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"Honigsberg considers the impact of the change that occurred in the fall of 1967, when Martin Luther King's dream of blacks and whites working together in a cooperative partnership gave way to the new cry of "Black Power." His memoir provides a glimpse into the civil rights movement and those who were forever changed by its struggle for human dignity and vision of racial justice and equality."--Jacket.
Set in the north of England, Barker's new novel portrays a child psychiatrist who rescues a man from drowning one day while walking on a beach in Northumberland. Uncannily, he recognizes the man: it's Danny Miller, a child murderer at whose trial he once gave evidence. Since the trial, he has reconsidered that evidence and found it lacking. Now he confronts the man whose altered fate may be his responsibility.
In 1849, the Reverend William King and fifteen of his former slaves founded the Canadian settlement of Buxton on a 9,000-acre block of land in Ontario set aside for sale to blacks. Although initially opposed by some neighbouring whites, their town grew steadily in population and stature with the backing of the Presbyterian Church of Canada and various philanthropics. A developed agricultural community that supported three schools, four churches, a hotel, and a post office, Buxton was home to almost seven hundred residents at its height. The settlement (which still exists today) remained all black until 1860, when its land was opened to purchase by whites. Sharon A. Roger Hepburn's Crossing the Border tells the story of Buxton's settlers, united in their determination to live free from slavery and legal repression. It is the most comprehensive study to address life in a black community in Canada.
This volume provides a systematic analysis of American-Israeli cultural differences in commercial, bureaucratic, professional, and social settings. the authors Act as cultural translators, interpreting Israeli norms and behavior patterns.
This book provides critical perspectives on issues relating to writing norms and assessment, as well as writing proficiency development, and suggests that scholars need to both carefully examine testing regimes and develop research-informed perspectives on tests and testing practices. In this way schools, institutions of adult education and universities can better prepare learners with differing cultural experiences to meet the challenges. The book brings together empirical studies from diverse geographical contexts to address the crossing of literacy borders, with a focus on academic genres and practices. Most of the studies examine writing in countries where the norms and expectations are different, but some focus on writing in a new discourse community set in a new discipline. The chapters shed light on commonalities and differences between these two situations with respect to the expectations and evaluations facing the writers. They also consider the extent to which the norms that the writers bring with them from their educational backgrounds and own cultures are compromised in order to succeed in the new educational settings.
Translated Woman tells the story of an unforgettable encounter between Ruth Behar, a Cuban-American feminist anthropologist, and Esperanza Hernández, a Mexican street peddler. The tale of Esperanza's extraordinary life yields unexpected and profound reflections on the mutual desires that bind together anthropologists and their "subjects."
This paper develops a small open economy model where global and domestic liquidity is intermediated to the corporate sector through two financial processes. Investment banks intermediate cross-border credit through interlinked debt contracts to entrepreneurs and commercial banks intermediate domestic savings to liquidity constrained final good producers. Both processes are needed to facilitate development of key production inputs. The model captures procyclical investment bank leverage dynamics, global liquidity spillovers, domestic money market pressures, and macrofinancial linkages through which shocks propagate across the two processes, affecting spreads and balance sheets, as well as the real economy through investment and working capital channels.
When the 1998 Good Friday Agreement brought an end to decades of conflict, which was mainly focused on the existence of the Irish border, most breathed a sigh of relief. Then came Brexit. Border Ireland: From Partition to Brexit introduces readers to the Irish border. It considers the process of bordering after the partition of Ireland, to the Good Friday Agreement and attendant debordering to the post-Brexit landscape. The UK's departure from the EU meant rebordering in some form. That departure also reinvigorated the push for a ‘united Ireland’ and borderlessness on the Island. As well as providing a nuanced assessment that will be of interest to followers of UK/Irish relations and European studies, this book’s analysis of processes of bordering/debordering/rebordering helps inform our understanding of borders more generally. Students and scholars of European studies, border studies, politics, and international relations, as well as anyone else with a general interest in the Irish border will find this book an insightful and historically-grounded aid to contemporary events.
NATIONAL BESTSELLER WINNER OF THE RBC TAYLOR PRIZE WINNER OF THE EDNA STAEBLER AWARD FOR CREATIVE NON-FICTION "Every day on a bike trip is like the one before--but it is also completely different, or perhaps you are different, woken up in new ways by the mile." As a teenager, Kate Harris realized that the career she most craved--that of a generalist explorer, equal parts swashbuckler and philosopher--had gone extinct. From her small-town home in Ontario, it seemed as if Marco Polo, Magellan and their like had long ago mapped the whole earth. So she vowed to become a scientist and go to Mars. To pass the time before she could launch into outer space, Kate set off by bicycle down a short section of the fabled Silk Road with her childhood friend Mel Yule, then settled down to study at Oxford and MIT. Eventually the truth dawned on her: an explorer, in any day and age, is by definition the kind of person who refuses to live between the lines. And Harris had soared most fully out of bounds right here on Earth, travelling a bygone trading route on her bicycle. So she quit the laboratory and hit the Silk Road again with Mel, this time determined to bike it from the beginning to end. Like Rebecca Solnit and Pico Iyer before her, Kate Harris offers a travel narrative at once exuberant and meditative, wry and rapturous. Weaving adventure and deep reflection with the history of science and exploration, Lands of Lost Borders explores the nature of limits and the wildness of a world that, like the self and like the stars, can never be fully mapped.
The North American entertainment industry is rapidly consolidating, and new modes of technological delivery challenge Canadian content regulations. An understanding of how Canadian culture negotiates its rapport with American genres has never been more timely. West/Border/Road offers an interdisciplinary analysis of contemporary Canadian manifestations of three American genres: the western, the border, and the road. It situates close readings of literary, film, and television narratives from both English Canada and Quebec within a larger context of Canadian generic borrowing and innovation. Katherine Ann Roberts calls upon canonical works in Canadian studies, theories of genre, and a wide range of scholarship from border studies, cultural studies, and film studies to examine how genre is appropriated and sometimes reworked and how these cultural narratives engage with discourses of contemporary Canadian nationhood. The author elucidates Guy Vanderhaeghe’s rewriting of the codes of the historical western to include the trauma of Aboriginal peoples, Aritha van Herk’s playful spoof on American western iconography, the politics and perils of the representation of the Canada-US border in CBC-produced crime television, and how the road genre inspires and constrains the Québécois and Canadian road movie. A reminder of the power and limitations of American genres, West/Border/Road provides a nuanced perspective on Canadian engagement with cultural forms that may be imported but never foreign.