of Pacific and Caribbean literature invigorate and deepen our interest in and appreciation of island literature." —Vilsoni Hereniko, University of Hawai‘i "Elizabeth DeLoughrey brings contemporary hybridity, diaspora, and globalization theory to bear on ideas of indigeneity to show the complexities of ‘native’ identities and rights and their grounded opposition as ‘indigenous regionalism’ to free-floating globalized cosmopolitanism. Her models are instructive for all postcolonial readers in an age of transnational migrations." —Paul Sharrad, University of Wollongong, Australia Routes and Roots is the first comparative study of Caribbean and Pacific Island literatures and the first work to bring indigenous and diaspora literary studies together in a sustained dialogue. Taking the "tidalectic" between land and sea as a dynamic starting point, Elizabeth DeLoughrey foregrounds geography and history in her exploration of how island writers inscribe the complex relation between routes and roots. The first section looks at the sea as history in literatures of the Atlantic middle passage and Pacific Island voyaging, theorizing the transoceanic imaginary. The second section turns to the land to examine indigenous epistemologies in nation-building literatures. Both sections are particularly attentive to the ways in which the metaphors of routes and roots are gendered, exploring how masculine travelers are naturalized through their voyages across feminized lands and seas. This methodology of charting transoceanic migration and landfall helps elucidate how theories and people travel, positioning island cultures in the world historical process. In fact, DeLoughrey demonstrates how these tropical island cultures helped constitute the very metropoles that deemed them peripheral to modernity. Fresh in its ideas, original in its approach, Routes and Roots engages broadly with history, anthropology, and feminist, postcolonial, Caribbean, and Pacific literary and cultural studies. It productively traverses diaspora and indigenous studies in a way that will facilitate broader discussion between these often segregated disciplines.
Greed, desire, ambition, loss, illness, death, and the driving quest to find purpose in a meaningless world... The characters in these 13 literary short stories are wading through no man's land, wanting to escape, but first needing to complete their personal journeys through limbo.
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Many in continental philosophy of religion aver that we are in a new moment, one where the intellectually marginalized and religiously bastardized traditions of mystical, intuitive, and esoteric apprehensions must be re-articulated and appreciated anew. In an era marked by catastrophic events and atrophied cultural institutions, what seems to be needed is an affirmation of the human potential to truck with non-human or even inhuman forces and intentions, at scales of speed, slowness, or intensity that break with consensual conceptions of human limitations. The essays in this volume outline patterns of mind and mortality, existence and ecstasy, creativity and expression, political possibility and religious matrix from a position that takes quite seriously possible relations with the absolute, however enigmatic, that modernity has denied and postmodernity has obscured in the name of academic skepticism and humanist reservations. Beyond post-modernist pastiche and post-secular nostalgia, these essays explore the potencies of archaic spiritual disciplines as well as the passions driving the mystical, heretical, and Gnostic intimations riddling contemporary relations with the absolute.
In Haiti, Papa Legba is the spirit whose permission must be sought to communicate with the spirit world. He stands at and for the crossroads of language, interpretation, and form and is considered to be like the voice of a god. InLegba’s Crossing, Heather Russell examines how writers from the United States and the anglophone Caribbean challenge conventional Western narratives through innovative use, disruption, and reconfiguration of form. Russell’s in-depth analysis of the work of James Weldon Johnson, Audre Lorde, Michelle Cliff, Earl Lovelace, and John Edgar Wideman is framed in light of the West African aesthetic principle ofàshe, a quality ascribed to art that transcends the prescribed boundaries of form.Àsheis linked to the characteristics of improvisation and flexibility that are central to jazz and other art forms. Russell argues that African Atlantic writers self-consciously and self-reflexively manipulate dominant forms that prescribe a certain trajectory of, for example, enlightenment, civilization, or progress. She connects this seemingly postmodern meta-analysis to much older West African philosophy and its African Atlantic iterations, which she calls “the Legba Principle.”
This book paints a gory picture of Nigeria's military past, Alex and Martins stole from the CBN and incorporated two white ladies into a global money laundering fraud.