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From the award-winning author of Crossing Ocean Parkway, a personal memoir about adjusting to loss through books, meditation, and the process of memory itself Marianna De Marco Torgovnick experienced the rupture of two of her life’s most intimate relations when her mother and brother died in close proximity. Mourning rocked her life, but it also led to the solace and insight offered by classic books and the practice of meditation. Her resulting journey into the past imagines a viable future and raises questions acute for Italian Americans but pertinent to everyone, about the nature of memory and the meanings of home at a time, like ours, marked by cultural disruption and wartime. Crossing Back: Books, Family, and Memory without Pain presents a personal perspective on death, mourning, loss, and renewal. A sequel to her award-winning and much-anthologized Crossing Ocean Parkway, Crossing Back is about close familial ties and personal loss, written after the death of her remaining birth family, who had always been there, and now were not. After their loss, she entered a spiritual and psychological state of “transcendental homelessness”: the feeling of being truly at home nowhere, of being spiritually adrift. In a grand act of symbolic reenactment, she found herself moving apartments repeatedly, not realizing she did so subconsciously to keep busy, to stave off grief. By reading and studying great books, she opened up to mourning, a process she constitutionally resisted as somehow shameful. Over time, she discovered that a third death colored and prolonged her feelings of grief: her first child’s death in infancy, which, in the course of a happier lifetime, had never been adequately acknowledged. Her new losses led her finally to take stock of her son’s death too. Reading and meditating, followed by writing, became daily her healing rituals. A warm and intimate user’s guide to books, family, and memory in the mourning process, the end-point being memory without pain, Crossing Back is a wide-ranging memoir about growing older and learning to ride the waves of change. Lively and conversational, Torgovnick is masterful at tracking the moment-to moment, day-to-day challenges of sudden or protracted grief and the ways in which the mind and the body seem to search for—and sometimes find—solutions.
The acclaimed author of Gone Primitive interweaves autobiographical moments with engrossing interpretations of American cultural icons, from Dr. Doolittle to Lionel Trilling, from The Godfather to Camille Paglia, to create this unflinching account of crossing cultural boundaries--of what it means to be an Italian American.
Brett’s most recent manic episode has derailed him from life as the director of operations at a prominent software start-up in Texas. He is now at home, fully dependent on his mother, and officially diagnosed with bipolar disorder. Brett is terrified. He has no guarantees on his long-term health, no understanding of how his medication works and is still dealing with hell-like anxiety, restlessness, mania, and depression. Crossing Back Over: The Practice of Owning and Accepting Bipolar Disorder details Brett’s battle with taming the beast that is bipolar. Written in the same style as part 1 of his story, Crossover: A Look inside a Manic Mind, Crossing Back Over sheds light on what true recovery looks and feels like from a firsthand account. No matter the environment, recovering from a serious event takes hard work, discipline, patience, and acceptance. Crossing Back Over allows the reader to peek behind the curtain of an individual determined to find a happy life, even with his chronic brain disorder. This book is valuable for anyone who is facing a deeply personal challenge.
The first in-depth exploration of the persistence and pervasiveness of a dangerous legal fiction about people who cross borders: the binary distinction between migrant and refugee. Today, the concept of "the refugee" as distinct from other migrants looms large. Immigration laws have developed to reinforce a conceptual dichotomy between those viewed as voluntary, often economically motivated, migrants who can be legitimately excluded by potential host states, and those viewed as forced, often politically motivated, refugees who should be let in. In Crossing, Rebecca Hamlin argues against advocacy positions that cling to this distinction. Everything we know about people who decide to move suggests that border crossing is far more complicated than any binary, or even a continuum, can encompass. The decision to leave home is almost always multi-causal and often involves many stops and hazards along the way--a reality not captured by a system that categorizes a majority of border-crossers as undeserving, and the rare few as vulnerable and needy. Drawing on cases of various "border crises" across Europe, North America, South America, and the Middle East, Hamlin outlines major inconsistencies and faulty assumptions upon which the binary relies, and explains its endurance and appeal by tracing its origins to the birth of the modern state and the rise of colonial empire. The migrant/refugee binary is not just an innocuous shorthand, indeed its power stems from the way in which is it painted as objective, neutral, and apolitical. In truth, the binary is a dangerous legal fiction, politically constructed with the ultimate goal of making harsh border control measures more ethically palatable to the public. This book is a challenge to all those invested in the rights and study of migrants, to interrogate their own assumptions and move towards more equitable advocacy for all border crossers.
NATIONAL BESTSELLER • The second volume of the award-winning Border Trilogy—From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road—fulfills the promise of All the Pretty Horses and at the same time give us a work that is darker and more visionary, a novel with the unstoppable momentum of a classic western and the elegaic power of a lost American myth. In the late 1930s, sixteen-year-old Billy Parham captures a she-wolf that has been marauding his family's ranch. But instead of killing it, he decides to take it back to the mountains of Mexico. With that crossing, he begins an arduous and often dreamlike journey into a country where men meet ghosts and violence strikes as suddenly as heat-lightning—a world where there is no order "save that which death has put there." An essential novel by any measure, The Crossing is luminous and appalling, a book that touches, stops, and starts the heart and mind at once. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
This book examines issues that have emerged as higher education systems and individual institutions across East Asia confront and adapt to the changing economic, social, and educational environments in which they now operate. The book’s focus is on how higher education systems learn from each other and on the ways in which they collaborate to address new challenges. The sub-theme that runs through this volume concerns the changing nature of cross-border sharing. In particular, the provision of technical assistance by more industrialized countries to lower and middle income countries has given way to collaborations that place the latter’s participating institutions on a more equal footing.
One of the New Yorker's Best Books of 2022 Bill McKibben—award-winning author, activist, educator—is fiercely curious. “I’m curious about what went so suddenly sour with American patriotism, American faith, and American prosperity.” Like so many of us, McKibben grew up believing—knowing—that the United States was the greatest country on earth. As a teenager, he cheerfully led American Revolution tours in Lexington, Massachusetts. He sang “Kumbaya” at church. And with the remarkable rise of suburbia, he assumed that all Americans would share in the wealth. But fifty years later, he finds himself in an increasingly doubtful nation strained by bleak racial and economic inequality, on a planet whose future is in peril. And he is curious: What the hell happened? In this revelatory cri de coeur, McKibben digs deep into our history (and his own well-meaning but not all-seeing past) and into the latest scholarship on race and inequality in America, on the rise of the religious right, and on our environmental crisis to explain how we got to this point. He finds that he is not without hope. And he wonders if any of that trinity of his youth—The Flag, the Cross, and the Station Wagon—could, or should, be reclaimed in the fight for a fairer future.
Includes reading group guide and excerpt from the author's novel, Dry as rain.
Six months after the Declaration of Independence, the American Revolution was all but lost. A powerful British force had routed the Americans at New York, occupied three colonies, and advanced within sight of Philadelphia. Yet, as David Hackett Fischer recounts in this riveting history, George Washington--and many other Americans--refused to let the Revolution die. On Christmas night, as a howling nor'easter struck the Delaware Valley, he led his men across the river and attacked the exhausted Hessian garrison at Trenton, killing or capturing nearly a thousand men. A second battle of Trenton followed within days. The Americans held off a counterattack by Lord Cornwallis's best troops, then were almost trapped by the British force. Under cover of night, Washington's men stole behind the enemy and struck them again, defeating a brigade at Princeton. The British were badly shaken. In twelve weeks of winter fighting, their army suffered severe damage, their hold on New Jersey was broken, and their strategy was ruined. Fischer's richly textured narrative reveals the crucial role of contingency in these events. We see how the campaign unfolded in a sequence of difficult choices by many actors, from generals to civilians, on both sides. While British and German forces remained rigid and hierarchical, Americans evolved an open and flexible system that was fundamental to their success. The startling success of Washington and his compatriots not only saved the faltering American Revolution, but helped to give it new meaning.