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Every life is a story, and every story a journey. We are born, our story begins, and life happens. Each story develops over time from infancy through adulthood and from changes due to choices we make and many times by events over which we have no control. How our story ends is determined by how we react to those events. It is the life’s lessons and what we learn from them that help us grow, gain experience and wisdom, and move us along our journey. We decide if we are in charge of our destiny or if destiny is in charge of us. We drift aimlessly, or we paddle in the direction of our goals. Crooked Sidewalks will guide you as you tell your own story.
Revised and updated through "O" Is for Outlaw, the Edgar Award Winner for Best Biographical Work is the essential reader's companion to the world of Sue Grafton's Kinsey Millhone With the cooperation of Sue Grafton, who provided unprecedented access to her working journals, authors Natalie Hevener Kaufman and Carol McGinnis Kay have created a fully dimensional biography of Kinsey Millhone that will answer every question readers have ever had. Here is a feast for Kinsey's fans, including such features as time lines, maps, floor plans, case logs, and photographs. But this book is also a revealing journey into the mind and work habits of Kinsey's creator. You'll learn why Grafton chose to write detective fiction and how she responds to runaway plot lines and unruly characters. You will find out what titles she has discarded in the series, what she plans for Kinsey's future, and how she sees their evolving relationship. Ultimately, you'll understand why Grafton is so esteemed in the field of detective fiction and, from an analysis of her craft, why she has earned so prominent a place in American letters.
Evening Street Review is centered on the belief that all men and women are created equal, that they have a natural claim to certain inalienable rights, and that among these are the rights to life, liberty, and the pursuit of happiness. With this center, and an emphasis on writing that has both clarity and depth, it practices the widest eclecticism. Evening Street Review reads submissions of poetry (free verse, formal verse, and prose poetry) and prose (short stories and creative nonfiction) year round. Submit 3-6 poems or 1-2 prose pieces at a time. Payment is one contributor’s copy. Copyright reverts to author upon publication. Response time is 3-6 months. Please address submissions to Editors, 2881 Wright St, Sacramento, CA 95821-4819. Email submissions are also acceptable; send to the following address as Microsoft Word or rich text files (.rtf): [email protected].
By the acclaimed novelist of All Things Cease to Appear “An intense, provocative thriller.”—Publishers Weekly (starred review) Hedda Chase is a top-flight executive producer at Gladiator Films, fast-tracked in the business since she graduated from Yale. An aggressive businesswoman, she recently pulled the plug on a film project initiated by one of her predecessors. The screenwriter on the project was Hugh Waters, a wannabe with a dead-end marriage and a day job at an insurance company. This script was his ticket out-until Hedda tampered with his plans, claiming his violence was over the top, his premise not credible, and his ending implausible. Hugh decides to prove otherwise by staging his script’s ending and casting Hedda Chase as the victim. He flies to Los Angeles and finds Hedda, kidnaps her, and locks her in the trunk of her vintage BMW in the parking lot at LAX. He leaves the keys in the ignition, the parking ticket on the dash, and lets “destiny” take its course. This is the set-up for a troubling, smart, deadly look at women and images of women, at media as a high-stakes game and the selling of a war as theatre. Brundage’s Los Angeles is a casual battleground that trades carelessly in lives and dreams. As always, her characters are complicated, surprising, and intense in this high velocity, provocative novel.
At our darkest hours we find truth . . . When your life is on hold and you can’t fight your way up the ladder of success and you can’t pay your bills and you can’t even get across the hall to the bathroom, all you can do is lie there and wait. Running away is no longer an option . . . What happens when medicine, other people, and self-reliance are no longer enough to heal the human body and sustain the human spirit? Still Life is a memoir that details the medical odyssey of an ordinary young woman who, when physically-challenged, questions the meaning of her inherited religion. As she slowly descends into the world of disability, she is forced to put her faith into practice in the laboratory of her life, and she undergoes a spiritual metamorphosis.
Of all the styles of jazz to emerge in the twentieth century, none is more passionate, more exhilaratingly up-tempo, or more steeped in an outsider tradition than Gypsy Jazz. And there is no one more qualified to write about Gypsy Jazz than Michael Dregni, author of the acclaimed biography, Django. A vagabond music, Gypsy Jazz is played today in French Gypsy bars, Romany encampments, on religious pilgrimages--and increasingly on the world's greatest concert stages. Yet its story has never been told, in part because much of its history is undocumented, either in written form or often even in recorded music. Beginning with Django Reinhardt, whose dazzling Gypsy Jazz became the toast of 1930s Paris in the heady days of Josephine Baker, Picasso, and Hemingway, Dregni follows the music as it courses through caravans on the edge of Paris, where today's young French Gypsies learn Gypsy Jazz as a rite of passage, along the Gypsy pilgrimage route to Les Saintes-Maries-de-la-Mer where the Romany play around their campfires, and finally to the new era of international Gypsy stars such as Bireli Lagrene, Boulou Ferre, Dorado Schmitt, and Django's own grandchildren, David Reinhardt and Dallas Baumgartner. Interspersed with Dregni's vivid narrative are the words of the musicians themselves, many of whom have never been interviewed for the American press before, as they describe what the music means to them. Gypsy Jazz also includes a chapter devoted entirely to American Gypsy musicians who remain largely unknown outside their hidden community. Blending travelogue, detective story, and personal narrative, Gypsy Jazz is music history at its best, capturing the history and culture of this elusive music--and the soul that makes it swing.
These four stories display a masterly range of emotional tones, from ice-hard brilliance to mordant wit to sheer lyricism. Marina Sonkina's characters rise from the page to become people we know and understand, although they live at widely distant points of the compass, spiritual and geographical. It's clear that she loves them all, with a passion that forgives their weaknesses. In the title story a painter plants a tree that, as it grows, awakens memories of a lost love . In "Christmas Tango," a chance encounter with a drunk in a Montreal bar sparks a new meaning in a man's life. "Carmelita" takes us to a small Mexican town where a Canadian expatriate becomes a victim of his newly acquired wealth. The tragic lives of a family during the Stalin era in the Soviet Union are followed through the story of a suitcase in "Bird's Milk."
Read the poems. Roll the dice. Cut out the couplets to create your own poems and fortunes. Be prepared for the strange and mysterious.