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With Van Courtland Park still fresh in his memory, Dr. Trevor Knight returns to UCSF and a budding relationship with Susan Hoo, seeking normalcy and peace. However, peace is a fleeting thing, and soon, he is requested to assist the Director of Indian Affairs in the solving of a most bizarre and evil ritualist string of killings. Putting his relationship on hold, Knight heads to the desert regions of Arizona and the Indian reservations. The evil that has manifested itself has claimed twenty lives, with more anticipated. Local law enforcement is helpless to stop it and the intense fear gripping the residents of the reservations only serves to limit the solving of the terror taking place. Dr. Trevor Knight has been called to profile the demon that roams the Arizona nights. With the help of his crime-solving grandmother and an entity whose power comes from an ancient relic close to Knight, it is only a matter of time until once again, evil meets it end. In addition, the Ghost Friar that presented in the Bronx and blessed the wooden cross, reclaims what is rightfully his.
The fires of Bayou Corne were still smoldering as Dr. Trevor Knight embarked on his next journey. A journey that would leave in its wake, the deaths of many whose path he has crossed. The evil forces that had haunted him, previously vanquished back to hell, soon find him and interrupt his quest for peace, for a sense of normalcy. Three demons, long ago forgotten by history. Buried in the sands of time, the sands of Egypt. More powerful than his previous encounters. The Beast. Making one final attempt to end the life of Dr. Knight. Without the Cross of the Ghost Friar to protect him, he must rely on the courage and conviction of his faith to battle his greatest adversaries to date. Fatima, ah yes, coincidence, Dr. Knight? Perhaps not so much as you thought. On the other hand, perhaps it is Tatiana. The winged ones, how to summon them. Perhaps best not to summon them. In the end, perhaps even Dr. Trevor Knight has met his match when the Trinity of Demons rises again.
For seven weeks in late spring and early summer of 1628, a ghost haunted the modest dwelling of Huguette Roy and her husband in the small city of Dole in the Holy Roman Empire near the French border. Before and after giving birth to her third child, Huguette received visits twice daily from a young woman clothed in white who cleaned her house, eased her pains, and tended her newborn son. Only Huguette could see this apparition, and the haunting aroused curiosity and fear throughout her community. Soon after the spirit departed, a young man from Dole prepared a manuscript in colloquial French to recount Huguette’s experiences, the ghost’s demands, and the event’s orthodoxy. Translators Edwards and Sutch present this primary source in English to allow modern readers to view the spirituality, piety, and daily lives of ordinary people in early modern Europe. Transcription of the original French of Leonarde’s Ghost with editor’s notes in English, supplemental material [download pdf]
Dr. Trevor Allen Knight, fresh from the adventures in Salem, Massachusetts, is heading back to California for some well-deserved rest. Perhaps to renew an old flame with Susan Hoo. The White Witch of Salem has been vanquished. Alas, there is more. There is always more, isn't there, Dr. Knight? Rest is not for the weary or the timid. His plans are put on hold at the request of the sheriff of Clay County, Texas. The Texas Hill Country calls. The demon, vanquished at StoryTown, has been summoned again, from the pit. For a bargain made in hell. An ancient parchment points the way. The Cross of de Vico, no longer at his side. How to fit in, that is the question. Who or what is killing those innocent girls? The signs upon their foreheads, what purpose have they? Dr. Knight, you have been drawn once again into the shadows of darkness. What help, if any, will his grandmother be? What insight can she share? Hoss and Skeeter, allies in the quest to vanquish the foe. Saddle up, Dr. Knight.
A man goes through the four seasons of his life much too quickly. The hustle and frantic pace of life blinds him to the wonders that God puts before him daily-the butterfly that alights upon a small flower completely missed, the sunrises and sunsets without fanfare as he toils to his eventual end. If he is lucky, he realizes the folly of his ways and slows to see the beauty before him, appreciate the little things, the quiet things, the ripple on the pond, stopping to breathe and reflect, and perhaps to listen to the soft sounds of God's great work. I have entered the sunset of my life. My time on earth ordained by God wanes like the setting of the sun, and as the brilliant colors light the sky, so does my love for what God has given me through my many years. To see the singular snowflake, hear the cry of the chickadee, I invite you to come with me as my stories tell of my journey to this moment in time. Sit back in a quiet spot, open this book, feel its pages, and see what I have seen. May God bless and keep you and, perhaps, slow you down.
Throughout the history of humanity, God, as we have known him, or a greater power yet unknown to us, has been prayed to for all manner of wants and perceived needs. God's plan is never understood. Who has the mind of the Lord that they can reason with God? Jack Young has lived a long life, a life well lived. His best friend of forty-one years has died, the dreaded cancer taking his unsuspecting life. If only we could get a second chance. If only God gave second chances. Perhaps God can be convinced. Perhaps. Perhaps God will allow a change to the plan he has set into motion. To our inevitable day, and time, when we depart this earth. The day and manner unknown. The emotional trauma from the loss of Dan Collins has sent Young's life into terminal descent. Until, in the quiet of the cold Wisconsin cemetery, God perhaps has reconsidered. For Jack Young, to find the meaning before time runs out will consume his life, the second chance must not be wasted.
Fresh from the deserts of Egypt, Dr. Trevor Knight has had little time to decompress or allow his hand to heal before the evil that haunts his dreams has followed him. Summoned by the priest Father Krubel, Knight is needed in the city of Salem. The Witch City. The Court of Oyer and Terminer. Sins of the fathers take more than 350 years to be forgotten, Dr. Knight discovers. Or forgiven. By witch or mortal. Coded manuscripts point to evil. Can their meaning be found in time? A story written long ago. A house now famous. But what secrets are yet unknown? Who still walks the grounds by Salem Harbor? Peine forte et dure, Dr. Knight. And what of Sir Robert? Yes, indeed, my good doctor. What of Sir Robert?
Dr. Trevor Knight has left the dry heat of the Arizona desert, only to find himself in the hot and humid dangerous swamps of the Louisiana bayou. Time to relax, to enjoy the sights and Cajun food, the music, and the laid-back mood. However, things have not worked out as he had hoped. Major Wilson of the Louisiana State Police is in need of his services, and Knight will soon meet Sheriff Thomas T. Thibodaux, law of the land in Assumption Parish. Knight planned on a quiet trip, to see a place his friend Demaryius Dinkins had spoken to him about as they sat in the dark desert of Arizona. The little village being sucked into the ground. Salt caverns long ago formed in the prehistoric history of Louisiana. Home to things unspoken, until the careless drilling unleashes them upon the land. Certainly, the government knows nothing about all of this. Or do they? Things are not as they seem; and the sudden disappearance of the local inhabitants, as well as the wildlife, thrusts Knight into the world of corrupt Southern justice, a voodoo priestess, and two very lively twin girls. Get your dancing shoes on, Doctor, time to boogaloo in the bayou.
Byron is rarely thought of as a spiritual writer. However, as this bold new collection shows, this is the result of an impoverished notion of the ‘spiritual’ and a reflection of biased priorities in Romantic studies. Reflecting on the poet’s claim that ‘immaterialism’s a serious matter’, this interdisciplinary collection of essays, from British and American scholars, calls into question the prevailing ‘materialist’ consensus, and offers a fresh and theoretically inflected reading of Byron’s poetry. Byron’s Ghosts is the first book-length examination of spectrality in Byron’s work. It is on the one hand concerned with what Mary Shelley in her essay ‘On Ghosts’ refers to as ‘the true old-fashioned, foretelling, flitting, gliding ghost’, though it is also a postmodern response to the ‘spectral turn’ in critical theory, which brings into view a range of phantom effects and ‘non-Gothic’ spectres. Focusing attention on these diverse modalities of the ghostly, the specially assembled essays complicate the popular image of Byron as a sceptical or ‘anti-Romantic’ poet and reveal a great deal about his work that could not be uncovered in any other way.
A self-illuminating white ribbon spiralled in the gloom. Appearing slowly as though she had willed them into existence, the ribbon became a T and a C. As they approached her they quivered and more letter appeared until the ribbon read: Terms and Conditions.