Download Free Crossing Boundaries Redefining Faith Book in PDF and EPUB Free Download. You can read online Crossing Boundaries Redefining Faith and write the review.

The Emerging Church Movement, an eclectic conversation about how Christianity needs to evolve for our postmodern world, has been breaking traditional bounds and stirring up controversy for more than two decades. This volume is the first academic work to adopt an interdisciplinary approach to understanding this complex and boundary-crossing phenomenon. Containing contributions by researchers from a diverse set of disciplines, this book brings together historical, sociological, ethnographic, anthropological, and theological approaches to offer the most thorough and multifaceted description of the Emerging Church Movement to date. Contributors: Juan Jose Barreda Toscano Dee Yaccino Gerardo Marti Lloyd Chia Jason Wollschleger James S. Bielo Jon Bialecki Heather Josselyn-Cranson Xochitl Alviso Chris James Tim Snyder
In early modern Germany, religious conversion was a profoundly social and political phenomenon rather than purely an act of private conscience. Because social norms and legal requirements demanded that every subject declare membership in one of the state-sanctioned Christian churches, the act of religious conversion regularly tested the geographical and political boundaries separating Catholics and Protestants. In a period when church and state cooperated to impose religious conformity, regulate confessional difference, and promote moral and social order, the choice to convert was seen as a disruptive act of disobedience. Investigating the tensions inherent in the creation of religious communities and the fashioning of religious identities in Germany after the Thirty Years' War, Duane Corpis examines the complex social interactions, political implications, and cultural meanings of conversion in this moment of German history. In Crossing the Boundaries of Belief, Corpis assesses how conversion destabilized the rigid political, social, and cultural boundaries that separated one Christian faith from another and that normally tied individuals to their local communities of belief. Those who changed their faiths directly challenged the efforts of ecclesiastical and secular authorities to use religious orthodoxy as a tool of social discipline and control. In its examination of religious conversion, this study thus offers a unique opportunity to explore how women and men questioned and redefined their relationships to local institutions of power and authority, including the parish clergy, the city government, and the family.
Socio-Historical Examination of Religion and Ministry (SHERM journal) is a biannual, not-for-profit, free peer-reviewed academic journal that publishes the latest social-scientific, historiographic, and ecclesiastic research on religious institutions and their ministerial practices. SHERM is dedicated to the critical and scholarly inquiry of historical and contemporary religious phenomena, both from within particular religious traditions and across cultural boundaries, so as to inform the broader socio-historical analysis of religion and its related fields of study. The purpose of SHERM is to provide a scholarly medium for the social-scientific study of religion where specialists can publish advanced studies on religious trends, theologies, rituals, philosophies, socio-political influences, or experimental and applied ministry research in the hopes of generating enthusiasm for the vocational and academic study of religion while fostering collegiality among religious specialists. Its mission is to provide academics, professionals, and nonspecialists with critical reflections and evidence-based insights into the socio-historical study of religion and, where appropriate, its implications for ministry and expressions of religiosity.
Millennials and progressive Christians are continuing their work of creating alternative spaces for spiritual and religious expressions in North America. The practices and beliefs of progressive Christian movements like the emerging church and millennials, who tend toward spirituality over and against religion, have been the targets of much criticism. Yet millennials and progressive Christians continue to both curate spaces for self- and collective expression while also engaging within contexts often critical or hostile. This collection analyzes these movements from theological, religious-studies, and social-scientific perspectives to provide a more holistic view of what is taking shape in religious and spiritual trends, and it ventures to project what may lie ahead for the progressive Christianity that is emerging and enduring.
The landscape of American religion is changing dramatically, Millennials are dropping out of church, and new experimental types of Christianity such as the Emerging Church are coming to the fore. But what is the future of religion in America, and what role will Millennials play in that? The results of three years of scholarly inquiry, this collection of essays looks at the Emerging Church and Millennial religious responses and seeks to define and explore both phenomena, always on the lookout for their intersection. Bringing together a diverse collection of scholars in theology, sociology, history and comparative religion, this book highlights the importance of both the Emerging Church and the Millennial generation's future for religion.
Easter Sunday, 2009, was the Sunday heard ‘round the evangelical internet: NewSpring Church, the second-largest church in the Southern Baptist Convention and among the top one hundred largest churches in the US, had begun their service with the song “Highway to Hell” by hard rock band AC/DC. They had brazenly crossed the sacred/secular musical divide on the most important Sunday of the year, and commentary abounded on the value of such a step. Many were offended at the “desecration” of such a holy day, deriding Newspring as the “theater of the absurd.” Others cheered NewSpring’s engagement with “the culture” and suggested that music could be used to convert non-Christians. No mere debate over stylistic preferences, many expressed that foundational aspects of evangelical identity were at stake. While many books have been written about religious music that utilizes popular music styles (a.k.a. “contemporary Christian music”), there has yet to be a scholarly treatment of how and why popular, secular music is utilized by churches. This book addresses that lacuna by examining this emerging trend in evangelical and “emerging” churches in America. What is the motivation behind using music that seemingly has no connection to Christian theology, values, or themes—such as music by Katy Perry, AC/DC, or Van Halen—and what can we learn about post-denominational evangelical churches in America by uncovering these motives? In this book, April Stace uncovers several themes from an ethnographic study of these churches: the increasingly-porous boundary between the sacred and the secular, the importance placed on “authenticity” in contemporary American culture, how evangelicals are responding to what they perceive is an increasingly-secular society, the “turn to the subject” of contemporary culture, the desire to leave a space for expression of doubt in the worship service without fully authorizing that doubt, and the individualization of the construction of religious identity in the modern era.
To survey harsh criticisms against Brian Douglas McLaren (1956‒), readers gain the inaccurate impression that he is a heretical relativist who denies objective truth and logic. While McLaren's inflammatory and provocative writing style is partly to blame, this study also suspects that his critics base much of their analyses on only small portions of his overall corpus. The result becomes a caricature of McLaren's actual philosophy of religion. What is argued in this book is that McLaren's philosophy of religion suggests a faith-based intersubjective relationship with the divine ought to result in an existential appropriation of Christ's religio-ethical teachings. When subjectively internalized, this appropriation will lead to the assimilation of Jesus' kingdom priorities, thereby transforming the believer's identity into one that actualizes Jesus' kingdom ideals. The hope of this book is that by tracing McLaren's philosophy of Christian religion, future researchers will not only be able to comprehend (and perhaps empathize with) McLaren's line of reasoning, but they will also possess a more nuanced discernment of where they agree and disagree with his overall rationale.
This book offers a historical assessment and balanced critique of contemporary church movements, especially in light of missional ecclesiology. An expert on Lesslie Newbigin and an expert on contemporary church models show how Newbigin's ideas have been developed and contextualized in three popular contemporary church movements: missional, emergent, and center church. In addition, the authors explain that some of Newbigin's insights have been neglected and need to be retrieved for the present day. This book calls for the recovery of the missionary nature of the church and commends church practices applicable to any congregation.
This book explores the ways in which music can engender religious experience, by virtue of its ability to evoke the ineffable and affect how the world is open to us. Arguing against approaches that limit the religious significance of music to an illustrative function, The Extravagance of Music sets out a more expansive and optimistic vision, which suggests that there is an ‘excess’ or ‘extravagance’ in both music and the divine that can open up revelatory and transformative possibilities. In Part I, David Brown argues that even in the absence of words, classical instrumental music can disclose something of the divine nature that allows us to speak of an experience analogous to contemplative prayer. In Part II, Gavin Hopps contends that, far from being a wasteland of mind-closing triviality, popular music frequently aspires to elicit the imaginative engagement of the listener and is capable of evoking intimations of transcendence. Filled with fresh and accessible discussions of diverse examples and forms of music, this ground-breaking book affirms the disclosive and affective capacities of music, and shows how it can help to awaken, vivify, and sustain a sense of the divine in everyday life.