Download Free Croatia In The Late Middle Ages And The Renaissance Book in PDF and EPUB Free Download. You can read online Croatia In The Late Middle Ages And The Renaissance and write the review.

Part of a series, this volumes charts the period from the 1200s to the late 1390s.
"....Presents about 30 essays charting the period from the seventh to the end of the twelfth century."--Front inside flap of dust jacket.
The collection Migration, Integration and Connectivity on the Southeastern Frontier of the Carolingian Empire offers insights into the Carolingian southeastern frontier-zone from historical, art-historical and archaeological perspectives. Chapters in this volume discuss the significance of the early medieval period for scholarly and public discourses in the Western Balkans and Central Europe, and the transfer of knowledge between local scholarship and macro-narratives of Mediterranean and Western history. Other essays explore the ways local communities around the Adriatic (Istria, Dalmatia, Dalmatian hinterland, southern Pannonia) established and maintained social networks and integrated foreign cultural templates into their existing cultural habitus. Contributors are Mladen Ančić, Ivan Basić, Goran Bilogrivić, Neven Budak, Florin Curta, Danijel Dzino, Krešimir Filipec, Richard Hodges, Nikola Jakšić, Miljenko Jurković, Ante Milošević, Marko Petrak, Peter Štih, Trpimir Vedriš.
Croatia is a magnificent land full of surprises. Visitors are amazed to discover a country with spectacular natural wonders, a great culinary tradition, excellent wine, architecture, a beautiful language, and a vibrant national culture. While it is a small country when measured in square miles, market size, or military power, it has a rich culture that has profoundly impacted the world. The contributors to Croatian Cultural Renaissance: From the Margins to the Crossroad of Europe were the protagonists who survived the communist period and then lived through the fraught period of the Croatian War of Independence in the 1990s; they worked to understand, build, and preserve their cultural identity and freedom as Croatian people. They are diplomats, government officials, artists, and academics who are recognized within Croatia for their intellectual prowess and for their vital and noteworthy contributions to their country. While the chapters explore different areas of Croatia’s national culture, they are united in showing how the national identity and ethos have deep roots and provide insight in what it means to be Croatian today.
The portrayal of princes plays a central role in the historical literature of the European Renaissance. The sixteen contributions collected in this volume examine such portrayals in a broad variety of historiographical, biographical, and poetic texts. It emerges clearly that historical portrayals were not essentially bound by generic constraints but instead took the form of res gestae or historiae, discrete or collective biographies, panegyric, mirrors for princes, epic poetry, orations, even commonplace books – whatever the occasion called for. Beyond questions of genre, the chapters focus on narrative strategies and the transformation of ancient, medieval, and contemporary authors, as well as on the influence of political, cultural, intellectual, and social contexts. Four broad thematic foci inform the structure of this book: the virtues ascribed to the prince, the cultural and political pretensions inscribed in literary portraits, the historical and literary models on which these portraits were based, and the method that underlay them. The volume is rounded out by a critical summary that considers the portrayal of princes in humanist historiogrpahy from the point of view of transformation theory.
The Adriatic is ‘the small Mediterranean’ – a sea within a sea, part of the Mediterranean and at the same time detached from it, a largely enclosed sea with stunning coastlines and a long history of commercial, political and cultural exchange. Silent witness to the flow of civilizations, the Adriatic is the meeting point of East and West where many empires had their frontiers and some overlapped. With Italy on one side and the Balkans on the other, the Adriatic is the area where the Latin West became intertwined with the Greek and Ottoman East. This book tells the history of the Adriatic from the first cultures of the Neolithic Age through to the present day. All of the great civilizations and cultures that bordered and crossed the Adriatic are discussed: Ancient Greece and Rome, Byzantium and the Holy Roman Empire, Venice and the Ottomans, Catholicism, Orthodox Christianity and Islam. Byzantium was replaced by Venice, queen of the Adriatic, which reached its zenith at the beginning of the sixteenth century and maintained commercial and military hegemony in its Gulf, sharing the sea with the Turks, the Habsburgs, the Pope and the Spanish vice-kingdom of Naples. It was Napoleon who ended Venice’s reign in 1797. In the nineteenth century, the Austrian Empire prevailed, and Central Europe reached the Mediterranean through the Adriatic. United Italy placed its most symbolic frontier in the eastern Adriatic, clashing with Austria-Hungary in the First World War. The twentieth century was marked by the prolonged conflicts and eventually peace between Yugoslavia, Albania and Italy. Today the Adriatic is a region increasingly integrated into the European Union, experiencing a new era of cooperation following the dramatic collapse of Yugoslavia. Across centuries, this book illustrates the rich cultural and artistic heritage of diverse civilizations as they left their mark on the cities, shores and states of the Adriatic.
A ground-breaking investigation into the emergence of new written literatures in the vernacular languages of medieval Europe.
A completely new approach to the history of Renaissance architecture, encompassing the entire continent and dealing with the work of well-known architects such as Michelangelo and Andrea Palladio alongside lesser known though no less innovative designers such as Juan Guas in Portugal and Benedikt Ried in Prague and Eastern Europe.
Presenting the history of the Slavs in the Middle Ages in a new light, this study shows how the 'Slavs' were treated as a cultural construct and as such politically instrumentalized, and describes the real structures behind the phenomenon.