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You want heartfelt sensitive stories about the mid-life crisis of a middle-class white guy? How about ironic tales of suburban marriages where the love has faded? Yeah, if that’s what you want, pick up some other book, because Crooked Roads, Alec Cizak’s first short story collection, is not for you. This book is about real humans in the real streets of cities and small towns. People who are messed up, people at the edge of things—at the edge of sanity, at the edge of morality, at the edge of legality. Criminals, the homeless, the depraved, the perverted, and just normal folk at the end of their rope. Go ahead, pick it up, give it a read. We dare you. Praise for CROOKED ROADS: “With fists pounding against cliché and convention, Alec Cizak creates prose that is bold…and bloody.” —David Cranmer, author of Adventures of Cash Laramie and Gideon Miles, and publisher of Beat To a Pulp Books
In 1968, during Albert Lepard’s fifth escape from a life sentence at Parchman Penitentiary, he kidnapped Lovejoy Boteler, then eighteen years old, from his family’s farm in Grenada, Mississippi. Three decades later, still beset by half-buried memories of that time, Boteler began researching his kidnapper’s nefarious, sordid life to discover how and why this terrifying abduction occurred. Crooked Snake: The Life and Crimes of Albert Lepard is the true story of Lepard, sentenced to life in Parchman for the murder of seventy-four-year-old Mary Young in 1959. During the course of his sentence, Lepard escaped from prison six times in fourteen years. In Crooked Snake, Boteler pieces together the story of this cold-blooded murderer's life using both historical records and personal interviews—over seventy in all—with ex-convicts who gravitated to and ran with Lepard, the family members who fed and sheltered the fugitive during his escapes, the law officers who hunted him, and the regular folks who were victimized in his terrible wake. Throughout Crooked Snake, Boteler reveals his kidnapper’s hardscrabble childhood and tracks his whereabouts before his incarceration and during his jailbreaks. Lepard’s escapes take him to Florida, Michigan, Kansas, California, and Mexico. Crooked Snake captures a slice of history and a landscape that is fast disappearing. These vignettes describe Mississippi’s countryside and spirit, ranging from sharecropper family gatherings in Attala County’s Seneasha Valley to the twenty-thousand-acre Parchman farm and its borderlands teeming with alligator, panther, bear, and wild boar.
'I'm not saying anything until you tell me some stuff. Like, who are you really?' 'I can't say,' said Skender. 'We're stuck, then,' said Kitty firmly. 'But I am sorry about spying on you. David's grandfather says he hasn't been kidnapped after all.' 'You were right, though, to think that he was in danger,' said Skender. 'I heard my parents talking. I don't think your friend is safe at all.' It's the end of a long, hot summer, and mystery is the last thing on the minds of friends Kitty, David, Andrea and Martin. Then Andrea spots a strange van parked behind David's house, and a few days later, he disappears. Kitty is convinced he's been kidnapped - and that the secretive new boy has something to do with it - but David's family say he's safe. Only why won't they say where he's gone? The friends don't know it, but they've stumbled on a sinister plot involving a criminal gang, a planned kidnap, and a school event that could go very, very wrong.
When one of Raymond Donne's former students is found stabbed to death under the Williamsburg Bridge, Ray draws on his past as a cop to find the truth in Tim O'Mara's second New York City mystery. Raymond Donne's former student Douglas Lee had everything going for him thanks to a scholarship to an exclusive private school in Manhattan, but all of that falls apart when his body is found below the Williamsburg Bridge with a dozen knife wounds in it. That kind of violence would normally get some serious attention from the police and media except when it's accompanied by signs that it could be gang related. When that's the case, the story dies and the police are happy to settle for the straightforward explanation. Dougie's mom isn't having any of that and asks Ray, who had been a cop before an accident cut his career short, to look into it, unofficially. He does what he can, asking questions, doling out information to the press, and filling in some holes in the investigation, but he doesn't get far before one of Dougie's private school friends is killed and another is put in the hospital. What kind of trouble could a couple of sheltered kids get into that would end like that? And what does is have to do with Dougie's death? None of it adds up, but there's no way Ray can just wait around for something to happen. Following on the heels of his acclaimed debut, Tim O'Mara's Crooked Numbers is another outstanding mystery that brings the streets of Brooklyn and Manhattan to life and further solidifies O'Mara's place among the most talented new crime fiction writers working today.
Vollmer’s a young guy, grows up on ugly streets. He survives by being uglier, hurting people for money, hurting people because he likes hurting people. When he’s hired to track down Dust and bring back the money he stole, keeping Dust alive isn’t a priority. Neither is keeping anyone else alive, even people he loves. Vollmer’s killed people he loves before. With the Right Enemies is the bullet-drenched follow-up to Uncle Dust, Rob Pierce’s acclaimed debut novel about a bank robber’s disastrous fling with domestic life. Praise for WITH THE RIGHT ENEMIES: “A detailed and empathetic portrait of a personal struggle with demons we may not all face directly, but which always lurk beneath our carefully calculated covers. Pierce rips off that lid and exposes the common darkness of all our souls, whether we want to admit it or not.” —Will Viharo, author of Hard-Boiled Heart and Love Stories Are Too Violent For Me “One of the best noir and crime novels of the past five years. Pierce has done a masterful job of playing high drama and low stakes where the heart of the story isn’t about the big heist, or the big show down, or the fight scenes, but of the complicated nature of being a criminal, and a creature of violence, but not a simple caricature. A fantastic read for fans of cynical, dark, and yet hopeful tales of people who pay for their mistakes and have to keep the change.” —Jason Ridler, author of A Triumph For Sakura and Blood and Sawdust
Vern is a dangerous man—he makes illegal exchanges safe. Until someone tries to rip off a drug deal he’s working and he gets blamed. Now both gangs involved are after him, including the one he works for. And he’s going to clear his name, no matter who he has to kill in the process. Praise for VERN IN THE HEAT: “Rob Pierce is one of the more imaginative literary voices in our new emerging era of noir.” —James Grady, author of Six Days of the Condor “Rob Pierce is urban noir’s high priest from the mean streets.” —Joe Clifford, author of Lamentation and December Boys “Rob Pierce is a new talent that cuts deep into the underbelly of society and rips the guts and heart out of his protagonist.” —Lou Boxer, Noircon
After helping a frightened girl who flagged down their Kenworth in Austin and delivering her to safety, trucker Jojo Boudreaux and co-driver Gator Natoli believe that’s the end of it. Until they find her again in Oklahoma City, and this time she doesn’t want to be saved. They soon find themselves pulled into dangerous territory. Somali Mafia territory. A place where powerful people manipulate a hundred-billion-dollar industry of prostitution, drugs and international sex trafficking. A place where innocence dies at a cost no one should have to pay. It’s not long before Jojo is drawn in deeper, fighting for her own life in this violent world of corruption, abuse, and addiction. Armed with her wits and will, the only way to survive is to trust others, accept help from unexpected places, and never, ever give up hope.
Dan is a con man and a drifter just looking for a ride east. A strange woman in a business suit picks him up on the highway, and soon they’re going 70-miles-an-hour and she’s got a gun pointed at his head. Instead of shooting him, she hits him with a proposition to make some fast money. Against his better judgment, Dan sneaks into her office and steals the key to a safe deposit box. He thinks he’s made a clean getaway until he’s stopped on the way out by Kate, a sultry accountant who knows something is up and is looking for a way in on the score. Kate offers Dan a better deal, and the two figure out a way into the box. But there’s no money inside. What they do find is enough to track down a shady photographer who holds the promise of even more treasure. But deception, misdirection, and murder keep Dan on the run, as he begins to realize that Kate the office drone is not what she seems, and the lady on the highway who he double-crossed may be the most dangerous criminal he’s ever met.
A strange trip through the Kentucky countryside with a glue-sniffing, skull-cracking, squirrel-hunting private detective by the name of Neil Chambers… When Chambers is approached by a father who wants to get back his (adult) daughter, he takes the skeptic’s view of the case. But he has no idea the chaotic fever dream that he’s about to stumble into. Vicious rednecks, more vicious rich people, crooked sheriffs—Neil will fight them all. F*** solving the case; this is about survival. Praise for LOVE YOU TO A PULP: “DeWildt stands alone as a wicked wizard of crime fiction. Love You to a Pulp serves up heart and depravity in equal portions. Bold, brash, and completely original.” —Tom Pitts, author of Hustle “Chris DeWildt is the first honest-to-God heir apparent I’ve read to the rural noir master Jim Thompson.” —Joe Clifford, author of Lamentation “DeWildt has a tendency to drag his characters, as well as his avid readers, through the most despicable of circumstances, yet with Love You to a Pulp, that tradition lets a little redemption seep in through the cracks. A balance DeWildt handles like a pro. This book is full of masterful imagery from a provocative author at the top of his game, piled high on a bullet train of violence that demands that once you start watching, you don’t look away.” —Brian Panowich, author of Bull Mountain
“The stories in this breathless and relentless collection are rendered in a voice both elegant and manic, as if we’re seeing the world through a surreal and yet precise kaleidoscope, one that both celebrates and condemns our foibles and follies. Satirical and cutting as Jonathan Swift, hectic and skewed as Van Gogh, bitter and morbid as Poe, the stories collected in The Selected Letters of the Late Biagio Serafim Sciarra show us that all is not well in Paradise, that the savage wealth of America has created a land of lunacy. Perhaps only Gogol and Barthelme have written stories this fantastically brutal and beautiful. George Williams is one of the finest minds and writers of our generation.” —Eric Miles Williamson