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A woman living and communicating in multiple lands, Susana Chávez-Silverman conveys her cultural and linguistic displacement in humorous, bittersweet, and even tangible ways in this truly bilingual literary work. These meditative and lyrical pieces combine poignant personal confession, detailed daily observation, and a memorializing drive that shifts across time and among geocultural spaces. The author’s inventive and flamboyant use of Spanglish, a hybrid English-Spanish idiom, and her adaptation of the confessional "crónica" make this memoir compelling and powerful. Killer Crónicas confirms that there is no Latina voice quite like that of Susana Chávez-Silverman. Includes a chapter that was awarded first prize in El Andar magazine’s Chicano Literary Excellence Contest in the category of personal memoir.
Before Colombia became one of the world’s largest producers of cocaine in the 1980s, traffickers from the Caribbean coast partnered with American buyers in the 1970s to make the South American country the main supplier of marijuana for a booming US drug market, fueled by the US hippie counterculture. How did Colombia become central to the creation of an international drug trafficking circuit? Marijuana Boom is the story of this forgotten history. Combining deep archival research with unprecedented oral history, Lina Britto deciphers a puzzle: Why did the Colombian coffee republic, a model of Latin American representative democracy and economic modernization, transform into a drug paradise, and at what cost?
Based on an analysis of Sherwood Anderson's letters, this study explores the novelist's principal inspiration during his final years (1938-1941): his exposure to Latin America. Thematically arranged correspondence traces his positive reception in South America--a place he saw as a source of fresh ideas and publishing opportunities--his desire to promote cultural relations between the two Americas, and his legacy among Spanish-speaking readers. The author discusses the political and economic climates of mid-20th century South American nations, their emerging liberal ideologies and the concerns Latin American readers had regarding societal upheaval, urbanization and the inequities of capitalism--all vividly depicted in Anderson's works.
Con tristeza y desconcierto, caminando hacia Emaús, hablamos de Jesús de cómo le vimos muerto. Qué sendero tan desierto, qué sombrío terraplén, y qué derrumbe también de ilusiones, esa tarde, con el ánimo cobarde al dejar Jerusalén.