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About the Book: Pakistan is one of the most beautiful countries in the world blessed with rich cultural heritage snow-clad mountains, meadows, lush green valleys, fertile plains, Indus River and its tributaries, deserts, plateau, and a long coastal belt. It has a long and uninterrupted history from Paleolithic period to the present times. The country is located at the crossroad of several trade routes linking China in the north, Central Asia in the west and Iran and the Middle East in the south and south east. During the course of long history a large number of settlements, structures and works of arts of exceptional beauty were produced presenting a variety of concepts and philosophies. These trade routes brought influence from far and wide and had strong impact on history, culture and artistic tradition. This scholarly work has thoroughly documented the roots of architectural history and tradition of Pakistan from prehistoric to contemporary times. For the first time in history, Dr. Abdul Rehman has produced this masterpiece after years of extensive and original research. The tremendous progress made by Pakistan since 1947 in the profession of architecture has not been adequately celebrated. Since the initial years of its independence, Pakistan had an acute shortage of housing and social and technical infrastructure projects that needed well-qualified architects and planners. In order to meet the demand of qualified professionals a number of architectural schools were established over the last 74 years. At present, both senior architects and younger and recent graduates are working side by side to meet the challenges of the built environment. These architects followed several design philosophies such as modernism, classical tradition, hyper-modernism, etc. This second volume of the book, gives an in-depth overview of the challenges and contributions, as well as the philosophy of international, local, senior and younger architects. The book begins with an introduction to the state of economy and development goals to meet the socioeconomic challenges which the country has faced over time. The design philosophy and architectural contributions of early masters is discussed. Additionally, the book also covers the contributions made by the international architects whose design of large-scale projects can be seen in almost all major cities across Pakistan, as well as the foreign qualified graduates of Pakistani origin of the early years of the country had also made a significant impact in influencing the design. The book also covers the academician architects who played an important role in the development of the profession and gave it a new direction through their writings and professional works. Their contributions have been discussed in the several chapters of this book. Apart from the qualified architects, the traditional masters have also made a significant impact to the country's built environment. Their contributions are especially significant in the design of mosques and tombs. The important projects carried out by them have been discussed in the book. The contributions of architects in the field of landscape architecture and conservation are also discussed. The book finally concludes with the discussion on the challenges being faced by the profession and a way forward for improving the quality of architecture in Pakistan. About the Author: Dr. Abdul Rehman is a former Professor and Director of School of Architecture and Design, University of Engineering and Technology, Lahore. He holds a National Diploma in Architecture from National College of Arts, Lahore and a PhD degree from "Ion Mincu," University of Architecture and Urbanism, Bucharest, Romania. He has been a senior Fulbright fellow at both Harvard University and Massachusetts Institute of Technology, USA.
This book studies the unexplored history of China-aided architecture erected in the developing world since the 1950s. By 2019, over 1,000 buildings had been delivered to more than 160 countries, including parliament houses, convention centers, stadiums, gymnasiums, theaters, schools, hospitals, libraries, railways, and stations. These projects, which have played a significant role in promoting economic transformation, cultural engagement and social and environmental well-being, have largely been overlooked or misunderstood by the international community. Why did China donate so many foreign-aid buildings? How were these buildings built in the remote land of developing countries with intricate influences and limited resources? Have they helped modernize the recipient countries? The authors of this book use a wide range of representative projects built in different historic periods and geographical locations as case studies to address the above questions from various perspectives. This book fills an enormous gap in modern architecture in China and the world. It offers architectural students and scholars in various disciplines the necessary knowledge on "diplomatic architecture"; informs architects the appropriate methods of cross-border design and low-tech building; teaches government officials the best practice of donating and receiving foreign-aid buildings; and enhances public awareness of cultural diversity in Asia, Africa, Oceania, and Latin America. With abundant first-hand materials, historical pictures, and drawings, the book is a must-read for those who are interested in modern architecture and developmental aid in the world. China’s architecture abroad, notably in Africa and Asia, has been perceived with both fascination and anxiety. Based on a wealth of sources often difficult to access for scholars from outside China, this book links the history and present of China’s architectural mobilities in ways that will stimulate new debates in architectural history and urban studies. - Łukasz Stanek, Professor of Architectural History, The University of Manchester, UK
With accelerating change towards globalisation, the efficacy of design solutions not embedded within regional culture has been prone to failure - technically, socially and economically. Environmental problems and questions surrounding how to achieve a sustainable built environment are now posing urgent challenges to built environment practitioners and researcher. However, international cooperation in setting targets and standards as well as an increasing exchange of environmental information and practices present designers, clients and occupants with new problems that comprise local needs and the built environment. This book addresses the role regional culture play in the successful (or otherwise) process of exchanging and adapting environmental practices and standards in the built environment. Using the specific case of the design of environmentally sound buildings, the book identifies a number of issues from different perspectives: The conflict between regionally appropriate environmental building practices within a global technical and economic context. How human, social and cultural expectations limit technological advances and performance improvements. To what extent information on environmentally progressive buildings can be transferred across cultures without compromising regional and local practices. Which ideas travel successfully between regions – generic principles, specific ideas or specific solutions? How the idea of regional identity is being redefined as the process of globalisation both widens and accelerates.
Art and Architecture in Ladakh shows how the region’s cultural development has been influenced by its location across the great communications routes linking India with Tibet and Central Asia. Edited by Erberto Lo Bue and John Bray, the collection contains 17 research papers by experienced international art historians and architectural conservationists, as well as emerging scholars from Ladakh itself. Their topics range widely over time, from prehistoric rock art to mediaeval Buddhist stupas and wall paintings, as well as early modern castle architecture, the inter-regional trade in silk brocades, and the challenges of 21st century conservation. Taken together, these studies complement each other to provide a detailed view of Ladakh’s varied cultural inheritance in the light of the latest research. Contributors include: Monisha Ahmed, Marjo Alafouzo, André Alexander, Chiara Bellini, Kristin Blancke, John Bray, Laurianne Bruneau, Andreas Catanese, Philip Denwood, Quentin Devers, Phuntsog Dorjay, Hubert Feiglstorfer, John Harrison, Neil and Kath Howard, Gerald Kozicz, Erberto Lo Bue, Filippo Lunardo, Kacho Mumtaz Ali Khan, Heinrich Poell, Tashi Ldawa Thsangspa and Martin Vernier.
A look at Pakistan, its culture, customs, history, and contemporary life.
The fascinating untold story of how the ancients imagined robots and other forms of artificial life—and even invented real automated machines The first robot to walk the earth was a bronze giant called Talos. This wondrous machine was created not by MIT Robotics Lab, but by Hephaestus, the Greek god of invention. More than 2,500 years ago, long before medieval automata, and centuries before technology made self-moving devices possible, Greek mythology was exploring ideas about creating artificial life—and grappling with still-unresolved ethical concerns about biotechne, “life through craft.” In this compelling, richly illustrated book, Adrienne Mayor tells the fascinating story of how ancient Greek, Roman, Indian, and Chinese myths envisioned artificial life, automata, self-moving devices, and human enhancements—and how these visions relate to and reflect the ancient invention of real animated machines. As early as Homer, Greeks were imagining robotic servants, animated statues, and even ancient versions of Artificial Intelligence, while in Indian legend, Buddha’s precious relics were defended by robot warriors copied from Greco-Roman designs for real automata. Mythic automata appear in tales about Jason and the Argonauts, Medea, Daedalus, Prometheus, and Pandora, and many of these machines are described as being built with the same materials and methods that human artisans used to make tools and statues. And, indeed, many sophisticated animated devices were actually built in antiquity, reaching a climax with the creation of a host of automata in the ancient city of learning, Alexandria, the original Silicon Valley. A groundbreaking account of the earliest expressions of the timeless impulse to create artificial life, Gods and Robots reveals how some of today’s most advanced innovations in robotics and AI were foreshadowed in ancient myth—and how science has always been driven by imagination. This is mythology for the age of AI.
The fourth edition of the Handbook of Human Factors and Ergonomics has been completely revised and updated. This includes all existing third edition chapters plus new chapters written to cover new areas. These include the following subjects: Managing low-back disorder risk in the workplace Online interactivity Neuroergonomics Office ergonomics Social networking HF&E in motor vehicle transportation User requirements Human factors and ergonomics in aviation Human factors in ambient intelligent environments As with the earlier editions, the main purpose of this handbook is to serve the needs of the human factors and ergonomics researchers, practitioners, and graduate students. Each chapter has a strong theory and scientific base, but is heavily focused on real world applications. As such, a significant number of case studies, examples, figures, and tables are included to aid in the understanding and application of the material covered.
Although empires have played a decisive role in political thinking and the orientation of political goals at all times, the focus of research has so far mostly been on spatial and ideological aspects. This volume, on the other hand, offers a multi-disciplinary collection of studies that deal with the instrumentalization and ongoing impacts of perspectives on empire and their place in time. Coming from archaeology, history, art history, literary studies, and social sciences, the individual case studies discuss perceptions of imperial histories and imagined futures of empires, both in imperial and in post-imperial contexts. The transcending historical significance of the imperial ideas and ideals shows the deep and long-lasting effects of empire in landscapes, mindscapes, and social structures. The diachronic cut through all epochs from antiquity to modern times is complemented by a broad global view to deepen the temporal understanding of imperial imaginaries as well as their political implications.
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.