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A guide to the Crooked Road, a 250-mile driving route through southwestern Virginia, officially designated as Virginia's Heritage Music Trail.
The acclaimed author of Carved in Sand—a veteran investigative journalist who endured persistent back pain for decades—delivers the definitive book on the subject: an essential examination of all facets of the back pain industry, exploring what works, what doesn't, what may cause harm, and how to get on the road to recovery. In her effort to manage her chronic back pain, investigative reporter Cathryn Jakobson Ramin spent years and a small fortune on a panoply of treatments. But her discomfort only intensified, leaving her feeling frustrated and perplexed. As she searched for better solutions, she exposed a much bigger problem. Costing roughly $100 billion a year, spine medicine—often ineffective and sometimes harmful —exemplified the worst aspects of the U.S. health care system. The result of six years of intensive investigation, Crooked offers a startling look at the poorly identified risks of spine medicine, and provides practical advice and solutions. Ramin interviewed scores of spine surgeons, pain management doctors, physical medicine and rehabilitation physicians, exercise physiologists, physical therapists, chiropractors, specialized bodywork practitioners. She met with many patients whose pain and desperation led them to make life-altering decisions, and with others who triumphed over their limitations. The result is a brilliant and comprehensive book that is not only important but essential to millions of back pain sufferers, and all types of health care professionals. Ramin shatters assumptions about surgery, chiropractic methods, physical therapy, spinal injections and painkillers, and addresses evidence-based rehabilitation options—showing, in detail, how to avoid therapeutic dead ends, while saving money, time, and considerable anguish. With Crooked, she reveals what it takes to outwit the back pain industry and get on the road to recovery.
For the last thirty years, singer Mary Black has been a dominant presence on the Irish music scene, an award-winning artist with many bestselling albums to her name. Now, in this long-awaited memoir, Mary takes us back to the roots of her musical heritage and to the influences that helped to shape her as an artist and a woman. Born into a musical family, Mary Black – a feisty tomboy who could hold her own when it came to sparring with her brothers and anyone else brave enough to take her on – began singing folk songs from the age of ten. Music played an important role in the family home and, performing with her brothers and her sister Frances, Mary built her highly successful career on the bedrock of these early years. From the pubs and clubs of her hometown, Dublin, she went on to perform in some of the most prestigious venues across the world. Always committed to exploring new material from the best writers, her unique talent attracted acclaim from critics, fellow artists and the public alike. It also led to a host of bestselling albums, including the multi-platinum No Frontiers, which spent more than a year in the Irish Top 30. Mary’s love of singing was matched only by the love she had for her family. As she recalls the inevitable tensions that arose when trying to juggle family life and a high-profile career, she tells of her struggle to combine the two contrasting aspects of her life. It was only through gritty determination, hard work and a fair amount of laughter that Mary was able to enjoy major success as an artist and, at the same time, raise a close and loving family with her husband Joe. Refreshingly honest, and written with warmth and humour, Down the Crooked Road offers a unique insight into the life and career of one of our most gifted singers – an artist who, during the course of her long career, has captured the hearts of millions around the world.
When Paul Two Persons joins the fight against a highway that would run right through the Red Lake Reservation, he also has to deal with "a murdered state cop, development plans mapped in indigenous code, a missing boy who witnesses too much, . [and] an Indian fetish accidentally dropped by a mysterious man who is involved in the scheme."--Jacket.
You want heartfelt sensitive stories about the mid-life crisis of a middle-class white guy? How about ironic tales of suburban marriages where the love has faded? Yeah, if that’s what you want, pick up some other book, because Crooked Roads, Alec Cizak’s first short story collection, is not for you. This book is about real humans in the real streets of cities and small towns. People who are messed up, people at the edge of things—at the edge of sanity, at the edge of morality, at the edge of legality. Criminals, the homeless, the depraved, the perverted, and just normal folk at the end of their rope. Go ahead, pick it up, give it a read. We dare you. Praise for CROOKED ROADS: “With fists pounding against cliché and convention, Alec Cizak creates prose that is bold…and bloody.” —David Cranmer, author of Adventures of Cash Laramie and Gideon Miles, and publisher of Beat To a Pulp Books
Written with the immediacy of a novel, this groundbreaking work of creative nonfiction traces the awakening of AIDS activist Linda Jordan, a woman whose life was a struggle to survive, and who became a messenger of hope for families coping with AIDS. From her unlikely beginnings as a second-generation welfare recipient, rape victim, and heroin addict to her eventual status as a local hero, this inspirational true story follows Linda through all five harrowing decades of her life in Hartford, Connecticut.
Harpham recounts her story of fear and ultimate gratitude when--while separated from her polar-opposite husband--she gives birth of a girl with a serious illness.
Now a classic, Kerouac’s Crooked Road was one of the first critical works on the legendary Beat writer to analyze his work as serious literary art, placing it in the broader American literary tradition with canonical writers like Herman Melville and Mark Twain. Author Tim Hunt explores Kerouac’s creative process and puts his work in conversation with classic American literature and with critical theory. This edition includes a new preface by the author, which takes a discerning look at the implications of the 2007 publication of the original typewriter scroll version of On the Road for the understanding of Kerouac and his novel. Although some critics see the scroll version of the novel as embodying Kerouac’s true artistic vision and the 1957 Viking edition as a commercialized compromise of that vision, Hunt argues that the two versions should not be viewed as antithetical but rather as discrete perspectives of a writer deeply immersed in writing as both performance and evolving process. Hunt moves beyond the mythos surrounding the “spontaneous creation” of On the Road, which upholds Kerouac’s reputation as a cultural icon, to look more closely at an innovative writer who wanted to bridge the gap between the luscious, talk-filled world of real life and the sterilized version of that world circumscribed by overly intellectualized, literary texts, through the use of written language driven by effusive passion rather than sober reflection. With close, erudite readings of Kerouac’s major and minor works, from On the Road to Visions of Cody,Hunt draws on Kerouac’s letters, novels, poetry, and experimental drafts to position Kerouac in both historical and literary contexts, emphasizing the influence of writers such as Emerson, Melville, Wolfe, and Hemingway on his provocative work.
It is a serious problem when society misunderstands or disregards sin and repentance. But when the church neglects these doctrines, the impact is profound. This book unfolds the nature and necessity of biblical repentance, but for the church in particular. Roberts' in-depth study heavily references both he Old and New Testaments, and includes chapters on the myths, maxims, marks, models, and motives of repentance, as well as the graces and fruits that accompany it. There is also wise warning about the dangers of delayed repentance.
'I'm not saying anything until you tell me some stuff. Like, who are you really?' 'I can't say,' said Skender. 'We're stuck, then,' said Kitty firmly. 'But I am sorry about spying on you. David's grandfather says he hasn't been kidnapped after all.' 'You were right, though, to think that he was in danger,' said Skender. 'I heard my parents talking. I don't think your friend is safe at all.' It's the end of a long, hot summer, and mystery is the last thing on the minds of friends Kitty, David, Andrea and Martin. Then Andrea spots a strange van parked behind David's house, and a few days later, he disappears. Kitty is convinced he's been kidnapped - and that the secretive new boy has something to do with it - but David's family say he's safe. Only why won't they say where he's gone? The friends don't know it, but they've stumbled on a sinister plot involving a criminal gang, a planned kidnap, and a school event that could go very, very wrong.